One-Minute Book Reviews

November 10, 2008

‘Miss Pettigrew Lives for a Day’ – Winifred Watson’s Rediscovered Classic

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A meek and virginal 40-year-old governess stumbles into a glamorous 1930s world of cocktails and evening gowns

Miss Pettigrew Lives for a Day. By Winifred Watson. Illustrations by Mary Thomson. Foreword by Henrietta Twycross-Martin. Persephone Classics, 234 pp., $15, paperback.

By Janice Harayda

This sparkling comedy is something rare: an intelligent fairy tale. Henrietta Twycross-Martin rightly compares it to a Fred Astaire movie. But Guinevere Pettigrew hardly resembles the heroines of those films. She’s no gamine Audrey Hepburn, seduced by Astaire’s sophistication, in Funny Face: She’s a virginal 40-year-old curate’s daughter, without family or friends, who gets so little work as a governess that she is facing eviction for nonpayment of rent.

Then her employment agency sends her, mistakenly, to the home of a nightclub singer instead of family of untamed children. Over the next 24 hours her life changes in ways that are near-magical yet believable.

Winifred Watson describes the upheavals on an hour-by-hour basis that invests her novel with a voyeuristic allure-by-proxy: Reading Miss Pettigrew Lives for a Day is like reading a diary kept not by its owner by an amused and lighthearted observer. That structure works partly Guinevere’s character remains solidly drawn through all the changes: She is meek but open-hearted, susceptible to change but not a fool, and free of self-pity yet touchingly grateful for her good fortune.

Like all good fairy-tale heroines, Guinevere can think on her feet. She is hardly knows what to say when she arrives at the home of singer Delysia LaFosse and finds her wearing “the kind of foamy robe, no mere dressing gown, worn by the most famous of stars in seduction scenes in the films.” Yet she finds the right words, telling Miss LaFosse shyly: “You look so lovely in that … that article of clothing.”

Dazzled as she is, Guinevere helps her new acquaintance sort through romantic entanglements that have elements of a classic bedroom farce. Miss LaFosse repays her by showing her a world of cocktails, evening gowns and men who never knew her as a failed governess. Miss Pettigrew, though sheltered and naïve, never comes across as vapid or ridiculous. Without being stuffy, she has self-respect.

All of this alone might set this novel apart from much of the more recent fiction aimed at women. But Miss Pettigrew Lives for a Day also has sparkling repartee, bright scenes of London nightlife, and whimsical pen-and-ink drawings retained from the first edition. In 1001 Books You Must Read Before You Die, Meg Jensen writes aptly that this novel reminds us that “it is never too late to live.” It doesn’t hurt that this book lacks a stereotypical pink cover, either.

Best line: “Terrified, aghast, thrilled, Miss Pettigrew stared at the innocent-looking white powder. Drugs, the White Slave trade, wicked dives of iniquity, typified in Miss Pettigrew’s mind by red plush and gilt and men with sinister black moustaches, roamed in wild array through her mind. What dangerous den of vice had she discovered? She must fly before she had lost her virtue. Then her common sense reminded her that no one, now, would care to deprive her of that possession.

Worst line:” ‘And yes,’ thought Miss Pettigrew; ‘somewhere in his ancestry there had been a Jew.’”

Recommendation? Manna for book clubs. Smart, funny, short enough that everybody can finish it.

Published: 1938 (first edition), 2008 (Persephone Classics edition).

Movie link: For more on the 2008 movie version, visit www.imdb.com/title/tt0970468/.

Furthermore: Watson’s obituary in the Independent is posted at www.independent.co.uk/news/obituaries/winifred-watson-640426.html.

About Persephone Books: Persephone publishes “neglected fiction and non-fiction by women, for women and about women” that are “neither too literary nor too commercial.” www.persephonebooks.co.uk

© 2008 Janice Harayda. All rights reserved.
www.janiceharayda.com

October 13, 2007

Remembering a One-Room School in Iowa in a New Memoir — When Mail-Order Catalog Pages Were Toilet Paper — Quote of the Day (Richard Willis)

Few Americans remember what it was like to learn in a one-room schoolhouse. One who does is Richard Willis, an 80-year-old New York actor and retired theater professor who played Asa Buchanan’s butler, Nigel, on the soap opera One Life to Live. He recalls the small white Aurora Schoolhouse in Long Gone (Greenpoint Press, 192 pp., $20, paperback), a new memoir of growing up on a farm in Marengo, Iowa, in the 1930s and ’40s. Here’s part of what he says about his education:

“Our school was heated by a big, jacketed stove placed a little off-center in the room. Midwest winter temperatures dropped to twenty, sometimes thirty, degrees below zero. A teacher’s quality was sternly tested when it came time to bank the fire so that it would hold the night. Only a real veteran could keep a fire going over the weekend. When the fire burned out, as it often did, kids coming to school after a freezing walk of a mile or two found the place icy cold. While the room warmed up – it seemed to take forever – the youngest of us sat with our feet up on a railing around the base of the stove, but older pupils had to endure (proudly) the chill at their desks. Ink froze solid, and all of the work had to be done in pencil until the schoolroom warmed up …

“Sanitary arrangements were primitive. Two outdoor privies were set at the edge of the schoolyard. They smelled bad. The older boys told me that if you carried any food into a privy (I couldn’t imagine why anyone would want to do that) it would be poisoned.

“Regular toilet paper was a luxury our school district couldn’t afford. We made do with discarded mail order catalogs, the softer index pages much preferred over the stiff coated-paper pages. One of our neighbors stocked his privy with a crock full of clean corncobs instead of paper – I am not making this up – but things were never that bad at school.”

You can read other excerpts from Long Gone in the Summer 2005 and Summer 2006 issues of Ducts www.ducts.org, a webzine that specializes in personal stories. Greenpoint Press is a subsidiary of New York Writers Resources www.newyorkwritersworkshop.com.

© 2007 Janice Harayda. All rights reserved.
www.janiceharayda.com

September 21, 2007

A Gallop Around the Big Top in Sara Gruen’s ‘Water for Elephants’

A resident of an assisted living facility looks back on his work for a Depression-era traveling circus

Water for Elephants: A Novel. By Sara Gruen. Algonquin, 331 pp., $13.95, paperback.

By Janice Harayda

Reading this overpraised historical novel is like watching a circus show that moves so briskly and has so many bizarre acts that you almost don’t notice how threadbare the performers’ costumes are. Like Oldest Living Confederate Widow Tells All, it takes the form of a monologue by one of those human curiosities who are among the last of their kind. In this case, he’s a man in his 90s who looks back on his stint with a Depression-era traveling circus from his perch in an assisted living facility.

This premise gives Sara Gruen plenty of room to introduce oddballs like “the human ostrich,” a man who claims he can swallow and return any object. “Wallets, watches, even lightbulbs!” a barker shouts. “You name it, he’ll regurgitate it!” By far the most interesting parts of the novel involve these characters, many inspired by real-life performers Gruen uncovered during her research.

Otherwise Water for Elephants is pure pop fiction — a sentimental fairy tale about cruel bosses, lovable freaks and an elephant as loyal as Dr. Seuss’s Horton. Gruen sets the tone when she reels off a half dozen or so clichés in the first two pages. The rest of the novel develops predictable themes – for example, that wife-beating and cruelty to animals are wrong – at a pace that helps to minimize the damage. If many historical novels move at the speed of a hippo that’s just been shot with tranquilizing darts, this one resembles a good show under the big top in at least one respect: It rushes forward at a full gallop until the last page.

Best line: A line about bank robber Charles Arthur “Pretty Boy” Floyd, romanticized by the newspapers of his day. The narrator of the novel, Jacob Jankowski, sees a headline that reads: “PRETTY BOY FLOYD STRIKES AGAIN: MAKES OFF WITH $4,000 AS CROWDS CHEER.”

Worst line (three-way tie): No. 1 “My heart skipped a beat … Thunderous applause exploded from the big top … the music screeched to a halt … No one moved a muscle.” All of these clichés appear in the first page-and-a-half. No. 2 Later on, characters say cloyingly folksy things like “Dagnammit” and “Grady, git that jug back, will ya?” No. 3 Some characters also “hiss,” “cackle,” “bark,” “hoot” and “cluck” their words instead of saying them. (As in: “‘Woohoo,’ cackles the old man.”)

Reading group guide: The publisher’s guide appears in the paperback edition and online at www.algonquin.com. A Totally Unauthorized Reading Group Guide was posted on One-Minute Book Reviews on Sept. 21, 2007, just before this review. If you are reading this review on the home page for the site, scroll down to find the guide. If you are reading the review elsewhere on the site or on the Web, click on this link to find it: www.oneminutebookreviews.wordpress.com/2007/09/21/.

Published: April 2007 (paperback), May 2006 (hardcover).

One-Minute Book Reviews was the seventh-ranked book review site on Google www.google.com/Top/Arts/Literature/Reviews_and_Criticism/as of Sept. 6, 2007. It does not accept free books from publishers.

© 2007 Janice Harayda. All rights reserved.
www.janiceharayda.com

A Totally Unauthorized Reading Group Guide to Sara Gruen’s ‘Water for Elephants’

10 Discussion Questions for Book Clubs and Others
Water for Elephants
A Novel by Sara Gruen
Source: One-Minute Book Reviews
http://www.oneminutebookreviews.wordpress.com

This guide for reading groups and others was not approved by the author, publisher or agent for the book. It is copyrighted by Janice Harayda and is only for your personal use. Its reproduction in any form is illegal except by public libraries, which may reproduce it for use in their in-house reading programs. Other reading groups that wish to use this guide should link to it or check the “Contact” page on One-Minute Book Reviews to learn how to request permission to reproduce the guide.

Algonquin Books has posted a reading group guide to Water for Elephants at www.algonquin.com that you may want to use at a starting point for your discussions. But like most publishers’ guides, that guide is part of a publicity campaign designed to sell books. It does not encourage criticism, quote negative reviews or compare the novel to others that you might enjoy more. The following Totally Unauthorized Reading Group Guide is not intended to be comprehensive but only to raise questions the Algonquin guide doesn’t.

A few generations ago, many Americans dreamed about escaping from humdrum lives by joining a traveling circus. Sara Gruen describes the tawdry allure of a Depression-era Big Top in her historical novel, Water for Elephants, a No. 1 New York Times bestseller. Her narrator is Jacob Jankowski, a widowed nonagenarian who lives in an assisted living facility and looks back on his work for a traveling circus after his parents’ deaths forced him to leave veterinary school. Young Jacob is intelligent and hard-working. But if he expects those traits to help him avoid brutal hardship, he is corrected by the equestrian director of the Benzini Brothers circus. “The whole thing’s an illusion, Jacob,” his co-worker says, “and there’s nothing wrong with that. It’s what people want from us. It’s what they expect.”

Questions for Readers

1. Historical novels are often overpraised, because good research can mask or distract you from flaws in the plot, characterization or structure of a book. Do you think Water for Elephants deserved all the praise quoted in the front matter of the paperback edition? Or do you believe some critics might have been willing to overlook its flaws because of interesting material that Sara Gruen turned up in her research? Were you willing to overlook any flaws you found in the novel? Why?

2. Susan Cheever, the novelist and memoirist, says in the same front matter that Water for Elephants is “a book about what animals can teach people about love.” Do you agree? If so, why? If not, what is this novel really “about”?

3. “Despite her often clichéd prose and predictable ending, Gruen skillfully humanizes the midgets, drunks, rubes and freaks who populate her book,” a reviewer for the trade journal Publishers Weekly wrote. Algonquin omits the first part of that sentence and begins with “Gruen” when it quotes from the review in the paperback edition. This kind of editing is considered fair – or at least standard – in publishing. It’s also fair to ask: How did you react to that “often clichéd prose”? (There are at least five clichés in the first one-and-a-half-pages: “thunderous applause,” “screeched to a halt,” “My heart skipped a beat,” “No one moved a muscle,” and “ ‘you’ve got a lot to lose.”) If you had been the editor of the novel, would you have suggested that Gruen lose a few? Or is the book is strong enough that it doesn’t matter?

4. Did you find the ending of the book as “predictable” as the PW reviewer did? Or did you find it surprising? Why?

5. Authors of historical novels usually try to avoid anachronisms such as modern language used by characters from other eras. How well did Gruen do on that count? Would Depression-era characters say things like, “So, did you two manage to hook up?” [Page 158] Does this matter? Why or why not?

6. Many novels that are popular with book clubs come from female authors who write in the voice of a female character. Water for Elephants is different in that its narrator is a man in his 90s. How well did Gruen portray Jacob? Did she portray characters of one sex better than the other?

7. Historical novels are traditionally defined as books in which the action takes place before their authors were born. Pride and Prejudice, for example, isn’t considered a “historical” novel because Jane Austen was writing about her own times. But many of the most popular American novels of the past 100 years, from Gone With the Wind to The Clan of the Cave Bear and Cold Mountain, are historical novels. How would you compare Water for Elephants with some of your favorites?

8. Gruen says in an interview in the back matter of the paperback edition that the “backbone” of her novel “parallels the biblical story of Jacob.” [Page 350] For example, the biblical Jacob works for seven years for his uncle Laban. In Water for Elephants, Jacob Jankowski “worked on circuses for nearly seven years” [Page 4], one of them owned by a man named Uncle Al. Apart from the appearance of “Jacob’s ladder,” the best-known part of the biblical story occurs when Esau sells his birthright to Jacob, his younger brother, for food. [In the time of Esau and Jacob, on the death of the father, the oldest son received twice as much property as any other child, known as the “birthright.] Does Water for Elephants have a counterpart to Esau?

9. Many people might consider the prologue to Water for Elephants to be controversial, because you could argue that it deceives you about the killer of August Rosenbluth, the superintendent of animals at the Benzini Brothers circus, in the scene in which he dies. How did you react to the scene? [Page 4] Was it fair or unfair given what happens later?

10. One way to judge the prologue is to compare it with mysteries you’ve read. A canon of mystery-writing that authors must “play fair” with readers. This means, in part, that a writer must give you all the clues you need to solve the mystery and provide them at appropriate times. (For example, a writer can’t withhold all or most of the important clues until halfway through the book or later, because this would deprive you of a pleasure you expect from a mystery – the chance to figure out “who did it” as you go along.) A mystery writer must also write as clearly as he or she can. That is, the the identity of the killer can be uncertain until the end, but the language can’t be unclear because of murky pronoun antecedents or other intentional grammatical lapses. How does all of this relate to the prologue and what comes after?

Extras:
1. James Michener, who did heavy research for his own books, said: “The greatest novels are written without any recourse to research other than the writer’s solitary inspection of the human experience. Flaubert, Dostoevski, Jane Austen, Turgenev, and Henry James exemplify this truth.” [Literary Reflections: Michener on Michener, Hemingway, Capote, & Others (State House press, 1993), p. 74.] Do you agree or disagree?

2. If you agree with Susan Cheever that this is “a book about what animals can teach people about love,” what do the animals teach us? What do we learn from this book that you couldn’t get from movies and television shows like Babe or Lassie, which involved intelligent and loyal animals?

Vital statistics:
Water for Elephants: A Novel. By Sara Gruen. Algonquin, 335 pp., $13.95, paperback.

Published: April 2007 (paperback), May 2006 (Algonquin hardcover). A review of Water for Elephants appeared on One-Minute Book Reviews on Sept. 21, 2007. If you are reading this guide on the home page for the site, scroll up to find the review. If you are reading it elsewhere on the site or on the Internet, click on this: www.oneminutebookreviews.wordpress.com/2007/09/21/.

Your book group may also want to read:

Genesis, Chapters 25:19–37:35. The biblical story of Jacob appears in these.

Horton Hatches the Egg, by Dr. Seuss, first published by Random House www.seussville.com in 1940 and also available in other editions. The epigraph for Water for Elephants comes from this book.

Janice Harayda www.janiceharayda.com is an award-winning critic who has been the book columnist for Glamour, book editor of the Plain Dealer and a vice-president of the National Book Critics Circle www.bookcritics.org. One-Minute Book Reviews does not accept free books from editors, publishers or authors, and all reviews and guides offer an independent evaluation of books that is not influenced by marketing concerns. If this guide helped you, please bookmark this site or subscribe to the RSS feed. Totally Unauthorized Reading Group Guides appear frequently but not on a regular schedule.

© 2007 Janice Harayda. All rights reserved.

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