One-Minute Book Reviews

November 20, 2009

A Midwestern Gothic Boyhood – David Small’s Graphic Memoir for Adults and Teenagers, ‘Stitches’

An illustrator found that during a painful childhood, “Art became my home.”

Stitches: A Memoir. By David Small. Norton, 329 pp., $24.95. Ages: See discussion below.

By Janice Harayda

David Small’s mother had her heart in the wrong place — literally. Elizabeth Small was born with her heart on the wrong side of her chest, and the defect serves as a metaphor for her coldness to her son in this graphic memoir and Midwestern Gothic tale of growing up in Detroit in the 1950s.

As a teenager, Small had surgery for throat cancer caused by high doses of radiation given to him by his physician father for sinus problems. His parents didn’t tell him he had cancer, and he learned of it from a purloined letter. He discovered that his mother was a lesbian when he found her in bed with another woman and that his grandmother was insane when she set her house on fire.

Small blends real and imagined scenes as he describes these and other traumas in a book that fittingly bears many hallmarks of neo-gothics: a madwoman, night terrors, family secrets, a locked drawer, mysterious passageways, a church with pointed arches. He also nods to Alice in Wonderland through both words and pictures, including images of a psychiatrist-as-White-Rabbit who helps him burrow into his past and find redemption through art.

Working in pen-and-ink washed with black and white, Small has filled Stitches with artistically and psychologically rich illustrations that help to offset the limits of the weaker, solipsistic text. In his pictures he vividly shows the world from a child’s point of view, often by casting himself as a small figure looking up at adults whose eyes are obscured by glasses that suggest their inability to see him for who he is.

But Small writes from the point of view of an adult looking back on his childhood, which at times makes for subtle discontinuities between the images and words. The back matter suggests that he knows his mother comes across as a monster and that he became aware of some aspects of her grief only after she died. And yet countless writers have made you feel both their youthful sorrow and that of the parents who caused it.

The pain of unhappy housewives like Elizabeth Small was powerful enough to help launch the modern feminist movement. Hers must have been that much greater because she had the added burden of having to hide her sexual identity. But Stitches gives you little sense of that pain; you see its roots in her own upbringing, but you never feel it. Perhaps a sequel will capture more of the spirit of a quotation in Small’s afterword about his mother, which comes from the poet Edward Dahlberg, “Nobody heard her tears; the heart is a fountain of weeping water which makes no noise in the world.”

Ages: Stitches made the shortlist for the 2009 National Book Award for young people’s literature, and some people questioned whether it belonged there or in an adult category. It’s a judgment call: This is a crossover book that may appeal both to mature teenagers and to adults who enjoy graphic novels and memoirs.

Best line/picture: No. 1: “Art became my home.” No. 2: In a review in the Washington Post, Michael Sims described one of the finest pictures in the book, which appears on the frontispiece and elsewhere: “The boy sits on the floor, on a sheet of drawing paper almost as large as he is. Crayons lie scattered nearby. He leans forward, resting the top of his head on the paper. Then he begins to literally sink through the floor, to disappear into the paper. A last kick of his legs reveals that he wasn’t sinking so much as joyously diving head-first into the world he created, leaving behind the world he was born into.”

Worst line/picture: “On the one hand, I felt the fear, humiliation and pain … While on the other, for reasons I could not quite understand, I felt that she was justified … and that I deserved everything I had gotten.” This passage supposedly describes Small’s feelings at the age of six but sounds more like something he worked out later in therapy. It is also involves telling rather than showing. Small doesn’t trust you to understand his feelings from his pictures, as he does in many other parts of the book, so he overelaborates here.

Published: September 2009

About the author: Small also wrote Imogene’s Antlers and illustrated Judith St. George’s So You Want to Be President?, which won the 2001 Caldecott Medal. His work has appeared in the New Yorker and other magazines. Born in 1945, he lives in Michigan.

Children’s book reviews appear on this site on Saturday’s. You can also follow Jan on Twitter (@janiceharayda) www.twitter.com/janiceharayda, where further comments on them sometimes appear during the week.

© 2009 Janice Harayda. All rights reserved.
www.janiceharayda.com

August 28, 2007

Bob Tarte’s ‘Fowl Weather,’ a Memoir of Country Life With 39 Animals (Books I Didn’t Finish)

Filed under: Books I Didn't Finish,Memoirs,Nonfiction — 1minutebookreviewswordpresscom @ 1:37 am
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The latest in an occasional series of posts on books I didn’t finish and why I didn’t

Title: Fowl Weather (Algonquin, 320 pp., $23.95), by Bob Tarte.

What it is: A Michigan writer’s memoir of the country life he and his wife share with 39 birds, ducks, geese, rabbits, cats, rabbits and other creatures.

How much I read: The first seven and last two chapters (more than half the book).

Why I stopped reading: Fowl Weather didn’t live up to its billing as having a “Dave Barry on a farm” sensibility. The authors of great animal stories – from James Herriot to John Grogan — leave no doubt that they love people as much as animals. Tarte often seems to love animals more than people. His humor tends to be cute or arch instead of witty and is sometimes mean-spirited, especially when he takes aim at the elderly. He writes of a frail gardener who wanted to work for him: “He wheezed like a cracked boiler as he staggered around the yard to appraise the work … I had an envelope that needed licking, but he left before I could suggest it.”

Best line in what I read: Tarte describes a quartet of baby Baltimore orioles that he and his wife, Linda, rescued: “We both declared them to be our favorites of all the birds she’d raised. In stark contrast to the starlings – or even baby blue jays, which are unexpectedly well mannered – the orioles didn’t shriek at feeding time. Nor did they flap frantically around inside their cage as starlings did, in the manner of bats swirling out of a cave. They waited for their turns like people in line at the savings and loan … And what a beauty a baby Baltimore oriole was, with its olive-brown head, barred black-and-white wings, an patch of burnt yellow on the breast.”

Worst line in what I read: A description of one of Tarte’s childhood neighbors: “Brink was the barely coherent old bore from the next block who had made a habit of sneaking up on my father while he was doing yard work and informing him, ‘That’s how I got my start,’ as the launching point for a discussion about his sales career.” In Fowl Weather animals typically get more sympathy than this.

Published: March 2007 www.bobtarte.com and www.algonquin.com. Fowl Weather is a sequel to Enslaved by Ducks (Algonquin, $12.95, paperback).

Consider reading instead: John Grogan’s Marley and Me (Morrow, $21.95) www.marleyandme.com, the true story of a family’s life with a wayward Labrador retriever, or Betty MacDonald’s The Egg and I, a classic memoir of a young couple’s struggle to raise chickens, made into a 1947 movie with Fred MacMurray and Claudette Colbert www.imdb.com.

© 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

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