One-Minute Book Reviews

July 13, 2012

Donna Leon’s ‘Drawing Conclusions’ – Art and Death in Venice

Filed under: Fiction,Mysteries and Thrillers,Novels — 1minutebookreviewswordpresscom @ 12:56 am
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A mystery built on the theme that uncharacteristic behavior may reveal someone’s true character

Drawing Conclusions. By Donna Leon. Penguin, 260 pp., $15, paperback.

By Janice Harayda

Guido Brunetti has a wife he loves “to the point of folly” and two children in whom he has “invested every hope of happiness on this earth.” Those facts alone set him apart from the many fictional detectives who live by variations on Rudyard Kipling’s ”Down to Gehenna or up to the Throne, / He travels the fastest who travels alone.”

But Donna Leon’s Venetian police commissioner also has a rare wisdom and humanity in a field littered with sleuths who get by on wisecracks and macho swagger. Like Georges Simenon’s Inspector Maigret, Commissario Brunetti tends to solve crimes through a keen grasp of human nature rather than shoot-’em-up gunslinging or high forensic gimmickry. That pattern holds in the 20th Brunetti mystery, which involves the death of a widow who sheltered battered women in her Venice apartment. Several valuable drawings have vanished from the victim’s walls, including a Corot, and the case looks like an art theft turned tragic. Brunetti suspects that something more complex has occurred, and his findings ultimately make the lost artworks look like a red herring.

So the appeal of Drawing Conclusions lies less in its plotting than in its atmospheric portrait of Venice, its psychological insights, and its author’s ability to develop a theme across multiple characters, not  just in that of the victim or a foe. Brunetti knows that as Dante’s Inferno has “thieves transformed into lizards, lizards into thieves, the moment of transformation invisible until complete,” people can be two things at once. Or, as his mother believed, uncharacteristic behavior can show someone’s true character. In this novel Brunetti shows that he, too, can be two things at once. And he paradoxically shows an admirable dimension of his character when he acts in an uncharacteristic way.

Best line: No. 1: He was “seduced into the suspicion that trace elements of humanity were still to be found in his superior’s soul.” No. 2: “Brunetti had struck on a truth, and he knew it: even the worst men wanted to be perceived as better than they were.”

Worst line: “a blonde woman.” “Blonde” is a noun that refers to a person, “blond” an adjective that describes a hair color. [Please see Victoria Corby's comment on different uses of "blond" and "blonde" in the U.S. and U.K.]

Published: 2011 (Heinemann hardcover), 2012 (Penguin paperback).

Furthermore: Leon talks to Tim Heald in a Telegraph interview about her Brunetti novels.

You can follow Jan on Twitter by clicking on the “Follow” button in the sidebar at right.

© 2012 Janice Harayda. All rights reserved.
www.janiceharayda.com

July 26, 2010

Wendy Holden’s Novel ‘Beautiful People’ — Trouble in Tuscany

Filed under: Novels — 1minutebookreviewswordpresscom @ 6:26 pm
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Beautiful People. By Wendy Holden. Sourcebooks Landmark, 420 pp., $14.99, paperback.

By Janice Harayda

Wendy Holden’s ninth novel shows little of the satirical verve on display in her Farm Fatale and Bad Heir Day, both as fizzy and delicious as a Kir Royale. Beautiful People resembles a conventional wine from the Tuscan hills, the setting for the working-out of the romantic and professional dilemmas of its three heroines – a kind Yorkshire-bred nanny, a London-based actress from a theatrical dynasty similar to the Redgraves, and an apparently American film star whose career is tanking.

Holden serves up few savory bits for star-gazers in this international romp: Did you know that Madonna has outwitted paparazzi by wearing the same black tracksuit for three years while jogging to “make the pictures look the same as they had for the last three years and render the image unsellable”? Or that David Bowie hides in plain sight on the Underground by wearing cheap sunglasses and reading a Turkish newspaper?

But Holden drags her plot sideways by beginning her novel with a chapter on sub-lead characters, and she never quite gets it back on a fast, straight track. And even the keenest fans of her much-admired gift for wordplay may wonder: Did she really intend have two characters whose names are variations on the word “cockroach”?

Best line: “Mitch still had no idea why Belle’s studio had imagined that a film about an uptight, pyromaniac, religious nutcase was a suitable vehicle for her.” This line comes closer than any other to having the over-the-top flair that made Holden’s early novels so appealing.

Worst line: No. 1: “It takes a lot of money to look that cheap.” If you’re going to reheat a line Dolly Parton has been using for years, if not decades, doesn’t she deserve a credit? No. 2: “there were iPod earphones curling around his neck.” In the U.S., they’re called ear buds. The term may be different in Britain, where Holden lives, but if not, anybody who is writing about style-setters needs to get details like this right.

Published: April 2010

Conflict alert: Sourcebooks published my second novel, Manhattan on the Rocks.

About the author: Holden lives in England, where her novels has appeared repeatedly on best-seller lists.

Read excerpts from Beautiful People and other novels by Holden.

Furthermore: A review of Holden’s entertaining Bad Heir Day appeared on this site Dec. 19, 2006, in a post that also had comments on her Farm Fatale and Simply Divine.

Janice Harayda is an award-winning journalist who has been the book columnist for Glamour and the book editor of the Plain Dealer. You can also follow her on Twitter at www.twitter.com/janiceharayda.

© 2010 Janice Harayda. All rights reserved.
www.janiceharayda.com

July 20, 2010

A Totally Unauthorized Reading Group Guide to Tom Rachman’s ‘The Imperfectionists’

Filed under: Totally Unauthorized Reading Group Guides — 1minutebookreviewswordpresscom @ 11:45 pm
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10 Discussion Questions for Book Clubs and Others
The Imperfectionists: A Novel
Tom Rachman
Source: One-Minute Book Reviews
http://www.oneminutebookreviews.wordpress.com

This guide for reading groups and others was not authorized or approved by the author, publisher or agent for the book. It is copyrighted by Janice Harayda and is only for your personal use. Its sale or reproduction is illegal except by public libraries, which may make copies for use in their in-house reading programs. Other reading groups that would like to use this guide should link to it or check the “Contact” page on One-Minute Book Reviews to learn how to request permission to reproduce it.

Tom Rachman blends comedy and tragedy in The Imperfectionists, a collection of linked short stories about the staff members and others attached to an unnamed English-language newspaper in Rome. His idiosyncratic daily is trying to stay afloat in the digital age. But it has no website because, an editor says, “The Internet is to news what car horns are to music.” Can such a journalistic throwback survive? Rachman withholds the answer until the last pages of a book that reads like a collection of smartly written parables about the human illusions that lie at the intersection of work and love.

Questions for Discussion:

1. The publisher of The Imperfectionists has billed the book as “a novel,” but it reads like a collection of linked short stories. Did the book work as a novel? Why or why not?

2. A character in The Imperfectionists expresses a theme of the book when she reflects that “living overseas changes the rules.” [Page 185] What did she mean? How has living abroad has changed the rules for some of the characters in the novel?

3. Another theme of the book is that human illusions persist in adulthood and that, to some extent, we need them. Rachman’s characters typically cling to a fantasy until jolted out of it (as happens to the corrections editor who believes that he and his old friend Jimmy are “gradations of the same man” until Jimmy visits and the editor realizes that they are “utterly different”). [Page 94] How well does Rachman develop this theme? Were you persuaded, for example, that the corrections editor would cling for so long to his fantasies about Jimmy’s writing talents? Or that the Paris correspondent could be so mistaken about his son?

4. How does living abroad feed the illusions of the characters in The Imperfectionists? Would its story have worked if Rachman had set the story in a city in the U.S.? Why?

5. The stop-and-go format of linked-story collections can work brilliantly, as it does in Winesburg, Ohio. It can also make it harder for an author to maintain a steady pace, because there’s a narrative break at the end of every story or chapter. (One critic said that “desultoriness … is only narrowly kept at bay” in The Impressionists.) How would you characterize the pace of the book?

6. One critic said that Rachman serves up “a procession of biscotti-cutter characters.” Do you agree or disagree?

7. Rachman combines comedy and tragedy, qualities that are often hard to unite in fiction. His story involves the death of child but also entertainingly hapless headlines such as “GLOBAL WARMING GOOD FOR ICE CREAMS” or “WORLD’S OLDEST LIAR DIES AT 126.” How well did Rachman bring comedy and tragedy together in his book? Which characters or events seemed the most amusing and the saddest?

8. Why do you think Rachman set his first story in Paris when most of the rest of The Impressionists takes place in Rome?

9. Christopher Buckley praised the endings of Rachman’s stories in his New York Times Book Review review of The Impressionists, some of which have what’s often called an “O. Henry twist.” Which endings did you find most memorable? Why did they work?

10. Several other linked short story collections have had a lot of attention recently, including the Pulitzer Prize-winner Olive Kitteridge. How does The Impressionists compare to any others you’ve read?

Your book group may also want to read:

And Then We Came to the End (Back Bay, 2008, paperback) by Joshua Ferris. D. J. Taylor wrote in a Guardian review that The Imperfectionists has a “faint yet persistent resemblance” to Ferris’s novel, “much of whose obliquity and ground-down communal spirit it shares.”

Vital statistics:

The Imperfectionists: A Novel. By Tom Rachman. Dial Press, 272 pp., $25. Published: April 2010. Editor: Susan Kamil.

A review of The Imperfectionists appeared on One-Minute Book Reviews on July 20, 2010.

Publishers’ reading group guides are marketing tools designed to sell books. They typically encourage cheerleading instead of a lively discussion of the merits or demerits of an author’s work. Totally Unauthorized Reading Group Guides are an alternative to publishers’ guides and are intended to give books a fuller context and to promote a more stimulating conversation about them.

One-Minute Book Reviews does not accept free books from editors, publishers or authors, and all reviews and guides offer an independent evaluation of books. Totally Unauthorized Reading Group Guides appear frequently but not on a regular schedule. To avoid missing them, please bookmark this site or subscribe to the RSS feed.

Janice Harayda is a novelist and award-winning critic who has been the book columnist for Glamour, book editor of the Plain Dealer and a vice-president of the National Book Critics Circle. You can also follow her on Twitter at www.twitter.com/janiceharayda, where she writes about books and often comments on book clubs.

© 2010 Janice Harayda. All rights reserved.
www.janiceharayda.com

Tom Rachman’s ‘The Imperfectionists’ – The Graveyard Shift at a Newspaper in Rome

The Imperfectionists: A Novel. By Tom Rachman. Dial Press, 272 pp., $25.

By Janice Harayda

Staff members at the Christian Science Monitor used to joke when the newspaper had a print edition that “we bring you yesterday’s news tomorrow.” A similarly idiosyncratic worldview links the reporters, editors and others attached to the unnamed English-language daily in Rome that whistles in the dark in Tom Rachman’s The Imperfectionists. The newspaper lacks a website because, the editor-in-chief’s point man believes, “The Internet is to news what car horns are to music.”

The paper is an amiable throwback, and so is The Imperfectionists. Misleadingly billed by its publisher as “a novel,” the book consists of 11 linked short stories that read like smartly written parables about the human illusions at the intersection of work and love. The over-the-hill Paris correspondent for the paper faces a crisis that forces him to confront two long-held fantasies — that he can still write page-one stories and that his son has a worthy job at the French foreign ministry. The corrections editor gets a visit from a schoolmate that upends his romantic notion that his friend could become a great writer and that he and Jimmy are “gradations of the same man – he the middling version and Jimmy the great one.” And the icy chief financial officer learns through a macabre twist that she has been deluding herself about both her sexual allure and the effect of her staff purges. A theme of these stories is not that we are wrong to cherish our illusions – it’s that often we need them, because they’re all we have.

Fittingly for a book about a newspaper founded in the 1950s, the tales in this one resemble good stories from the early-to-middle decades of the 20th century, before the triumph of the cynical, elliptical and ambiguous. Each tale has a clear beginning, middle and end, and if not a moral, at least a point. Each takes as its title a hapless headline of the sort of that appears regularly in American newspapers: The more amusing include “U.S. GENERAL OPTIMISTIC ON WAR” and “WORLD’S OLDEST LIAR DIES AT 126.” And Rachman gives his characters enough humor and pathos to transcend his occasional lapses into journalese or glibness. His most memorable story involves than a widow in Rome who, since the suicide of her husband, has invested much of her emotion in reading the English-language newspaper each day. Through the old woman’s life, Rachman shows a poignant aspect of the decline of newspapers that, ironically, newspapers have scarcely discussed: For some people, the loss of a newspaper is the loss of a world.

Best line: “Blast Kills People Again.” – A headline written by a copy editor at Rachman’s unnamed English-language newspaper in Rome.

Worst line: “a women’s magazine that specialized in recipes utilizing cans of condensed mushroom soup.”

Editor: Susan Kamil

Published: April 2010

Reading group guide: A Totally Unauthorized Reading Group Guide with discussion questions for The Imperfections was posted on this site on July 20, 2010.

Read an excerpt from The Imperfectionists.

About the author: Rachman was a foreign correspondent for the Associated Press in Rome and worked as an editor for the International Herald Tribune in Paris.

You can also follow Jan Harayda on Twitter at www.twitter.com/janiceharayda.

© 2010 Janice Harayda. All rights reserved.
www.janiceharayda.com

December 15, 2008

Laurence Bergreen’s ‘Marco Polo: From Venice to Xanadu’ (Books I Didn’t Finish)

Filed under: Biography,Paperbacks — 1minutebookreviewswordpresscom @ 8:36 pm
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The latest in an occasional series of posts on books I didn’t finish and why I didn’t finish them

Title: Marco Polo: From Venice to Xanadu. By Laurence Bergreen. Vintage, 432 pp., $16.95, paperback.

What it is: A biography the 13th-century Venetian explorer who became the world’s first adventure traveler. Marco Polo was named one of the Top 10 Biographies of the year by the American Library Association’s Booklist magazine.

How much I read: About 75 pages (the first and last chapters and parts of others).

Why I stopped reading: Marco had too much competition from holiday parties. I liked the book a lot and would probably have finished it if I’d started it in June.

Best line in what I read: “In disgrace, Andrea Dandolo lashed himself to his flagship’s mast and beat his head against it until he died of a fractured skull, thus depriving the Genoese of the satisfaction of executing him.” Dandolo led a Venetian fleet of 96 ships defeated by the Genoese in the Battle of Curzola. Marco Polo has many lines as memorable as this one.

Worst line in what I read: “ … although he was done with his book, it was not done with him.” Bergreen means “finished.”

Comments: A strange thing happened as I was thinking about the best books I’d read in 2008: I realized that none was a new biography when, in a typical year, I read several or more. So I picked up Marco Polo, an acclaimed 2007 biography that recently came out in paperback. A blurb from Simon Winchester calls Bergreen “America’s liveliest biographer,” and to judge by what I read, he’s at least one of the liveliest.

Bergreen has a flair for storytelling that includes an ability to evoke people and places in a few lines. He can also sum up broad historical forces lucidly. Here’s the first paragraph of his brief explanation of the cause of the Crusades:

“The Crusades began with a simple goal: to permit Christians to continue to make pilgrimages to the Holy Sepulcher, the tomb in Jerusalem in which the body of the crucified Jesus was believed to be laid to rest. Christians had been visiting this holiest of Christian shrines at least since the eighth century AD. Matters changed dramatically in 1009 when Hakim, the Fatimid caliph – that is, the Muslim ruler – of Cairo, called for the Holy Sepulcher’s destruction. Afterward, unlucky Christians and Jews who found themselves in Jerusalem were likely to be persecuted, and the city’s Christian quarter was surrounded by a forbidding wall that controlled access. Within five years, thousands of churches had been burned or ransacked.”

Try to rewrite that paragraph and say as much in fewer words, and you’ll see how good Bergreen is. Would that all of our history professors had been so concise!

Recommendation? Marco Polo is much longer than Longitude but may appeal to its fans. Like Dava Sobel’s bestseller, Bergreen’s book tells well-written story that involves the history of exploration.

Read an excerpt and more at www.laurencebergreen.com.

About the author: Bergreen also wrote Over the Edge of the World: Magellan’s Terrifying Circumnavigation of the Globe, As Thousands Cheer: The Life of Irving Berlin, and other books.

© 2008 All rights reserved.
www.janiceharayda.com

October 13, 2008

Ghosts of Venice — Susan Hill’s Novella, ‘The Man in the Picture’

An 18th-century painting of masked revelers at the Grand Canal has sinister properties

The Man in the Picture: A Ghost Story. By Susan Hill. Overlook, 145 pp., $15.

By Janice Harayda

A Halloween-costume superstore has opened in my town and raised the frightening possibility that I will soon be the only person on the streets not dressed like Bigfoot or a tavern wench. I will defend to the death anyone’s sartorial-first-amendment right to don a Borat Lycra Mankini or a Sexy Ms. Mental Patient outfit (“includes shirt with vinyl restraints”).

But if you’re looking for another way to spend Halloween, why not read a ghost story? You might start with this intelligent new novella by the English author Susan Hill.

The Man in the Picture lacks the psychological complexity of Patrick McGrath’s neo-Gothic novels and Alison Lurie’s underrated short story collection, Women and Ghosts. But Hill’s book works on its own terms, which are those of a well-crafted Victorian ghost story. The opening lines set the tone:

“The story was told to me by my old tutor, Theo Parmitter, as we sat beside the fire in his college rooms one bitterly cold January night. There were still real fires in those days, the coals brought up by the servant in huge brass scuttles. I had traveled down from London to see my old friend, who was by then well into his eighties …”

The tale involves a painting that Theo bought at auction as a young man, an untitled 18th-century work showing masked revelers at a carnival in Venice. From several narrators we learn that that the picture has a chimerical effect: New people seem to keep appearing in it. The meaning of the changes begins to emerge when a countess summons Theo to her Yorkshire estate and links the painting to acts of sexual jealousy and revenge, an ill-fated honeymoon in Venice and the violent deaths of her husband and son. Lady Hawdon warns Theo that for his own good, he must sell her the painting. He doesn’t sell. Alas, poor Theo!

True to the conventions of Gothic novels, The Man in the Picture has shadowy hallways, long-buried secrets and odd noises in the night. It also includes a genteel psychopath whose mental instability appears contagious. Characters tend to stay conveniently out of range of pragmatists who could shout at crucial moments, “No! No! Don’t go into that empty room!”

By modern standards, much of the plot is no more rational than the idea that a priceless garnet would end up inside a Christmas goose in the Sherlock Holmes tale “The Adventure of the Blue Carbuncle.” And it isn’t supposed to meet contemporary tests of plausibility. Like dressing up as tavern wench, it’s unabashed retro escapism, well suited to a month when you may hear mysterious sounds as you stumble through the darkened rooms of a haunted house.

Best line: “The faces of the revelers were many of them the classic Venetian, with prominent noses, the same faces that could be seen on Magi and angels, saints and popes, in the great paintings that filled Venice’s churches.”

Worst line: “She was extremely old, with the pale-parchment textured skin that goes with great age, a skin like the paper petals of dried Honesty.” The similie reaches for a higher tone than the rest of the book.

Recommendation? In the U.S. ghost stories have been so thoroughly absorbed into the horror-novel genre that, except in children’s fiction, few writers attempt them and readers tend to associate them with lumbering behemoths like Stephen King’s The Tommyknockers. The Man in the Picture gives Americans a chance to rediscover the appeal of these stories in a purer and in some ways more elegant form.

Because of its conversational tone and multiple narrators, this is also good book to read aloud, which you could probably do in less than two and a half hours. Book clubs might consider having members take turns reading this one aloud at a meeting instead of reading it in advance.

Published: October 2008 www.susan-hill.com/

Second opinion: Salley Vickers observed perceptively the Independent: “As with many successful ghost stories – The Turn of the Screw comes to mind – the form of the book is a re-telling; indeed, a series of re-tellings. Hill knows that the sinister is enhanced by obliqueness. By giving us a chain of raconteurs, she skilfully conveys the ambience in which the uncanny survives via rumour and report.”

Furthermore: Hill also wrote two mystery novels about Chief Inspector Simon Serailler and The Woman in Black www.thewomaninblack.com/, the theatrical version of which opened in 1989 in London’s West End and is one of its longest-running shows.

Janice Harayda is a novelist and award-winning journalist who has been the book columnist for Glamour, the book editor of the Plain Dealer and a vice-president of the National Book Critics Circle.

© 2008 Janice Harayda. All rights reserved.
www.janiceharayda.com

January 25, 2008

The Underworld on a String: Poet Louise Glück’s ‘Averno’

A former poet laureate meditates on a crater lake near Naples that the ancient Romans believed to be the gateway to hell

Averno. By Louise Glück. Farrar, Straus and Giroux, 96 pp., $12, paperback.

By Janice Harayda

Louise Glück writes about figures from Greek mythology as though they might show up tomorrow in a laundry room at Yale, where she teaches. Orpheus and Eurydice, Aeneas and Dido, Achilles and Patroclus – she knows them better than many of us know our relatives, well enough to claim the right to explain them to others.

In her latest collection of poems, Glück recasts story of Persephone, the personification of spring. In most retellings of the myth, Persephone is a man’s victim: She is abducted by the king of the underworld and partially ransomed by her mother, Demeter, who arranges for her to spend two-thirds of the year on earth and one-third in hell. Glück envisions the tale instead “as an argument between the mother and the lover / the daughter is just meat.” In this Freudian version, Persephone is her mother’s victim as much as a man’s.

This interpretation suggests the fatalistic vision of Averno, a collection of linked poems that glide back and forth between myth and modern life. Averno is a crater lake west of Naples that the ancient Romans saw as the gateway to the underworld and that Glück uses as a unifying metaphor for a book about the dialogue between life and death that intensifies in the last trimester of life. In her title poem and others, she returns to a theme introduced in her earlier work, an idea that’s a sophisticated variation on the sign the Grim Reaper often carries in cartoons: “Prepare to meet thy doom.” She delivers an italicized warning in “October”: “You will not be spared, nor will what you love be spared.”

Glück too good a poet to allow this idea to devolve into a parody of a televangelist’s message, and her book has a grim integrity lacking in the work of poets who serve up Splenda in quatrains. Even so, the fatalism at times borders on oppressive. It’s a relief when a spark of hope ignites at the end of “October”: “Surely it is a privilege to approach the end / still believing in something.”

Best/worst line: This is the rare book in which the best and worst lines are the same. In “The Night Migrations” Glück wonders how the soul will find comfort after death. She concludes that “maybe just not being is simply enough / hard as that is to imagine.” The idea “not being” might be “enough” is perhaps the memorable in the book. But the adverbs weaken it, especially that “simply,” which seems to serve no purpose except that of scansion.

Published: 2006 (hardcover), 2007 (paperback) www.fsgbooks.com

Furthermore: Glück won a Pulitzer Prize for The Wild Iris. She was the 2003–2004 U.S. poet laureate. You can hear her read “October” at www.poets.org/viewmedia.php/prmMID/16723.

Consider reading also: The short poem “Demeter at Yellowstone” in Deena Linnet’s Woman Crossing a Field: Poems/American Poets Continuum Series (BOA Editions, $14.95, paperback) www.boaeditions.org.

One-Minute Book Reviews is for people who like to read but dislike hype and review inflation. Janice Harayda is an award-winning journalist who been the book editor of the Plain Dealer and a vice-president of the National Book Critics Circle www.bookcritics.org.

© 2008 Janice Harayda. All rights reserved.

November 8, 2007

Under the Neapolitan Sun — A Repressed British Soldier Has a Sensual Awakening in Anthony Capella’s World War II Novel, ‘The Wedding Officer’

Filed under: Novels — 1minutebookreviewswordpresscom @ 12:55 pm
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When love seasons the pasta sauce

The Wedding Officer. By Anthony Capella. Bantam, 423 pp., $22.

By Janice Harayda

The Wedding Officer gives unexpected life to a theme that English novelists have developed so often it borders on a cliche — that of the repressed Brit who has a sensual awakening in Italy. This love story isn’t on par with E. M. Forster’s A Room With a View and Elizabeth von Arnim’s The Enchanted April. But it is popular fiction of a high order, or easy but intelligent reading that is far above novels such as Newt Gingrich’s Pearl Harbor.

Captain James Gould arrives in Naples in 1944 with the thankless assignment of discouraging marriages between British soldiers and their distracting Italian girlfriends. His emotions collide with his duties when Livia Pertini becomes the cook for the Allied officers and prepares sumptuous pasta dishes followed by deserts such as baked pears with honey and rosemary. As James’s passions awaken, Mount Vesuvius emits ominous plumes of smoke, the bloodbath at Anzio approaches, and Naples resembles an open-air brothel overrun by prostitutes who sleep with soldiers to pay for their syphilis treatments.

As he tells this briskly paced story, Anthony Capella deftly balances history, gastronomy and the dilemma of a young intelligence officer at odds with more than the Axis powers and the local gangsters. And that mix helps to make The Wedding Officer the rare popular love story that may appeal equally to men and women. Anybody who doubts it needs only to read the first line of this novel and see if she — or he — can resist reading more: “The day Livia Pertini fell in love for the first time was the day the beauty contest was won by her favorite cow, Pupetta.”

Best and worst lines: This post will be updated, possibly by the end of the day, with these lines and more information on Capella’s work. I’m still in computer purgatory.

Published: May 2007 www.theweddingofficer.com and www.bantamdell.com

Furthermore: For information on the movie versions of The Enchanted April and A Room With a View, go to the Internet Movie Database www.imdb.com and search for their titles. Von Arnim was born in Australia and moved to England at a young age.

(c) 2007 Janice Harayda. All rights reserved.

November 5, 2007

A Closer Look at a Florentine Treasure, Ghiberti’s Glorious Baptistery Doors — In a New Book and at the Metropolitan Museum of Art

Filed under: Art,Coffee Table Books — 1minutebookreviewswordpresscom @ 12:43 pm
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A great exhibit comes with a handsome companion volume

By Janice Harayda

On, joy and rapture unforeseen! On Saturday I went to the Metropolitan Museum of Art to see the new show of bronze reliefs from the doors for the Baptistery of San Giovanni in Florence, created by Lorenzo Ghiberti over a 27-year period in the mid-15th century. And when I’m counting my cultural blessings for the year, I can stop right there with a profit.

The exhibit displays only 3 of the 10 bronze reliefs from the doors that depict Old Testament scenes, a jewel of the Renaissance. But the show is so rich — in beauty and interpretation — that it might change your view of one or two of the subjects of the reliefs: Adam and Eve, Jacob and Esau, and David and Goliath. Did you remember that David beheaded Goliath after he smote him with his slingshot? You’re unlike to forget it if you view the panel about them. The New York Times‘s critic was right when she said in a recent review that this show almost makes you feel sorry for Goliath.

One of the remarkable aspects of the exhibit is that Ghiberti’s craftsmanship is so precise, you can see the use of high, middle and low relief in the same panel — a technique I haven’t seen shown as clearly anywhere else. You may be able to get a sense of this if you enlarge the book cover at right, which shows a detail from the Adam and Eve panel. At the bottom center you see God (looking like many artistic representations of Jesus) creating Eve from Adam’s rib in middle relief. At the top center you see another image of God — in a hat, looking down on Creation — surrounded by angels in low relief. Another scene in the Adam and Eve panel, which you can’t see, shows God in high relief.

I couldn’t afford the handsome companion volume to the show that the Met was selling, The Gates of Paradise: Lorenzo Ghiberti’s Renaissance Masterpiece/High Museum of Art Series (Yale University Press, 184 pp., $45) www.yale.edu/yup/, edited by Gary M. Radke, a professor of humanities at Syracuse University. But this is a book to check out at your local bookstore or an online retailer if your holiday gift list includes a lover of art, architecture, Italy or the Renaissance. Better still, go to the Met www.metmuseum.org and take a look at the book after you’ve seen the show, also called “The Gates of Paradise.” You have until January 13.

(c) 2007 Janice Harayda. All rights reserved.

April 5, 2007

Elizabeth Gilbert’s ‘Eat, Pray, Love’: What Do You Say to God Besides, ‘I’ve Always Been a Big Fan of Your Work’?

After a bruising divorce, a woman in her 30s finds her way back to herself with rest stops in Rome, Mumbai and Bali

Eat, Pray, Love: One Woman’s Search for Everything Across Italy, India and Indonesia. By Elizabeth Gilbert. Penguin, 352 pp., $15, paperback.

By Janice Harayda

In her early 30s, Elizabeth Gilbert kept thinking about something her sister had said while breast-feeding her firstborn: “Having a baby is like getting a tattoo on your face. You really need to be certain it’s what you want before you commit.”

Gilbert took her words to heart. She quit trying to get pregnant, divorced her husband, moved out of their house in a New York suburb and took a year-long break from life as she had known it.

As she puts it in Eat, Pray, Love, she went to Rome for “pleasure” and to an ashram near Mumbai for “devotion” or spiritual renewal. Then it was off to Bali for “balance,” though this goal took a hit when she had so much sex with her island boyfriend that she got a bladder inflection. (A medicine woman cured her by making her drink a foul-smelling brew made from roots, leaves, berries, turmeric and a “shaggy mass of something that looked like witches’ hair.”) Gilbert, a writer for GQ, has some interesting things to say about the places she visits. But she’s nowhere near as good at highly inflected travel writing as, say, Geoff Dyer, whose Yoga For People Who Can’t Be Bothered to Do It offers much more thoughtful writing on Indonesia and other countries. Great travel writers sell you on a personal vision of a place. Gilbert is selling something else: the idea that you can fix what’s wrong with your life buying a few plane tickets to spots that you’ve always wanted to visit. In her case, “recovery” sounds a lot like another form of consumerism.

Best line: Gilbert says that as her marriage fell apart, she wanted to ask God for help but wasn’t sure how to pray: “In fact, it was all I could do to stop myself from saying, ‘I’ve always been a big fan of your work …’”

Worst line: “A word about masturbation, if I may. Sometimes it can be a handy (forgive me) tool …” This kind of wordy and cute-instead-of-witty prose turns up often in Eat, Pray, Love.

Published: February 2006 (Viking hardcover), January 2007 (Penguin paperback)

© 2007 Janice Harayda. All rights reserved.

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