John Bayley on Living With His Wife’s Alzheimer’s Disease, ‘Elegy for Iris’

Few people have written of Alzheimer’s disease as eloquently as John Bayley does in Elegy for Iris (Picador, 1999), his memoir of 45 years with the novelist Iris Murdoch, which inspired the film Iris. Among his observations:

“Our mode of communication seems like underwater sonar, each bouncing pulsations off the other, then listening for an echo.”

“Alzheimer’s is, in fact, like an insidious fog, barely noticeable until everything around has disappeared. After that, it is no longer possible to believe that a world outside fog exists.”

“The terror of being alone, of being cut off for even a few seconds from the familiar object, is a feature of Alzheimer’s. If Iris could climb inside my skin now, or enter me as if I had a pouch like a kangaroo, she would do so.”

Bayley also foreshadows Murdoch’s development of Alzheimer’s in describing the early years of their relationship:

“I was far too preoccupied at the time to think of such parallels, but it was like living in a fairy story – the kind with sinister overtones and not always a happy ending – in which a young man loves a beautiful maiden who returns his love but is always disappearing into some unknown and mysterious world, about which she will reveal nothing.”

© 2008 Janice Harayda. All rights reserved.

Why Do Unworthy Books Win Awards like Pulitzer Prizes? Quote of the Day (Neville Braybrooke)

In last night’s post, I listed some classic American novels that didn’t win the Pulitzer Prize for fiction, given yesterday to The Brief Wondrous Life of Oscar Wao. A related question is: Why do unworthy book win awards? One obvious answer is that most prizes are given out annually, and every year may not bring a great book in a category.

But more subtle factors may come into play. A truism of literary prize-giving is that awards often go to everybody’s second choice. Judges may split into two camps with each side fiercely opposing the other’s first choice. To reach a decision, they may choose a second-rate book they can all support.

Judges tell many stories in among themselves about such compromises but rarely discuss them publicly. Who wants to admit to having honored a clinker? But Neville Braybooke suggests how the practice can work in his preface to the Every Eye, the elegant second novel by his late wife, Isobel English. Braybooke writes that English refused to add the happy ending that an American publisher wanted to her to give her first novel, The Key That Rusts:

“More significantly, during these early days of her career, came the news that The Key That Rusts had been shortlisted for the Somerset Maugham Award, tying for first place with Iris Murdoch’s first novel, Under the Net. In the event, the judges were unable to decide who should be the winner, so they gave the prize to the runner-up, Kingsley Amis’s Lucky Jim.”

Neville Braybrooke in Every Eye (David R. Godine/Black Sparrow, $23.95) www.blacksparrowbooks.com.

Comment by Jan:

Braybrooke may have been willing to tell this anecdote partly because there would have been no shame in losing either to Lucky Jim or Under the Net, both modern classics. And few critics would argue that Amis’s comic novel was unworthy of an award. The Somerset Maugham Award is given annually by the London-based Society of Authors www.societyofauthors.org to the writer or writers under the age of 35 who wrote the best book of the year.

Do you think any unworthy books have won awards? What are they?

© 2008 Janice Harayda. All rights reserved. www.janiceharayda.com

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