A white reporter who watched Satchel Paige pitch in the Negro Leagues in the 1930s said that when Paige threw the ball, you saw only something that resembled “a thin line of pipe smoke.” Janet Maslin writes in a review Larry Tye’s new Satchel: The Life and Times of an American Legend (Random House, 392 pp., $26).
“When asked if he threw that fast consistently, Paige, who would become famed for choice aphorisms, replied: ‘No, sir. I do it all the time.’”
In the capital of Ghana well-off families often bury their members in coffins shaped like objects important to the deceased — an onion for a farmer, a sword for a tribal leader, a Mercedes Benz for a successful businessman. A photo of a remarkable fish-shaped coffin appears in the new second edition of A History of Art in Africa (Pearson, 560 pp., $150), written by Monica Blackmun Visona, Robin Poynor, and Herbert M. Cole. And that picture suggests part of the appeal of this unusually comprehensive book, which spans thousands of years and topics from Algerian pottery to Zulu shawls: The authors show how much more there is to African art than the representations most familiar to Americans, such wood carvings, kente cloth, and Egyptian tomb paintings.
An intelligent text and more than 700 photographs describe the evolution of the continent’s jewelry, textiles, ceramics, painting, and photographs and other arts. And a new chapter in the second edition covers African artists abroad, including Edmonia Lewis (c. 1843–1909) “the first woman artist of African descent to gain prominence in the United States,” whose marble statue of the biblical Hagar appears in the Smithsonian Institution
© 2008 Janice Harayda. All rights reserved.
Coming tomorrow: A review of Laurie Halse Anderson’s Chains, a finalist for the 2008 National Book Award for Young People’s Literature, which involves a 13-year-old slave who lives in New York during the Revolutionary War and devises a dangerous plan to escape from her cruel Loyalist owners. The review is the latest in the “Countdown to the Caldecott and Newbery Medals” series on this site, which looks at possible candidates for the American Library Association prizes to be handed out on Jan. 26.
Annette Gordon-Reed has won the 2008 National Book Award for Nonfiction for The Hemingses of Monticello. She is the first African-American woman to win the nonfiction prize. An interview with the author and an excerpt from the book appears on the site for the National Book Foundation, www.nationalbook.org/nba2008.html, which has promised to post a video of the ceremony later tonight.
(c) 2008 Janice Harayda. All rights reserved.
Do literary prizes always go to deserving authors? One-Minute Book Reviews considers the question in “Reality Check,” a series of occasional posts on books shortlisted for high-profile awards. A recent installment considered Edwidge Danticat’s memoir of an uncle who died while in custody of U.S. immigration officials, Brother, I’m Dying www.oneminutebookreviews.wordpress.com/2008/01/02/. then a finalist for a 2007 National Book Award. The book has since won the National Book Critics Circle award for autobiography www.bookcriticscircle.blogspot.com. A “Reality Check” post on the NBCC poetry winner, Mary Jo Bang’s Elegy, will appear next week.
(c) Janice Harayda. All rights reserved.