“What I’m Reading” is a series that describes books I’m reading that I may or may not review later on One-Minute Book Reviews
What I’m reading: Crescent Carnival, a 1942 novel by Frances Parkinson Keyes, best known for Dinner at Antoine’s.
What it is: A saga of two prominent New Orleans families and the Mardi Gras balls and other rituals that defined their lives between 1890 and 1940. Keyes drew in part on the recollections of her friend Dorothy Selden Spencer, a former Carnival queen.
Why I’m reading it: Few novels focus on Mardi Grass celebrations and how they preserved the distinctions of social class in New Orleans even as such differences were fading elsewhere. Crescent Carnival is one that you can still find without too much trouble in libraries and online.
How much I’ve read: About 150 pages of more than 800.
Quotes from the book: “Estelle always loved Carnival and the preparations for it. But she grew up without daring to dream that some day she, herself, would be the Queen of one of the Carnival Balls. She did not believe it even when she heard that Monsieur Leroux, who held the fate of all potential queens firmly in his hands, had spoken formally to her father, asking if he could conveniently be received on a certain day at a certain hour in the Lenoir’s house on Royal Street.
“She could hardly believe it even after the ritual champagne had been bought, and the silver ice bucket polished until it shone like a mirror, and the one placed inside the other, beside a plate of little frosted cakes, on the center table in the salon, under the chandelier, there to await the arrival of Monsieur Leroux. She went into the salon, and she was still filled with incredulity mingled with awe.”
Furthermore: Jonathan Yardley of the Washington Post said that Keyes was a “middlebrow” novelist in the sense that she “wrote for readers of some education and taste who expected their entertainments to be literate and intelligent as well as entertaining.” Based on what I’ve read, that gets it exactly right: Crescent Carnival is, by today’s standards, a potboiler, but one that reflects higher standards than most now labeled as such. A journalist by instinct if not by training, Keyes shows a Tom Wolfean attention to the details of social status that evoke the eras she describes.
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© 2013 Janice Harayda