“It’s clear that I’ve been double-crossed / It’s clear that I’ve been framed” Paul Muldoon
New Jersey Noir. Edited by Joyce Carol Oates. Akashic, 274 pp., $15.95, paperback.
By Janice Harayda
“Is noir the dominant sensibility of New Jersey?” a writer for New Jersey Monthly asked in a review of this book. No, that distinction belongs to tragicomedy. But New Jersey has an underside barely suggested by what Joyce Carol Oates calls the “noir drama” of The Sopranos. New Jersey Noir exposes part of it in 19 previously unpublished short stories and poems set in places far from the back rooms of strip clubs and pork-butchers’ shops.
Oates notes in her wide-ranging introduction that prototypical noir fiction involves a man “whose desire for a beautiful woman has blinded him to her true, manipulative, evil self.” Her book revives that tradition in Jonathan Santlofer’s “Lola,” a contemporary tale of a femme fatale on the PATH train from Hoboken to New York. Other stories in New Jersey Noir support Oates’ view that noir treachery can involve something more complex than sexual double-dealing: “a fundamental betrayal of the spirit – an innocence devastated by the experience of social injustice or political corruption.” An idealistic technician at a Newark morgue falls victim to her own naiveté and to the duplicity of a co-worker who sells corpses’ hair to wig shops in S.A. Solomon’s “Live for Today.” A rookie cop is a pawn in a dangerous game that pits his father, a Republican U.S. Attorney, against the powerful Camden County Democratic machine in Lou Manfredo’s “Soul Anatomy.” And a hard-up South Jersey substitute teacher agrees to a friend’s plan to sell glass eels illegally, only to run into thugs running a lethal game of pay-to-play, in “Glass Eels.”
Faithful to noir conventions, the bleakness of these stories goes mostly unrelieved by devices used in other types suspense fiction, such as a wisecracking protagonist or a sentient tabby cat who helps to solve crimes. But the Pulitzer Prize–winning poet Paul Muldoon offers an inspired bit of comic relief in his satirical poem, “Noir, NJ.” As he sends up noir clichés, Muldoon neatly encapsulates a theme of this book in two of his lines: “It’s clear that I’ve been double-crossed / It’s clear that I’ve been framed.”
Best line: In her excellent 10-page introduction, Oates gives an overview of noir themes in novels, movies and television shows; of each story or poem she has chosen; and of true crimes in New Jersey that provide context for New Jersey Noir.
Worst line: Oates: “Quintessential noir centers around …”
Published: November 2011
Furthermore: The 19 original stories and poems in this collection cover New Jersey cities and towns that include Montclair, Princeton, Paramus, Rutherford, Cherry Hill, Long Branch, Asbury Park and Atlantic City. Publishers Weekly and New Jersey Monthly also reviewed the book. The Akashic Noir series has produced more than 50 other books, including London Noir, Paris Noir, Seattle Noir, Lone Star Noir and Twin Cities Noir.
Jan is an award-winning journalist and former book editor of the Plain Dealer in Cleveland. You can follow her on Twitter by clicking on the “Follow” button in the right sidebar.
© 2012 Janice Harayda. All rights reserved.