In the capital of Ghana well-off families often bury their members in coffins shaped like objects important to the deceased — an onion for a farmer, a sword for a tribal leader, a Mercedes Benz for a successful businessman. A photo of a remarkable fish-shaped coffin appears in the new second edition of A History of Art in Africa (Pearson, 560 pp., $150), written by Monica Blackmun Visona, Robin Poynor, and Herbert M. Cole. And that picture suggests part of the appeal of this unusually comprehensive book, which spans thousands of years and topics from Algerian pottery to Zulu shawls: The authors show how much more there is to African art than the representations most familiar to Americans, such wood carvings, kente cloth, and Egyptian tomb paintings.
An intelligent text and more than 700 photographs describe the evolution of the continent’s jewelry, textiles, ceramics, painting, and photographs and other arts. And a new chapter in the second edition covers African artists abroad, including Edmonia Lewis (c. 1843–1909) “the first woman artist of African descent to gain prominence in the United States,” whose marble statue of the biblical Hagar appears in the Smithsonian Institution
© 2008 Janice Harayda. All rights reserved.