The book that put spring in the step of the phrase “Bolivian marching powder”
A lot of people have suggested that book publishers need to adopt the system used in the fact-checking department at The New Yorker, where Jay McInerney worked briefly. How does it work? McInerney sends up fact-checking — among many other things — with sardonic verve in Bright Lights, Big City (Vintage, 1984), his satirical tale of a young Manhattanite who by day works for an elite magazine and by night seeks relief from the pretension in drug-fueled revels. (This book put spring in the step of the phrase “Bolivian marching powder.”) Along with Tom Wolfe’s The Bonfire of the Vanities, Bright Lights, Big City helped set the tone of fiction in the 1980s and may be McInerney’s best book. Among its virtues: It shows the rare, successful use of second-person narration in a novel. That device works partly because it suggests its anti-hero’s estrangement from himself: He’s alienated enough from his life that he sees himself not as an “I” but as a “you.”
(c) 2008 Janice Harayda. All rights reserved.