One-Minute Book Reviews

December 22, 2007

General George S. Patton’s Christmas Message to Soldiers at the Battle of the Bulge (Quote of the Day, ‘The Patton Papers’)

By the winter of 1944, Germany had all but lost World War II. But Adolf Hitler made a last bid for victory by attacking U.S. Army divisions in the snowy and forested Ardennes Mountains of Belgium in mid-December. By Christmas, the American soldiers had been fighting for more than a week in weather so cold that frozen bodies were stacked like firewood.

General George S. Patton, commander of the U.S. Third Army, gave this Christmas message on a wallet-sized card to every serviceman under his command:

“To each officer and soldier … I wish a Merry Christmas. I have full confidence in your courage, devotion to duty, and skill in battle. We march in our might to complete victory. May God’s blessing rest upon each of you on this Christmas Day.”

As quoted by Martin Blumenson in The Patton Papers: 1940–1945 (Houghton Mifflin, 1974), Illustrated with maps and photographs by Samuel H. Bryant, p. 605. In 2003 Replica Books published a newer edition of The Patton Papers under the bylines of Blumenson and Patton.

© 2007 Janice Harayda. All rights reserved.
www.janiceharayda.com

November 19, 2007

Hell’s Bells! It’s Anne Easter Smith’s War of the Roses-Era Historical Romance, ‘Daughter of York’

A tale of the dynastic marriage of Margaret of York, sister of Edward IV and Richard III, to a ruthless Duke of Burgundy

Daughter of York. By Anne Easter Smith. Simon & Schuster/Touchstone, 592 pp., $19.95 paperback.

By Janice Harayda

Here is a fact that may cheer you up if you’ve been plowing stony ground on an Internet dating site: At least your brother the king can’t marry you off to a thuggish Duke of Burgundy as part of a package deal that includes the lifting of a ban on Burgundian imports in England. This is more or less what happened to Margaret of York, a sister of Edward IV, who sent her off in 1468 to wed the expansionist Charles the Bold.

It was clearly the kind of marriage that a modern therapist would call “challenging,” at least on the evidence of the second historical romance from Anne Easter Smith. Margaret soon learns that her husband’s favorite activities include annexing large parts of the Habsburg Empire and hanging people from walnut trees. She is distressed to hear that after one conquest, he drowned all the people he hadn’t strung up: “What little respect she had for Charles was being eroded day by day.”

Amid all of this, Margaret is sustained – in a departure from history — by her love for a married courtier, Anthony Woodville. Anthony plays Lancelot to her Elaine, consoling her with, “I have wrestled with Satan over my desire for you, Marguerite. That day in your chamber, he almost won.” Even by the flexible standards of historical romances, this attraction isn’t fully plausible, given that Margaret was devout enough to have tried to reform permissive religious orders. Nor are anachronisms such as a reference to “adolescent insecurities” and a midwife who tells a woman in childbirth, “Now, one, two, three, push.”

But Daughter of York has more integrity and appeal than many books in its category, partly because Smith sticks closer to history without larding her story with undigestible chucks of research. The novel moves swiftly through signal events of the War of the Roses, has a dramatis personae that separates the real and invented Yorkists and Lancastrians, and generally shows how far such books have come from the days when people dismissed them all as “bodice-rippers.” There’s a bit of rough sex in this one, but just about the nastiest thing you’ll hear anyone say is, “Hell’s bells! or “You, you – bat-fowling, lily-livered skainsmate!”

Best line: A messenger’s report to Margaret’s mother on the Battle of Towton Field, the bloodiest ever fought on English soil, where the Yorkists defeated Henry VI’s Lancastrians on a snowy Palm Sunday. The courier says that Henry’s routed soldiers left pink snow in their wake: “The pity of it was, the only place to run was down the steep sides of the hill to the Cock Beck stream, full to bursting on its banks. Many drowned in their heavy mail, and I saw others using the dead bodies to form a bridge over which they attempted to flee.”

Worst line: Let’s just say that simultaneous orgasm seems to have been easier to achieve in the 1400s than in later centuries.

Recommendation? Genre fiction with meat on its bones. This could be a good choice for book groups that want to read a historical romance that isn’t cheesy.

Reading group guide: The back matter includes a reading group guide, an interview with the author and a four-page glossary of historical terms.

Published: To be published in February 2008 www.simonsays.com

Caveat lector: This review was based on an advance reading copy. Some material in the finished book may differ (and that reference to “the Marriage at Canaan” may have been corrected).

Furthermore: A native of England, Anne Easter Smith www.anneeastersmith.com wrote A Rose for the Crown. She lives in Massachusetts. You can find information on Margaret of York at http://en.wikipedia.org/wiki/Margaret_of_York. Besides Edward, Margaret’s brothers included the future Richard III, who has a supporting role in this novel.

© 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

November 2, 2007

Lynn Curlee Puts His Own Spin on the World’s Tallest Buildings in ‘Skyscraper,’ a Picture Book for 8-to-12-Year-Olds

Skyscraper. By Lynn Curlee. Simon & Schuster/Atheneum, 40 pp., $17.99. Ages 8-12.

By Janice Harayda

Lately I’ve been looking into some of the potential candidates for the Newbery and Caldecott medals that the American Library Association www.ala.org will hand out in January. As usual, it’s been both inspiring and disheartening.

Some publishers are clearly putting enormous care into turning out wonderful children’s books. At the same time, they are continuing to pander nakedly to the all-important school and library markets, sometimes undermining the accuracy or credibility of an otherwise worthy book.

A recent casualty is Lynn Curlee’s Skyscraper, a beautifully produced social history of the world’s tallest buildings, which has an elegant Art Deco design and color palette. This book might seem to have little in common with Brian Selznick’s novel in words and pictures, The Invention of Hugo Cabret. But like Selznick, Curlee has created a book for 8-to-12-year-olds that plays successfully with form. Skyscraper is a picture book with chapters (though they aren’t identified as such but are introduced by quotations from famous architects such as I.M. Pei and Robert Venturi).

A typical spread consists of a right-hand page with a color illustration of a skyscraper and a left-hand page with at least 250 words of text, more than in many chapter books. It’s a fresh treatment of its subject that brims with interesting material. Did you know that the Flatiron Building on Fifth Avenue, “the first great New York skyscraper,” looks like “the prow of a ship steaming up the avenue”?

But Skyscraper also shows how egregiously publishers can pander to the prevailing ideologies at many schools and libraries. Curlee writes that up to 3,400 people worked on the construction of the Empire State Building at the same time: “A number of these men were Native Americans, who had a reputation for working fearlessly at great heights.”

That might have been fine if the book had also mentioned a few of the other ethnic groups who worked on the first skyscrapers in far greater numbers than Native Americas, such as the Italian stonemasons who learned their trade in their homeland before applying their skills in America. It doesn’t. And through such omissions, this book insults the many Italian and other immigants who risked their lives to create the glorious skylines of Chicago, New York and other cities early in the 20th century. The message it sends to their young descendants is clear: “Your ancestors’ contributions aren’t as interesting or important as those of Native Americans.” But why would the Mohawks’ famous skywalking be less interesting to 9-year-olds than work on the great stone gargoyles that adorn so many skyscrapers?

It gets worse when Curlee describes the events of Sept. 11, 2001. On that day, he says, “a band of radical terrorists hijacked commercial airliners and attacked the United States, using the comandeered aircraft as lethal guided missiles.” That “radical terrorists” is absurd on two counts. First, the word “radical” tells you nothing — in a sense, every terrorist act is “radical.” And in the case of Sept. 11, the terrorists were the opposite of the usual definition of a “radical” — they were Islamic fundamentalists or reactionaries. Why doesn’t Skyscraper say this? Apparently because to do so might have offended some Muslims and made the book a tougher sell to schools and libraries. Instead we have a book that could leave some children with the idea that the attacks on the World Trade Center were carried out by, say, a remnant of the radical Weather Underground of the 1960s.

Obviously children’s picture books need to present their material at an appropriate level for their readers and omit some of the nuances of books for adults. But many children’s authors have shown that this doesn’t have to involve spinning history in a way that slights or denies the role — good or bad — that different ethnic groups have played in it, whether they are Italian stonemasons or Islamic fundamentalists. Those authors are the ones who deserve awards from librarians and others.

Best line: One of the strengths of Skyscraper is that it looks beyond architecture and situates buildings in a human context, as in this passage: “Immense buildings cause controversy because they do not belong just to their owners. Once they are built, everyone must live with them. They totally transform the neighborhoods in which they are raised. Since they consume enormous amounts of energy and cause congestion, there are very real questions about their worth. Who should make the decisions about building structures that affect everyone? Just how do skyscrapers benefit society? How do skyscrapers contribute or detract from the conditions of life in a city? What form should our cities take? How densely should huge buildings be packed together? How big is too big?”

Worst line: Curlee’s account of Sept. 11, quoted in the review.

Published: March 2007 www.simonsayskids.com

Furthermore: Curlee www.curleeart.com won a Sibert Honor Award for his Brooklyn Bridge. He also wrote Ballpark: The Story of America’s Baseball Fields and other books for children.

(c) 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

October 31, 2007

Reconsidering Azar Nafisi’s ‘Reading Lolita in Tehran’

I’m severely computer-deprived this week and posting from the library, so some reviews may omit a few things you typically see at the end, such as the best and worst lines in the book.

Reading Lolita in Tehran: A Memoir in Books. By Azar Nafisi. Random House, 384 pp., $14.95, paperback.

By Janice Harayda

This overrated memoir is the kind of book that critics tend to love, a reminder that literature can glow in the darkest of regimes — in this case, that of the Islamic Republic of Iran, where Azar Nafisi taught a secret class in the Western clasics to seven female students. But Nafisi is right when she writes in this overrated memoir that she is at times “too much of an academic”: “I have written too many papers and articles to be able to turn my experiences and ideas into narratives without pontificating.” As she describes her students’ responses to novels such as Pride and Prejudice and The Great Gatsby, Nafisi slips into cliches and vapid acdemic locutions such as, “It is not an accident that …” Like a scholarly Nostradamus, she informs us that “it is not an accident that” the heroine of Washington Square wore a red satin dress at her first meeting with a dishonorable suitor, as though such a detail were ever an accident in Henry James’s novels.

Published: 2003 www.randomhouse.com

(c) 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

October 25, 2007

Why Does This Picture-Book Cover Work? Elizabeth Matthews’s ‘Different Like Coco’

The latest in a series of occasional posts that rate the covers of books recently reviewed on this site

By Janice Harayda

The covers of children’s books often fail for the same reasons that the covers of adult books do: They’re dull, clichéd or too pallid to stand out at a bookstore or library. Or they tell you too little about a book or, worse, aggressively misrepresent the contents. And if they’re about people – instead of one of those riveting topics like Let’s Read and Find Out About Flypaper or My First Book About Dandruff – they may stereotype their subjects as nakedly as all those pink covers on novels marketed to women in their 20s and 30s.

Elizabeth Matthews avoids all those problems on the cover of Different Like Coco (Candlewick, $16.99, ages 4 and up) www.candlewick.com, which combines a pen-and-ink drawing with the artful use of watercolors. This picture-book biography of the fashion designer Coco Chanel sports a witty illustration of its subject in a brown-black dress on a yellow background with the title in an interesting copper-colored script. And it works beautifully for several reasons:

1. It has real “pop.” Put Different Like Coco on any bookstore or library shelf and it will stand out among its shelf-mates because of its strong design. It doesn’t need the special effects that make so many books look more like toys – lots of glitter, metallic images and overengineering in the form of punched-out or see-through spaces.

2. The image of Coco Chanel points to the right, or to the pages instead of the spine. This is so basic that no critic should have to mention it. In most cases you want to focus children’s attention where it will encourage them to open a book (though there are some notable exceptions that succeed). But a striking number of picture books ignore such fundamental design principles.

3. The cover represents both the book and its subject accurately and nonstereotypically (without a sea of pink). Chanel designed simple, unfussy clothes with flair. This is a simple, unfussy cover with flair. Matthews’ art reflects the spirit of Chanel’s designs so well that you might guess the subject of her book before you read the title. But the cover isn’t so sophisticated that it will appeal to adults more than children. The comic exaggeration (and that dog) will take care of that.

Some people might argue that Chanel’s arms look anorexic. But in the context of the book, the pencil-slim arms are clearly intended as a stylistic exaggeration and also appear on women with bodies of operatic proportions.

The only other thing might strike you as odd about this cover is that Matthews’s name appears in a much smaller font than you usually see for authors of her caliber. That’s because this is her first book. The general rule in publishing is: The bigger the author, the larger the font for his or her name relative to the font for the title (though less so for children’s books than others). Stephen King’s name, for example, appears on his covers in a larger font than the title of the book. It’s a safe bet that as Matthews’s reputation increases, the size of her name on the cover will, too.

The original review of Different Like Coco appeared on Oct. 21, 2007, www.oneminutebookreviews.wordpress.com/2007/10/21/. You may also want to read a comment in yesterday’s post (Oct. 23) by lisamm, who says perceptive things about this cover, including the Chanel has her head held high.

© 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

October 21, 2007

Elizabeth Matthews Makes a Stylish Debut in Her Picture-Book Biography, ‘Different Like Coco’

Different Like Coco. By Elizabeth Matthews. Candlewick, 40 pp., $16.99. Ages 4 and up.

By Janice Harayda

Elizabeth Matthews makes a few missteps in this sparkling picture-book biography of Coco Chanel that may cost her a shot at a Caldecott Medal. But Different Like Coco marks the arrival of a gifted new author-illustrator who will certainly be in the running in the future if she keeps turning out work of this quality.

Matthews slips a few quasi-anachronisms into her story of the poor but energetic French girl who learned to sew at a convent school, then revolutionized early 20th-century fashion with designs that both reflected and fostered the emancipation of women. Young Coco plays with a roll of toilet paper and uses electric lamps. And while such an impoverished girl could have had those luxuries in the late-19th century, it’s so unlikely that the images are jarring. It’s similarly distracting to read that Coco went to school “in Auvergne” instead of “in the Auvergne.”

But such small problems ultimately may matter about as much as the complaint often made about the creator of Where the Wild Things Are: “Maurice Sendak can’t draw faces.” Who cares when an author’s work has so much else going for it? Matthews has that signal virtue in her field: a lively and distinctive artistic style that children will recognize from one book to the next. In this one she works in pen-and-ink washed with watercolors that are subtle but not – as in so many picture books – insipid. Her characters have snout-like noses, prominent eyelids and mouths that convey a range of expressions, midway between realism and caricature. The images have a different style but an amusing spirit similar to that of some of Jean Fritz’s acclaimed books about the colonial era, including Can’t You Make Them Behave, King George? and Why Don’t You Get a Horse, Sam Adams?

Matthews has also entered a genre that needs writers of her talent. There are far too few good picture-book biographies for children under age 9. Because Matthews has a light touch, she would be an ideal author for picture-book biographies of female pioneers in comedy, such as Lucille Ball. From Different Like Coco to Funny Like Lucy? It could happen, especially if the American Library Association www.ala.org gives Matthews some encouragement when it hands out its awards in January.

Best line/picture: All display a fine ability to draw and sense of color. Different Like Coco also has outstanding endpapers, sayings by Chanel in a white font on a black field, that typify the attention to detail at Candlewick.

Worst line/picture: The electric lamps not only look anachronistic but don’t have seem to have cords or pull chains.

Published: March 2007 www.candlewick.com

Furthermore: Matthews lives in Rhode Island and attended that incubator of picture-book talent, Rhode Island School of Design.

© 2007 Janice Harayda. All rights reserved.

October 17, 2007

10 Percent of Americans Think Joan of Arc Was Noah’s Wife — Quote of the Day (George Barna via Stephen Prothero)

Filed under: Quotes of the Day — 1minutebookreviewswordpresscom @ 7:00 pm
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American are reading less of all kinds of things, including religious books. What are the effects? Here’s an example from a survey of religious literacy:

“Ten percent of Americans believed that Joan of Arc was Noah’s wife.”

Stephen Prothero in Religious Literacy: What Every American Needs to Know — and Doesn’t (HarperOne, $24.95). He’s citing research published in George Barna’s The Index of Leading Spiritual Indicators (Dallas: Word Publishing, 1996). Prothero www.stephenprothero.com chairs the religion department at Boston University www.bu.edu. You can find more statistics like the one above if you go to www.amazon.com and use the “Search Inside the Book” tool to find page 30 in Religious Literacy.

(c) 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

July 30, 2007

Newt Gingrich Chuckle Meter

Filed under: Novels — 1minutebookreviewswordpresscom @ 12:06 am
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A novel about the Japanese attack on Pearl Harbor might sound grim. But Newt Gingrich provides lots of chuckles in Pearl Harbor: A Novel of December 8th (St. Martin’s, $25.95), written with co-author William R. Forstchen and contributing editor Albert S. Hanser.

Here are some of the places in the book where the former Speaker of the House tells us that a character “chuckled”:

“the cabbie chuckled softly” (page 8).
“[Japanese Commander Mitsuo] Fuchida chuckled’ (page 34).
Fuchida “chuckled” again (page 34).
“[U.S. Commander James] Watson chuckled’ (page 38).
“Fuchida chuckled” (page 38).
“[Royal Navy Lieutenant Commander] Cecil [Stanford] chuckled” (page 39).
“Winston [Churchill] chuckled softly” (page 57).
“Cecil chuckled” (page 58).”
“Winston chuckled” (page 58).
“Winston chuckled” (page 67).
“Fuchida chuckled” (page 124).
“Fuchida chuckled” (page 126).
“Fuchida chuckled” (page 127).
“The American chuckled” (page 152).
“[U.S. Colonel Carl] Spaatz chuckled” (page 156).
“[Japanese Naval Attaché Minoru] Genda “chuckled” (page 157).
“Watson chuckled softly” (page 170).
“[Japanese Admiral Isoroku] Yamamoto chuckled” (page 178)
“[Yamamoto] chuckled derisively” (page 179).
“Genda chuckled” (page 250).
“Winston chuckled” (page 263).
“Winston chuckled” again (page 263).
“Winston chuckled” (page 269).
Watson and Stanford “both chuckled at the same time” (page 277).
“James [Watson] chuckled” (page 283).

© 2007 Janice Harayda. All rights reserved.

June 8, 2007

A Totally Unauthorized Reading Group Guide to Peter Godwin’s ‘When a Crocodile Eats the Sun: A Memoir of Africa’

10 Discussion Questions for Book Clubs and Others
When a Crocodile Eats the Sun: A Memoir of Africa
By Peter Godwin

This guide for reading groups was not authorized or approved by the author, publisher or agent for the book. It is copyrighted by Janice Harayda and is only for your personal use. Its sale or reproduction is illegal except by public libraries, which may reproduce it for use in their in-house reading programs. Other reading groups that wish to use this guide should link to it or check the “Contact” page on One-Minute Book Reviews to learn how to request permission to reproduce it.

“In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue,” Peter Godwin writes in this elegant memoir of the terrors of the nearly 30-year regime of dictator Robert Mugabe in Zimbabwe. If those words sound melodramatic, consider a few of the facts offered by the author, a former foreign correspondent for BBC TV who grew up in what was then the British colony of Rhodesia. Godwin’s sister and her fiancé were killed in 1978, just before their wedding, when they ran into army ambush during the war for independence. Mugabe later sent hit squads into the countryside to abduct and murder his opponents. The husband of Godwin family friend was forced to drink diesel oil before he was killed. The author’s father was beaten outside his home. A woman had worked for 20 years as the family housekeeper returned soon after her retirement with enforcers and demanded money. As Godwin tried to help his parents stay safe, he uncovered a family secret that he believes helps to explain a question at the heart of his memoir: Amid the terror, why didn’t his parents return to England, where they had lived before settling in Africa?

Questions for Readers

1. The title of When a Crocodile Eats the Sun comes from the belief among some Zulus that a solar eclipse occurs when a “celestial crocodile” eats the sun. [Page 201] Godwin is clearly using the eclipse as a metaphor. At least two kinds of eclipses – personal and national – occur in this memoir. What are the eclipses?

2. Godwin returns to the crocodile when he visits his godmother in a nursing home. She is reading a magazine that has a quote from Winston Churchill, who says, “Appeasement is feeding the crocodile, hoping it will eat you last.” [Page 326] We may assume Churchill was referring to Hitler (the crocodile) and the Munich Pact (the appeasement), which allowed Germany to claim parts of Czechoslovakia. Who is the crocodile in Godwin’s book? How does this image relate to the memoir as a whole?

3. In his memoir Godwin tries to draw parallels between the treatment of whites in Africa and Jews in other parts of the world. How effective were his efforts?

4. When a Crocodile Eats the Sun begins when Godwin gets a call saying that his father has had a heart attack and he needs to fly to Harare, Zimbabwe (formerly Salisbury, Rhodesia). At this point, his sister and her fiancé have already been killed. Godwin often seems to put himself in serious danger to provide aid or comfort to his parents. Do you see him as brave, crazy or something else? Would you have done what he did in the frightening situations in the book? Why or why not?

5. If you have lived in the U.K. or watch the BBC news regularly on cable, you know that the British media cover international events more extensively than their American counterparts do. Godwin seems to be reacting to this when writes: “Africa seldom makes it into the American media; even the venerable New York Times mostly smuggles in its Africa coverage as soft features on slow news days, or six-line bulletins in the news-in-brief section. Yet every single day, newspaper headlines can legitimately announce: ‘Another Five Thousand Africans Die of AIDS.’” [Page 204] Do you agree with Godwin’s comments on Africa and the American media? After reading his book, would you encourage American editors and producers to change their coverage? How?

6. If you agree with Godwin that the American media slight Africa, why do you think this is so? Is it racism, pure and simple, or do other factors come into play?

7. Godwin often suggests that for all the terrors his white parents faced, Mugabe’s despotism hurt black Zimbabweans the most. Do you agree? Why? What cruelties did blacks suffers under his dictatorship?

8. As Mugabe’s stranglehold on Zimbabwe tightened, a group of women from Women of Zimbabwe Arise! (WOZA) were attacked while demonstrating against the regime. “They are middle-aged black ladies – the pillars of society, normally to be found at the Women’s Institute or organizing church teas,” Godwin writes. “Yet here they are, their arms in casts, patches over their eyes, bandages around their heads. And still they are spirited and indignant. This, it seems to me, is true courage.” [Page 224] Does this recall any episodes in American history? Which ones? Would the American women you know, white or black, have the courage to do what those of WOZA did?

9. Flashes of humor appear even in parts of this book that deal with bleak subjects like the AIDS pandemic. At a backpackers’ hangout at Victoria Falls, Godwin sees a huge jar (with one condom in it) that bears the label “AIDS Kills So Don’t Be Silly, Put A Condom on Your Willy.” [Page 107] How do details like this help When a Crocodile Eats the Sun? Without them, might this book be almost too painful to read?

10. “It is sometimes said that the worst thing to happen to Africa was the arrival of the white man,” Godwin writes. “And the second worst was his departure. Colonialism lasted just long enough to destroy much of Africa’s indigenous cultures and traditions, but not long enough to leave behind a durable replacement.” [Page 155] Do you agree or disagree? How did Godwin’s memoir affect your view of this idea?

Extras:
11. You may have been taught that writers use symbols only in fiction or poetry. This clearly isn’t true (given that the crocodile stands for more than a reptile in this book). The use of symbols, metaphors and other literary devices has become common in works of narrative nonfiction such as When a Crocodile Meets the Sun. For example, rattlesnakes are a recurring motif in Joan Didion’s early books. Have you read other nonfiction books that make effective use of symbols, metaphors or similar literary devices? What are some other symbols or metaphors in Godwin’s book?

12. At least one American university, Michigan State, has given an honorary degree to Robert Mugabe. Apparently the school is reconsidering the award. What would you say to the university administrators?

Vital statistics
When a Crocodile Eats the Sun: A Memoir of Africa. By Peter Godwin. Little, Brown, 344 pp., $24.99. First U.S. edition: April 2007. www.hachetteookgroupusa.com

A review of When a Crocodile Eats the Sun appeared on One-Minute Book Reviews http://www.oneminutebookreviews.wordpress.com
on June 6, 2007, and is archived with the June posts and in the “Memoirs” category.

Contact the author: Peter Godwin, Author/When a Crocodile Eats the Sun, Hachette Book Group USA, 237 Park Ave., New York, New York 10169. (Yes, publishers do forward the letters.)

Your book group may also want to read:

Mukiwa: A White Boy in Africa (Harper Perennial, $14, paperback). By Peter Godwin. Godwin writes about his childhood and the events that preceded those of When a Crocodile Eats the Sun in this earlier memoir.

A Problem From Hell: America in the Age of Genocide (Harper Perennial, $14 paperback). By Samantha Power. Godwin tries to forge links between the treatment of whites in Africa and Jews everywhere. You may want to see how Power handles a similar subject in this Pulitzer Prize–winning book, which compares the Nazi atrocities to genocide in Rwanda, Cambodia, Iraq and elsewhere.

“Showing Mugabe the Door.” By Peter Godwin. The New York Times, April 3, 2007, page A21. In this op-ed page article, Godwin provides an update on what’s happened in Zimbabwe since he finished When a Crocodile Eats the Sun. He also explores how the U.S. and other democracies could get rid of Mugabe.

“The Future Is Black.” By Anthony Sattin. The Spectator, March 24, 2007. www.spectator.co.uk. This is an unusually intelligent and well-written review of When a Crocodile Eats the Sun. (Search the site for “Peter Godwin” to find it.)

For a brief history of the Mugabe era in Zimbabwe, search the free online encyclopedia Wikipedia www.wikipedia.org for “Robert Mugabe.”

Janice Harayda www.janiceharayda.com is an award-winning critic who has been the book columnist for Glamour, book editor of The Plain Dealer and a vice-president of the National Book Critics Circle. One-Minute Book Reviews does not accept free books from editors, publishers or authors, and all reviews and guides offer an independent evaluation of books that is not influenced by marketing concerns. If this guide helped you, please consider linking from your blog to One-Minute Book Reviews. Thank you for visiting this site.

© 2007 Janice Harayda. All rights reserved.

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May 27, 2007

Military Obituaries Worthy of a Memorial Day Salute

Filed under: Biography,Nonfiction — 1minutebookreviewswordpresscom @ 1:28 am
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A collection celebrates men and women who wore their uniforms with courage and eccentricity

By Janice Harayda

Digby Tatham-Warter led a bayonet charge during the Battle of Arnhem sporting a bowler hat and an umbrella. Nell Allgrove and other captured Australian nurses survived on two ounces of rice a day in Japanese camps in Sumatra. Charles Fraser-Smith sent golf balls with compasses inside and other gadgets to British prisoners in Germany, an effort so successful that he became the model for “Q” in the James Bond books.

The stories of these and other extraordinary men and women appear in The Daily Telegraph Second Book of Obituaries: Heroes and Adventures (Macmillan, 1993), edited by Hugh Massingberd, the second volume in a series from the British newspaper. Most of the subjects of this book were British or Commonwealth soldiers, sailors, aviators, spies, or nurses, though some never wore a uniform. And their stories show why military-obituary writers at the Telegraph are seen as five-star generals of a vanishing art. Written with verve and candor, the pieces in this book reflect a deep sympathy for both the courage and the eccentricities of their subjects. Few American newspapers would have the wit to begin an obituary like this: “Major General Micky Whistler, who has died aged 83, had a career of remarkable variety in which his cheerful disrespect for pompous and hidebound senior officers brought numerous reprimands, but did much to improve the efficiency and morale of his men.”

© 2007 Janice Harayda. All rights reserved.

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