The 101 Most Influential People Who Never Lived: How Characters of Fiction, Myth, Legends, Television, and Movies Have Shaped Our Culture, Changed Our Behavior, and Set the Course of History. By Allan Lazar, Dan Karlan and Jeremy Salter. Harper, 317 pp., $13.95, paperback.
By Janice Harayda
Publishers have a phrase for books like The 101 Most Influential People Who Never Lived – “an impulse buy at the bookstore.” Boy, do they know me. I can’t remember what I was looking for when I saw this book near the cash register at a bookstore. Whatever it was, it’s vanished from my mind an episode of Wife Swap. But I keep dipping into this dish of literary tacos with mild salsa.
Allan Lazar, Dan Karlan and Jeremy Salter had the idea of selecting and ranking the 101 most influential people who never existed, giving you a few pages of sprightly text about each and defining “people” loosely enough to encompass King Kong (No. 74), Joe Camel (No. 78) and The Cat in the Hat (No. 79). This concept is nothing new. You can find similar books by searching Amazon for the “dictionary + fictional characters” or in the reference sections at many bookstores.
What is new is the packaging of the book, a trade paperback with a conversational tone instead of the usual professorial door-stopper. So The 101 Most Influential People Who Never Lived could be a handy book for, say, baby boomers who are having trouble explaining to their grandchildren exactly why Archie Bunker (No. 32) was so different from other sitcom characters of his day. It wasn’t just that he called his liberal son-in-law “Meathead”:
“Archie expressed what ultraconservative white people said behind closed doors on topics such as rape and poverty (the victims were to blame), homosexuality (perverts), militia groups (real Americans), welfare recipients (cheats who took hard-earned money out of his pocket) , college students (all pinko Communists), and support for the Vietnam War (real patriotism).”
Lazar, Karlan and Salter offer no narrative thread to connect the entries, so their essays tend to lack a context. Most readers under 40 might find it easier to fathom how Archie’s bigotry ever made it to prime time if they knew that he descended spiritually from Ralph Kramden (Jackie Gleason) on The Honeymooners, who was always threatening to belt his wife. (“One of these days, Alice – pow! – right in the kisser.”) You could also argue that, for that reason, Kramden and not Bunker belonged on the list. But part of the fun of this book is comparing your list with the authors’ rankings of characters like Hamlet (No. 5), Pandora (No. 47), Prometheus (No. 46), Nancy Drew (No. 62) and Buffy the Vampire Slayer (No. 44). Anybody want to argue that Perry Mason (No. 86) had less clout than Ally McBeal?
Best line: About the Marlboro Man (No. 1): “Advertising Age picked the Marlboro Man as the most powerful brand image of the twentieth century.” Why? Philip Morris had marketed Marlboros as a women’s brand that was “Mild As May”: “Marlboro’s new image boosted its sales four-fold from 1955 to 1957, and by 1972 it had become the top cigarette brand both in the nation and the world.” The original Marlboro Man and two other actors used for the role all died from lung cancer or emphysema.
Worst line: About the Loch Ness Monster (No. 56): Nessie is “the most popular tourist attraction in Scotland.” The most popular tourist attraction in Scotland has for years been Edinburgh Castle. Nessie isn’t even among the top ten on some lists. The rest of this section is also weak. As proof of the nonexistence of the monster, the authors say that the most famous photo of it turned out to be a hoax. What about all the sonar and other scientific reports that have shown that the creature never existed?
Recommended if … you’re not looking for a scholarly reference book but for the views of enthusiastic amateurs who get some facts wrong and serve up essays of inconsistent quality. Some entries are well-written, while others read like rough drafts.
Editors: Carolyn Marino, Jennifer Civiletto and Wendy Lee
Published: October 2006
This review first appeared in March 2007.
© 2009 Janice Harayda. All rights reserved.
The 2009 Delete Key Awards first runner-up is James Frey’s novel of Los Angeles,
The 2009
In the capital of Ghana well-off families often bury their members in coffins shaped like objects important to the deceased — an onion for a farmer, a sword for a tribal leader, a Mercedes Benz for a successful businessman. A photo of a remarkable fish-shaped coffin appears in the new second edition of A History of Art in Africa (Pearson, 560 pp., $150), written by Monica Blackmun Visona, Robin Poynor, and Herbert M. Cole. And that picture suggests part of the appeal of this unusually comprehensive book, which spans thousands of years and topics from Algerian pottery to Zulu shawls: The authors show how much more there is to African art than the representations most familiar to Americans, such wood carvings, kente cloth, and Egyptian tomb paintings.
“The major cause of the Civil War is when slavery spread its ugly testicles across the West.”
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The Facts on File Dictionary of Clichés omits “going forward, Day One, iconic, that said, off the table, in the run-up to and ahead of (for “before”), right quick, quite frankly, déjà vu all over again, rock star, guys (aimed at groups that include all sexes), dude, hottie, and take it to the next level,” Marie Shear says in a review in the Freelancer, the newsletter for the Editorial Freelancers Association