One-Minute Book Reviews

June 19, 2012

Deborah Moggach’s Comic Novel ‘The Best Exotic Marigold Hotel’

Filed under: Movie Link,Novels,Paperback — 1minutebookreviewswordpresscom @ 5:30 pm
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The book that inspired the hit movie with Judi Dench offers pleasures of its own

The Best Exotic Marigold Hotel: A Novel. Random House Movie Tie-in Edition, 336 pp., $15, paperback. First published under the title These Foolish Things.

By Janice Harayda

Deborah Moggach shows how much life a good writer can bring to an old literary device – the use of a hotel a metaphor for the transience of life – in this inspiration for the movie with the same title. As in the film, a group of Brits in their 60s and 70s move to a fraying retirement home in India that delivers at once more and less than its sunny brochure promised. These men and women have varied reasons for uprooting themselves, but all have been “deserted in one way or another by those they had loved.”

In India the wounded but hopeful exiles face new shocks – boiled buffalo milk for breakfast, “cruelly thin” cows on streets, children who call women “auntie.” As they try to adapt, their story becomes the rare comedy of cross-cultural manners that can absorb more than one tragedy while remaining true to the light-hearted spirit of the form. Some characters in The Best Exotic Marigold Hotel appear in a similar guise in the movie — the xenophobic Muriel Donnelly, the proper but resilient Evelyn Greenslade, the ill-matched Doug and Jean Ainsley, and others.

But the novel is less of a fairy tale than the film and, as such, is more interesting. It has a thicker plot, a sharper wit, and a richer perspective on India, rooted in part in two years Moggach spent in Pakistan. In the novel a high-born Indian regards the shadow of a lower-caste countryman as so dirty he must disinfect it. “The law forbids the caste system,” a Hindu woman tells Muriel, “but of course it still continues as strongly as ever.” Many cultural subtleties, left out of the movie, emerge in the novel.

Moggach has a free hand with coincidences, and she drops a few plot stitches (one involving a cobra that people hear but never appears, which makes the mention of it seem a bit of a cheat). But that doesn’t explain why after 18 books of fiction, she is so little known in America. Moggach is an admired London novelist and screenwriter who adapted Pride and Prejudice for the film that starred Keira Knightly, and if she has learned about comedy from Jane Austen, she has clearly absorbed ideas on plot from Agatha Christie and other crime writers. She is certainly a more thoughtful and entertaining writer than many British authors who have found a larger American readership. Evelyn Greenslade vows in India to “make the strange into the familiar.” Moggach, too, deserves to be made “into the familiar” on these shores.

Best line: No. 1: “Increasing years, of course, render us invisible as if in preparation for our eventual disappearance.” No. 2: “While she was pruning her forsythia, it seemed, the world had been transformed.” No. 3: “‘You’re as old as you feel.’ ‘Then I feel old,’ said Evelyn.”

Worst line: “ ‘I wish I could jettison my tights,’ Evelyn said.” Evelyn Greenslade is an intelligent woman, but would she really say “jettison”?

Recommendation? Highly recommended to book clubs and others looking for light but intelligent fiction.

Published: March 2012 (Random House movie tie-in edition). Originally published under the title These Foolish Things by Chatto & Windus in 2004.

Furthermore: Read a rave review for The Best Exotic Marigold Hotel that ran in the TLS when the book first appeared under the title of These Foolish Things. Learn about the movie on IMDb.

Janice Harayda is a novelist and award-winning journalist who has been the book columnist for Glamour and the book critic for the Plain Dealer. You can follow Jan on Twitter by clicking on the “Follow” button at right.

© 2102 Janice Harayda. All rights reserved.
www.janiceharayda.com

June 19, 2009

A Quote in the Spirit of Jane Austen From ‘Love in a Cold Climate’

A wonderfully satirical quote from Nancy Mitford’s modern classic Love in a Cold Climate, reviewed yesterday, that suggests why the novel night appeal to fans of Jane Austen:

“Lady Montdore loved anybody royal. It was a genuine emotion, quite disinterested, since she loved them in as much in exile as in power, and the act of curtseying was the consummation of this love. Her curtseys, owing to the solid quality of her frame, did not recall the graceful movement of wheat before the wind. She scrambled down like a camel, rising again backside foremost, like a cow, a strange performance, painful, it might be supposed, to the performer, the expression on whose face, however, belied this thought. Her knees crackled like revolver shots but her smile was heavenly.”

www.janiceharayda.com

March 10, 2009

‘A Gentleman’s Guide to Graceful Living’ Wins Hemingway Prize

Filed under: Novels — 1minutebookreviewswordpresscom @ 12:22 am
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Literary-prize judges too often snub quiet but worthy books. So I’m delighted to report that one of my favorite 2008 novels, Michael Dahlie’s A Gentleman’s Guide to Graceful Living, which I reviewed in January, has won the Hemingway/PEN Award for “a distinguished first book of fiction.” This witty and intelligent comedy of manners about fathers and sons was well-received by critics, but by today’s overheated standards, probably received less attention than it deserved.

(c) 2009 Janice Harayda.

January 18, 2009

What Does a Father Owe His Sons? Michael Dahlie Responds in His Witty and Intelligent First Novel, ‘A Gentleman’s Guide to Graceful Living’

Filed under: Novels — 1minutebookreviewswordpresscom @ 11:18 pm
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A well-off New Yorker finds comfort in his love for his sons after his business fails and his wife leaves him

A Gentleman’s Guide to Graceful Living: A Novel. By Michael Dahlie. Norton, 281 pp., $23.95.

By Janice Harayda

Does it ever make sense to give up a beloved family tradition? Michael Dahlie offers surprising answers in his witty and intelligent comedy of manners, A Gentleman’s Guide to Graceful Living.

Arthur Camden cherishes his hereditary membership in the Hanover Street Fly Casters, a fictitious fly-fishing group founded in 1878 by his great-grandfather and 11 other patrician businessmen. Those pre-Freudian bluebloods weren’t too self-conscious to name their Catskills lodge Maidenhead Grange, though the club always barred women from the premises. And for decades that’s been fine with Arthur, who has looked forward to passing his membership on to his oldest son and seen the group’s annual Meeting-in-Full as the highlight of his year.

Then Arthur faces a series of calamities fostered by his sweet and vulnerable nature, which includes a lack of self-awareness that would have allowed him to anticipate the disasters. His family business goes bankrupt. His wife of 32 years leaves him. And he accidentally burns down Maidenhead Grange while lighting a fire in an ill-maintained chimney in order to seduce a date who insisted on seeing the lodge.

All of this might have devolved into a pseudo–P. G. Wodehouse novel full of absurd middle-aged or older men throwing trout heads instead of breadsticks. But Michael Dahlie takes a gentler approach as Arthur tries to regroup in the face of dismay of the Fly Casters and the bold sexual reconnaissance missions of his ex-wife, Rebecca.

“I hear she slept with absolutely everyone, and during your separation, no less,” an acquaintance tells him. “Most people have the sense to wait till the final paperwork is done. But from day one it was like she was on Spring Break.”

Amid such embarrassments, Arthur finds solace in his requited love for his sons, in the support of a few loyal friends, and in small pleasures such as the pine-needle liqueur he discovers when, hoping a vacation will help, he visits a boyhood friend in France. And for all its comedy, this novel has a serious theme.

At a family gathering on Nantucket, Arthur wonders how to help his younger son, David, who can’t seem to keep a job:

“It was a perplexing question: what sorts of things does a father owe his son? On one level the answer might best be nothing, since too much parental help so often had such obviously bad results. Moreover, there was no reason a person shouldn’t try to make his own way in such an obviously prosperous nation. But in terms of smaller-scale help, a leg up in the world, a little nudge forward, you could say that a father should at least give his son what his own father gave him.”

Dahlie’s thoughtful exploration of such issues gives his book a depth unusual in comedies of manners, which often ricochet from one bright line to another. America abounds with men blindsided not just financially but emotionally by the economic meltdown, and if Arthur has more money than most, he struggles with widely shared questions: How did I get into this fix? How can I get out of it? How will my losses affect my children? Many people who have stopped reading their 401(k) statements might profitably transfer their attention to this enjoyable novel.

Best line: A comment by the friend whom Arthur visits in France: “If there’s one thing the Swiss are good at, it’s running rehab centers. It’s like the Minnesota of Europe.”

Worst line: “Not unlike the outrage over Arthur’s distaste for salmon sandwiches and lobster Newberg, Arthur’s father was often worried ‘for the boy’s own good’ about one thing or another that he felt made Arthur look absurd.” The sentence doesn’t scan well grammatically, and the three Arthurs don’t help.

Published: June 2008. A paperback edition of A Gentleman’s Guide to Graceful Living is due out in June 2009 www.michaeldahlie.com

Consider reading also: Guiseppe Pontiggia’s Born Twice, a novel of fatherhood that won Italy’s highest literary honor, the Strega Prize.

Janice Harayda wrote the comedies of manners The Accidental Bride and Manhattan on the Rocks

© 2008 Janice Harayda. All rights reserved.

May 28, 2007

A Totally Authorized Reading Group Guide to ‘The Accidental Bride’ by Janice Harayda

10 Discussion Questions
The Accidental Bride
A Comedy of Midwestern Manners

Note: Because of the holiday, I’m taking the day off from reviewing and posting this readers’ guide to The Accidental Bride, my first novel. This differs slightly from the other guides on this site, because I haven’t reviewed the book and am instead using some of the material the publisher sent out when the book came out in hardcover. A guide to my second comedy of manners, Manhattan on the Rocks (Sourcebooks, 2004), appeared on March 14, 2007. You can find it by clicking either on the March posts archive or the Totally Unauthorized Reading Groups Guide category (although the guides to both of my novels, unlike the others on this site, are totally authorized). Jan

One month before her fairy-tale wedding to the third richest man in the second largest city in Ohio, Lily Blair is beset by doubts. She appears to have a charmed life – a budding newspaper career and a five-carat engagement ring from a wonderful man – but can’t decide whether to plunge headfirst into the security of married suburban life or follow her career dreams alone to New York. Her family and friends keep nudging her toward the aisle. But Lily has qualms about a wedding her mother wants to stage like a full-scale military operation. Amid the plans, Lily looks to Jane Austen for inspiration. Can she find what she needs in novels like Pride and Prejudice? The answer doesn’t emerge until the last pages of book that Publishers Weekly called “a witty and wise comedy of manners that pays homage to Jane Austen.”

Questions for Book Clubs and Others

1. Each chapter of The Accidental Bride begins with a quote from Jane Austen. How do these quotes relate to the plot? Do they serve different purposes in the individual chapters and in the novel as a whole? What are the purposes? You may want to compare The Accidental Bride to Karen Joy Fowler’s The Jane Austen Book Club.

2. Many reviewers noted that the humor in The Accidental Bride is satirical. What are some of the things the novel is satirizing? Does Janice Harayda satirize some of the same things that Austen does?

3. Satire can take many forms. For example, it can be gentle or biting (sometimes both in the work of the same author, as in Austen’s novels). How would you describe the satire in The Accidental Bride?

4. The first sentence of The Accidental Bride reads: “One month before her wedding to the third richest man in the second largest city in Ohio, Lily Blair awoke in the middle of the night and realized that she did not want to get married.” The author doesn’t name that “second largest city.” But you may know that it is Cleveland. (The largest city is Columbus, the capital.) Why you do think the author didn’t name Cleveland? Do you think she did this for legal, literary, or other reasons? How might your reactions to the novel have changed if the author had named Cleveland in the first line?

5. Lily, the heroine of The Accidental Bride, doesn’t want to see a psychiatrist because she doesn’t think many therapists are as wise as writers like La Rochefoucauld, who said, “In love there is always the kisser and the one who gets kissed.” What does this saying mean? Is there a “kisser” and a “one who gets kissed” in The Accidental Bride?

6. Lily also admires another writer who says “love is an agreement on the part of two people to overestimate each other.” Do you think that writer was being serious or facetious or both?

7. A critic for The New York Times wrote in her review of The Accidental Bride that “Harayda is an astute social commentator.” That is, she is saying some things about our society in addition to telling a story. What are some of the things you think she is trying to say?

8. In novels about women in their twenties, the men are often cads. That’s especially true of the heroines’ boyfriends. Lily’s boyfriend, Mark, is different. He is a kind and thoughtful man who is trying to understand the woman he loves. How does this affect the plot and other aspects of the story?

9. Mark is trial lawyer who is forced to defend a company accused – with good reason – of age discrimination. Do you see any parallels between Lily’s situation and that of the older people in the lawsuit (called “Geezers” and “Geezerettes” by their employer)?

10. The Accidental Bride belongs to the genre known as the “comedy of manners,” which consists of fiction that tweaks the customs of a particular group (often a group that is — or sees itself — as upper class). The humor in this genre tends to involve wit and charm instead of slapstick or physical comedy. A classic example is Oscar Wilde’s The Importance of Being Ernest. What are some other plays, movies, or novels that are comedies of manners? Why do you like them?

Praise for The Accidental Bride
“Satire with heart … In a style that careens from Austenesque to Corporate Memo-ese, Janice Harayda has written a farce that dissects the farce of the matrimonial ceremony. Lily is a charming character.”
— Olivia Goldsmith, bestselling author of The First Wives Club

“A thoroughly entertaining first novel.”
— Joyce R. Slater, Chicago Sun-Times

“Sparkling with wit and humor, this is a story that charms.”
Kirkus Reviews

“Harayda’s first novel has plenty of snappy, witty dialog, humorous scenarios, and sexual innuendo.”
Margaret Ann Hanes, Library Journal

“A frothy comedy … Harayda is an astute social commentator.”
— Maggie Galehouse, The New York Times

“Harayda is quick with a quip and merciless at sniping at an unnamed Ohio city … Residents of that city may not find this funny, but everyone else will.”
— Michele Leber, Booklist

“Vigorous wit, playful homage to the winsome heroines of great nineteenth-century novels, and a charming, irresolute heroine make this tale of a woman who doesn’t want to get married an unusually filling trifle.”
— Karen Karbo, San Francisco Chronicle (“Recommended” book)

“Harayda’s sense of the humorously absurd, combined with her gift for timing and fun, make this book readable and fun … Did I ever put it down? No. I read it at breakfast, at dinner, in the bubble bath. I got to liking Lily and wanted to find out what would happen.”
— Wendy Smith, San Diego Union Tribune

“The former book editor of the Cleveland Plain Dealer, Harayda has made Lily a displaced reporter. This gives the author a wonderful chance to skewer newsroom types … half the fun for the reader is helping Lily sort out her misgivings [about her wedding] and figure out which are real and which are only flutters.”
— Kit Reed, St. Petersburg Times

“The Accidental Bride is a worthy counterpart to … Bridget Jones’s Diary [Harayda’s] hand at social satire rivals Austen’s … Lily Blair is a charming heroine … The reader is pleased to go along for the ride.”
Ft. Lauderdale Sun-Sentinel

“Nicely skewers today’s over-the-top weddings and the whole wedding industry.”
— Linda Brazill, The Capital Times (Madison, WI)

“The Accidental Bride is a delightful romp of a book, both funny and wise and very much a story for our times. In Lily Blair, Jan Harayda has created a contemporary character who outdoes the best of Jane Austen’s most memorable women. When feisty Lily comes to terms with one of the biggest decisions of her life, the reader can do nothing but cheer.”
— Ruth Coughlin, author of Grieving: A Love Story

“True laughs and true lover abound in this galloping romanic comedy. Jan Harayda goes after the smug assumptions of suburban weddings and the absurdity of ‘mandatory’ matrimony. The wit is civilized, the heart is romantic, and the wisecracks are indeed wise.”
— Steve Szilagyi, author of Photographing Fairies

“The Accidental Bride is a charmingly witty, modern-day satirical tale of a woman trying to keep her balance as she teeters on the edge of matrimony.”
Charles Salzberg, co-author of On Clear Day They Could See Seventh Place

Vital Statistics
The Accidental Bride: A Romantic Comedy. By Janice Harayda. St. Martin’s/Griffin, 304 pp., $13.95, paperback.

To invite Janice Harayda to speak to your book group in person or by speakerphone, please use the e-mail address on the “Contact” page of www.janiceharayda.com and write “Book Club” in the subject heading of your note.

© 2007 Janice Harayda. All rights reserved.

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