One-Minute Book Reviews

September 21, 2009

‘Why We Make Mistakes’ – A Provocative Look at the Causes of Human Error, or Why There’s a 1-in-5 Chance That a Doctor Will Misdiagnose Your Final Illness

Filed under: Nonfiction — 1minutebookreviewswordpresscom @ 12:17 am
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If you drink while studying for a test, hope the exam will be held in a bar

Why We Make Mistakes: How We Look Without Seeing, Forget Things in Seconds, and Are All Pretty Sure We Are Way Above Average. By Joseph T. Hallinan. Broadway, 283 pp., $24.95.

By Janice Harayda

A few days before Halloween in a small town in Delaware, a 42-year-old woman hanged herself from a tree across from a moderately busy road. Her body dangled about 15 feet above the ground and could easily be seen from passing cars, but no one called the police for more than 12 hours.

“They thought it was a Halloween decoration,” the mayor’s wife said as a crowd gathered at the scene in 2005.

Joseph Hallinan uses the tragedy to make a point: Context affects our perceptions of events more than we imagine. Its importance helps to explain why we often can’t quite place somebody we’ve run into: Is he a barista at the local Starbucks? A volunteer at the library? It’s easier to recall who a person is when you know where he belongs. And context involves more than time and place, Hallinan says in Why We Make Mistakes, a fascinating survey the causes of human error. One study found that people who learned while slightly drunk remembered better if they were tested while tipsy.

Hallinan focuses on cognitive or perceptual errors that affect behavior, or factors such as change blindness (an inability to notice shifts in what we see) and overconfidence (a trait that shows up more in men than women and influences the mistakes of each sex). But he writes at times about behavior that affects perceptions, such as not getting enough sleep. And this dilutes slightly the focus of his book, which draws on research in psychology, economics, and other fields. Why deal with fatigue but not with such physical conditions as chronic pain or stress that can also cause errors?

A larger issue is whom the “we” in the title of the book refers to. Hallinan seems to draw mainly on the work of American researchers, and this raises questions when he deals with a topic such as overconfidence. He makes a strong case that “we” are overconfident. But that’s what Europeans have said for decades about Americans, and it makes you wonder if his conclusions would have differed if he’d drawn on more studies of, say, Scots or Hungarians. You don’t know whether this is a book about why people make mistakes or about why Americans make mistakes.

Even so, Why We Make Mistakes is as sobering – and potentially helpful — as it is lively. If you can’t decide whether to get a second opinion about a recommended medical treatment, here’s a fact that could help you make up your mind: Studies of autopsies have shown that “doctors seriously misdiagnose fatal illnesses about 20 percent of the time.”

Best line: No. 1: “Memory, it turns out, is often more of a reconstruction than a reproduction.” No. 2: “Wrong-site surgery continues to afflict untold numbers of patients each year. … One recent survey, for instance, asked hand surgeons about operating on the wrong place; 20 percent of them revealed that they had operated on the wrong site at least once in their careers.”

Worst line: “On the kinds of sophisticated tasks that economists are most interested in, like trading in markets or choosing among gambles, the overwhelming finding it that increased incentives to do not change average behavior substantially. Generally, what incentives do is prolong deliberation or attention to a problem. People who are offered them will work harder on a given problem … though they will not necessarily work any smarter.” This passage seems self-contradictory and an oversimplification of the effect of incentives. If people work harder on a problem, isn’t that a change in their “average behavior”?

Recommendation? Why We Make Mistakes may appeal to fans of the books of Malcolm Gladwell, though there’s some overlap of information with them.

Published: February 2009

Editor: Kris Puopolo

About the author: Hallinan is a Pulitzer Prize–winner and former Wall Street Journal reporter. He lives in Chicago.

One-Minute Book Reviews posts short reviews by Janice Harayda, former book editor of the Plain Dealer in Cleveland. The site is also the home of the “Backscratching in Our Time” series that calls attention to authors who praise each other’s books. The next installment in the series will appear Friday.

© 2009 Janice Harayda. All rights reserved.
www.janiceharayda.com and www.twitter.com/janiceharayda

September 18, 2009

The Ambiguous Losses of Aleksandar Hemon’s ‘Love and Obstacles’ – Tales of Immigrants Who Are ‘There, But Not There’ in America

Filed under: Short Stories — 1minutebookreviewswordpresscom @ 12:18 am
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“The newspapers had cooed over the international romance: he had wooed her by singing and writing poetry; she had taken him to mass grave sites.”
— From the story “The Conductor” in Love and Obstacles

Love and Obstacles: Stories. By Aleksandar Hemon. Riverhead, 224 pp., $24.95.

By Janice Harayda
All of the stories in this fine collection deal with the condition that therapists call ambiguous loss, or unresolved grief for people who are physically present but psychologically absent or physically absent but psychologically present. The tales involve characters who are, as one of them says, “There, but not there.”

Aleksandar Hemon was born in Sarajevo of Ukrainian descent and stranded in the U.S. when the Bosnian War broke out while he was visiting Chicago in 1992. The unnamed first-person narrator of the eight linked stories in Love and Obstacles survives a similar uprooting from the Balkans to the Midwest. These tragicomic tales often invoke a Sarajevo that is physically absent but psychologically present and describe other psychic and geographic displacements.

Hemon’s narrator has literary aspirations that comfort and bedevil him in his homeland and later in America, where he sells magazines door-to-door before becoming a writer. In the first story, he is a teenager in Mobutu Sese Seko’s Zaire — the latest posting for his father, a minor Yugoslav diplomat — and thinks of Joseph Conrad’s phrase inhabited devastation as he travels to the slums of Kinshasa with a man who may or may not be be an American spy. An air of menace lingers after he settles in Chicago: Hemon’s stories show that the condition of exile transcends the place of exile, and America does not necessarily hold fewer dangers for expatriates than an African dictatorship.

Two of the best stories in Love and Obstacles involve writers who might seem overrated – a Bosnian poet and an American novelist — until the tales raise the possibility that the literary-ratings systems are inadequate to the complexity of art. “The Noble Truths of Suffering” could have been too clever by a half – it has a scene in which a writer reads another writer’s story about a writer and his family – but reveals Hemon’s gifts as a satirist as it tweaks a self-important Pulitzer Prize-winner on a book tour in Bosnia.

“The Conductor” brings together the two great threads of Love and Obstacles. By now well-established in the U.S., the narrator still feels guilty about not having stayed for the siege of Sarajevo, a city physically absent but psychologically present in his life. Then he reconnects in Madison, Wisconsin, with a revered Bosnian poet who did stay. In his youth the narrator had known and mocked Dedo for writing poetry perhaps more admired for its sentimental patriotism for its art. But he finds him changed by the siege. Dedo had married an American lawyer who collected war-crimes evidence in Bosnia: “he had wooed her by singing and writing poetry; she had taken him to mass grave sites.” (Both the dark humor and the semicolon are typical of Hemon.) And if the siege took a toll on Dedo, his subsequent move to the U.S. took another. His wife scorns his work, and he has become a drunk, physically present but psychologically absent in his marriage.

The differences between Dedo and the man who once mocked him come into sharp focus as a young woman walks toward the bathroom in a bar in Madison. The narrator says, “Cute.” Dedo says, “She is crying.” This exchange suggests that the Bosnian poet, for all his defects, has kept a part of his humanity that his more Americanized — and successful — companion has lost. The narrator eventually sees this. He comes to believe that Dedo, flawed as he is, is  “a beautiful human being.” This casts Dedo’s work in a new light. He may be a bad poet, or he may be good one. But the distinction is less important than the narrator once thought. These stories remind us that – for immigrants as for others – life itself is the great art.

Best line: A character in the story “The Bees, Part I” says that the apples you got in Canada “tasted as if they had been dry-cleaned.”

Worst line: The narrator of “The Noble Truths of Suffering” describes a cocktail party: “The writers were recognizable by the incoherence bubbling up on their stained-tie surfaces.”

Published: May 2009

Furthermore: More about Love and Obstacles appeared on this site on Sept. 7.

Read an excerpt: The complete “The Nobel Truths of Suffering” appears on The New Yorker site.

About the author: Hemon was a finalist the 2008 National Book Award and the National Book Critics Circle Award for fiction for his novel The Lazarus Project.

© 2009 Janice Harayda. All rights reserved.
www.janiceharayda.com and www.twitter.com/janiceharayda

October 16, 2008

Ring Lardner’s Baseball Stories for All Ages, ‘You Know Me Al’

Classic tales of an overconfident White Sox rookie are still print in different editions for adults and children

An egocentric pitcher. A coach fed up with his player’s excuses. A team that can’t win on the road. And — to spice things up — a little girl trouble in the background.

Sound like a team in the 2008 playoffs? Actually it’s what you’ll find in Ring Lardner’s collection of humorous short stories about baseball, You Know Me Al (Book Jungle, 248, $16.95, paperback), written for adults but likely also to appeal to many teenagers.

First published in the Saturday Evening Post in 1914, these tales are a masterpiece of tone. They take the form of rambling, misspelled and ungrammatical letters written by a rookie White Sox pitcher named Jack Keefe to his friend Al while traveling with his team during the baseball season. Jack has a comically misplaced self-confidence that feeds a low-grade persecution complex. (“I hit good on the training trip and he must of knew they had no chance to score off me in the innings they had left while they were liable to murder his other pitchers.”) Lardner’s stories about his anti-hero remain entertaining partly because they deal with emotions that still exist in any locker room.

But a little of Jack’s bombast goes a long way, and young readers may prefer an anthologized excerpt from You Know Me Al. One of the best for tweens and teenagers appears in Alan Durant’s outstanding Score! Sports Stories (Roaring Brook, 264 pp., 264 pp., ages 9 and up), a collection of 21 modern and classic sports stories just out in a new paperback edition. Durant’s brief introduction suggests why young readers may enjoy excerpt: “The story is full of jokes – mainly at the teller’s expense, as Keefe constantly gets on the wrong side of coach Callahan with his often idiotic remarks.”

© 2008 Janice Harayda. All rights reserved.

September 19, 2007

Great Small Presses #3: Academy Chicago

Filed under: Great Small Presses — 1minutebookreviewswordpresscom @ 12:17 am
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Fed up with the poor quality of so many books from major publishers? This is the third in a series of posts on great small or independent presses that have had high standards for years and sometimes decades.

In addition to its usual reviews, One-Minute Book Reviews will post a short profile of a different publisher each day this week, including a link to its site, which you may want to visit for holiday gift ideas. The series will continue after this week on an occasional basis.

A firm with a diverse list that ranges from film and video guides to reprints of early novels by some of the leading English writers of the 20th century

By Janice Harayda

There’s nothing stuffy or academic about Academy Chicago www.academychicago.com, which bills itself as a publisher of “quality fiction and nonfiction.” This admirable firm publishes new and reissued books, mostly for adults, and has an especially strong line of reprints of 20th-century novels by well-known English writers. On its fiction list: Malcolm Bradbury’s first novel, Eating People Is Wrong, and Fay Weldon’s The Fat Woman’s Joke (a tale of what happens a husband and wife go on a diet together). Other specialties of this Chicago-based firm include murder mysteries, film and video guides, and books about Celtic and Arthurian legends. One of its showpieces: E.M. Delafield’s great Diary of a Provincial Lady and its four sequels, the subject a six-page feature in The New Yorker (“The Diarist,” by Cynthia Zarin, May 2005). The Academy Chicago Web site says it does not publish books with “explicit, gratuitous sex and violence.”

One-Minute Book Reviews was the seventh-ranked book review site on Google www.google.com/Top/Arts/Literature/Reviews_and_Criticism/as of Sept. 6, 2007. It does not accept free books from publishers.

(c) 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

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