One-Minute Book Reviews

February 22, 2013

‘Being Dead Is No Excuse’: An Irreverent Guide to Southern Funerals

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A witty guide to avoiding gaffes like letting people sing “Now Thank We All Our God” as your casket rolls in

Being Dead Is No Excuse: The Official Southern Ladies Guide to Hosting the Perfect Funeral. By Gayden Metcalfe and Charlotte Hayes. Miramax, 243, $19.95.

By Janice Harayda

A certain kind of Southern woman would rather die than not have tomato aspic at her funeral. She tolerates churches that don’t allow eulogies because she believes God “doesn’t need to be reminded” of the deceased.  And she knows that next to the aspic, it is the hymns that make or break a Southern funeral: You can’t miss with a “stately and wistful” chart topper like “Oh, God, Our Help in Ages Past,” but nobody wants to go out to “Now Thank We All Our God.”

Any self-respecting Southern woman knows that being dead is no excuse for bad form, and this sparkling guide boldly takes on delicate issues such as: Is it proper to use the euphemism “loved one” in a death notice? (No, it’s “tacky.”) What flowers should you avoid? (“A ‘designer arrangement’ that turns out to be a floral clock with the hands stopped at the time of death.”) Should you adopt recent innovations such as having pallbearers file past the coffin, putting their boutonnières on it? (“Funerals are emotional enough to begin with – why do something that is contrived to tug at the heart?”)

More than an irreverent etiquette guide, Being Dead Is No Excuse abounds with tips on keeping a “death-ready” pantry and with recipes for Southern funeral staples such stuffed eggs, pimiento cheese, chicken salad, caramel cake and pecan tassies. But noncooks needn’t fear that this book has nothing for them. It’s comforting that if Northern funerals increasingly resemble New Year’s Eve parties with balloons and Led Zeppelin’s “Stairway to Heaven,” die-hard Southerners treat death with respect. For all its wit, this book develops a theme that  transcends geography. You may have no strong feelings for the deceased, the authors say, but you can still have grace: “A funeral reception is not a cocktail party. We want people to feel comfortable, but we want them to remember that they’re there because someone has died.”

Best line: No. 1: ““You practically have to be on the list for your second liver transplant before a Southern Episcopalian notices that you’ve drunk too much. They’re not called Whiskypalians for nothing.” No. 2: “Pimiento cheese might just be the most Southern dish on earth. Pimiento cheese has been dubbed ‘the paste that holds the South together.’”

Worst line: “We always say how much we admire her because she always holds her head up high, even though her mother ran away with the lion tamer in a traveling circus.” That sentence didn’t need more than one “always.” And is anyone today old enough to have a parent who even remembers traveling circuses with lion tamers?

Published: 2005

Furthermore: Gayden Metcalfe and Charlotte Hayes have spent much of their lives in the Mississippi Delta. They also wrote Someday You’ll Thank Me for This: The Official Southern Ladies Guide to Being a Perfect Mother (Hyperion, 2009).

Jan and Kevin Smokler will be cohost a Twitter chat on Sylvia Plath’s The Bell Jar today, Feb. 22, at 4 p.m. ET, 9 p.m. GMT. Please join us at the hashtag #classicschat on the last Friday of each month.

© 2013 Janice Harayda. All rights reserved
www.janiceharayda.com

February 11, 2013

What I’m Reading … Frances Parkinson Keyes’ Mardi Gras Novel, ‘Crescent Carnival’

Filed under: Novels,What I'm Reading — 1minutebookreviewswordpresscom @ 3:08 am
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“What I’m Reading” is a series that describes books I’m reading that I may or may not review later on One-Minute Book Reviews

What I’m reading: Crescent Carnival, a 1942 novel by Frances Parkinson Keyes, best known for Dinner at Antoine’s. 

What it is: A saga of two prominent New Orleans families and the Mardi Gras balls and other rituals that defined their lives between 1890 and 1940. Keyes drew in part on the recollections of her friend Dorothy Selden Spencer, a former Carnival queen.

Why I’m reading it: Few novels focus on Mardi Grass celebrations and how they preserved the distinctions of social class in New Orleans even as such differences were fading elsewhere. Crescent Carnival is one that you can still find without too much trouble in libraries and online.

How much I’ve read: About 150 pages of more than 800.

Quotes from the book: “Estelle always loved Carnival and the preparations for it. But she grew up without daring to dream that some day she, herself, would be the Queen of one of the Carnival Balls. She did not believe it even when she heard that Monsieur Leroux, who held the fate of all potential queens firmly in his hands, had spoken formally to her father, asking if he could conveniently be received on a certain day at a certain hour in the Lenoir’s house on Royal Street.

“She could hardly believe it even after the ritual champagne had been bought, and the silver ice bucket polished until it shone like a mirror, and the one placed inside the other, beside a plate of little frosted cakes, on the center table in the  salon, under the chandelier, there to await the arrival of Monsieur Leroux. She went into the  salon, and she was still filled with incredulity mingled with awe.”

Furthermore: Jonathan Yardley of the Washington Post said that Keyes was a “middlebrow” novelist in the sense that she “wrote for readers of some education and taste who expected their entertainments to be literate and intelligent as well as entertaining.” Based on what I’ve read, that gets it exactly right: Crescent Carnival is, by today’s standards, a potboiler, but one that reflects higher standards than most now labeled as such. A journalist by instinct if not by training, Keyes shows a Tom Wolfean attention to the details of social status that evoke the eras she describes.

You can follow Jan on Twitter by clicking on the “Follow” button a right.

© 2013 Janice Harayda

www.janiceharayda.com

February 9, 2013

Harlan Coben’s Thriller, ‘Hold Tight’ – Parents Snoop in ‘Sopranos’ Country

Filed under: Fiction,Mysteries and Thrillers — 1minutebookreviewswordpresscom @ 1:33 am
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Mayhem results when parents install spyware on their teenager’s computer

Hold Tight. By Harlan Coben. Dutton, 416 pp., $26.95.

By Janice Harayda

Hold Tight ought to be catnip for those of us who have lived in New Jersey long enough to know that its loopy plot doesn’t lie far from reality. Up to a point, it delivers.

Harlan Coben uses in this suburban thriller a variation on the Agatha Christie formula – a machine-tooled plot strewn with clues, a smattering of local color and an eventual convergence of many threads that at first appear unrelated. But Hold Tight involves a sick violence that Christie wouldn’t have gone near. And it has no Jane Marple or Hercule Poirot whose idiosyncrasies might have offset other characterizations that range from bland to stereotypical, as in the case of an icy feminist lawyer and shady men who wear “wifebeater tees.”

Some of the gore results from a morally questionable decision by Mike and Tia Baye, well-educated suburban parents who live a few miles from the Satin Dolls, “the famed gentlemen’s club that was used as Bada Bing! on The Sopranos.” The Bayes’ 16-year-old son, Adam, won’t explain why he has withdrawn from them after the suicide of a friend, so they install spyware on his computer. The snooping plunges the couple into something much worse than they had feared. It also sets up light philosophizing about violence: “What is in our makeup, in fact, that draws us to that which should sicken us?” The question appears unintentionally metafictional. In the first of many brutal scenes in Hold Tight, a thug beats an innocent woman to death so savagely that he didn’t just break the bones in her face but left them looking as though “they were ground into small chunks.”

Best line: A mother whose son died says, when someone mentions “closure”: “What does that even mean? … Can you imagine anything more obscene than having closure?”

Worst line: No. 1: “wifebeater tee” (used twice). “Wifebeater” is a nasty cliché that libels men who wear ribbed undershirts and don’t beat their wives. No. 2: “She made the twins dinner – hot dogs and macaroni and cheese.” Really makes you see them as individuals, doesn’t it? No. 3: “The mall was pure Americana ginoromous.” “Ginormous” is cute, not funny.

Furthermore: The Guardian reviews Coben’s more recent Caught.

Published: 2010 (Dutton hardcover), 2009 (Signet paperback).

You can follow Jan on Twitter by clicking on the “Follow” button in the right sidebar.

© 2013 Janice Harayda. All rights reserved.
www.janiceharyada.com

December 30, 2012

Backscratching in Our Time — Jami Attenberg and Julie Orringer

The latest in a series of posts on authors who praise each other’s work

Jami Attenberg on Julie Orringer’s The Invisible Bridge, which she listed as one of the “5 Best Things” she had “read recently” in Impose magazine: 

“I just cracked open Julie Orringer’s latest book this morning; a very wise and literary friend gave me a galley of it and promised I would love it. It’s gorgeous so far, master-craftsman-next-level kind of writing.”

Julie Orringer on Jami Attenberg’s The Middlesteins in the New York Times Book Review:

“There’s a touching paradox in the first chapter of Jami Attenberg’s caustic, entertaining and bighearted new novel, The Middlesteins….The burning question, which Attenberg explores with patience and sensitivity, is why Edie has embarked on her self-destructive path. The answers themselves aren’t surprising: Edie married too early, felt ambivalent about parenthood, became disillusioned with her career. What’s remarkable is the unfailing emotional accuracy and specificity with which Attenberg renders Edie’s despair….largely brilliant.”

Read about other logrolling authors in the “Backscratching in Our Time” series.

You can follow Jan on Twitter by clicking on the “Follow” button on this page.

© 2012 Janice Harayda. All rights reserved.
www.janiceharayda.com

December 15, 2012

Laura Hillenbrand’s ‘Unbroken’ – A World War II POW’s Tale

Filed under: Biography,Nonfiction — 1minutebookreviewswordpresscom @ 9:47 pm
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An American bombardier spent 47 days on a raft and became a prisoner of war 

Unbroken: A World War II Story of Survival, Resilience, and Redemption. By Laura Hillenbrand. Random House, 473 pp., $27.

By Janice Harayda

As a child, Louis Zamperini stole from neighbors and hid his plunder so the police wouldn’t catch him with it. Unbroken leaves the impression that, in his 90s, he is still keeping evidence under wraps.

Zamperini cooperated with Laura Hillenbrand on this swashbuckling account of his life as an Olympic runner and Army Air Forces bombardier who, after his plane crashed into the Pacific in 1943, spent 47 days on a raft and more than two years as a prisoner of the Japanese. But the book requires you to take more on trust than did its author’s Seabiscuit. Can a man whose parents tried to raise him as a Catholic really not have known the Hail Mary and, while sharks circled his raft, had to recite “snippets of prayers that he’d heard in movies”? Can his horrific postwar nightmares have evaporated after he found God at a Billy Graham revival meeting?

Even with 50 pages of end notes, the book doesn’t put those questions to rest. While best biographies demythologize their subjects, this one invests its hero with the qualities less of a mortal than of Bunyan-esque folk hero.

Best line: No. 1: “In Torrance, a one-boy insurgency was born.” No. 2: “The paradox of vengefulness is that it makes men dependent on those who have harmed them, believing that their release from pain will come only when they make their tormentors suffer.”

Worst line: “Louie was hauled into the principal’s office for the umpteenth time.” “For the umpteenth time, Louie cursed whoever had stocked the raft.” Hillenbrand tends to overwrite: In both cases, she needed only to say “again.”

If you like Unbroken, you might also like: Steven Callahan’s bestselling memoir Adrift: Seventy-Six Days Lost at Sea.

Published: November 2010

You can follow Jan on Twitter by clicking on the “Follow” button in the sidebar on this page.

© 2012 Janice Harayda. All rights reserved.
http://www.janiceharayda.com

November 18, 2012

A Totally Unauthorized Reading Group Guide to ‘Behind the Beautiful Forevers’ – Discussion Questions for Book Clubs and Others

Behind the Beautiful Forevers:
Life, Death, and Hope in a Mumbai Undercity
By Katherine Boo
Source: One-Minute Book Reviews
http://www.oneminutebookreviews.wordpress.com

This guide for reading groups and others was not authorized or approved by the author, publisher or agent for the book. It is copyrighted by Janice Harayda and is only for your personal use. Its sale or reproduction is illegal except by public libraries, which may make copies for use in their in-house reading programs. Other reading groups that would like to use this guide should link to it or check the “Contact” page on One-Minute Book Reviews to learn how to request permission to reproduce it.

Katherine Boo won the 2012 National Book Award for nonfiction for Behind the Beautiful Forevers, a portrait of a Mumbai slum in which poverty and corruption go hand in hand. She tells the true story of Abdul Husain, a young garbage trader framed for the death of an embittered neighbor, and the rigged judicial system he faced. In doing so she challenges the myth that India’s rapid rise derives in part from the chaotic unpredictability of daily life. “In America and Europe, it was said, people know what is going to happen next when they turn on the water tap or flick the light switch,” Boo writes. “In India, a land of few assumptions, chronic uncertainty was said to have helped produce a nation of quick-witted problem-solvers.” Boo shows that if instability can foster ingenuity, it can also heighten despair in people whose efforts to improve their lives yield few results. A resident of Annawadi summed up a theme of the book when she said: “We try so many things, but the world doesn’t seem to move in our favor.”

10 Discussion Questions for Behind the Beautiful Forevers:

1. If you had been one of the National Book Awards judges, what arguments would you have made for or against giving a prize to this book?

2. This book tells the linked stories of residents of the Annawadi slum, including the Husain family; the slum boss, Asha Waghekar, and her daughter Manju; and Abdul Husain’s friend Sunil. Which people did you find most and least memorable? Why?

3. Janet Maslin praised Behind the Beautiful Forevers in the New York Times but had one reservation: She said that Boo “writes about so many scavenging kids, boisterously quarrelsome families and corrupt officials that the book is too crowded” (although she added that the Mumbai setting justified the density). Were you able to keep the characters straight easily? Or did you have to go back and reread parts to do that? If you had been the editor of this book, would you have suggested any changes?

4. Boo cuts back and forth between the stories of people she writes about, a technique that can slow a book down by breaking its momentum. Did this one maintain a pace that kept you reading? What held your attention?

5. Many of the events in this book are harrowing, such as the suicide of Manju’s friend Meena, a Dalit (the name that replaced old “untouchable”). Meena drank rat poison after being repeatedly beaten for offenses such as refusing to make her brother an omelet, and her parents blamed “Manju’s modern influence” for their daughter’s death. Which events did the book portray most vividly or effectively?

6. Boo has said in interviews that the big question she wanted to explore in this book was, in an age of globalization, “Who gets out of poverty, and why?” What is her answer?

7. Behind the Beautiful Forevers implicitly faults people like Sister Paulette, a local nun who runs an orphanage, for actions such as giving the children ice cream only when newspaper photographers visit. The New Delhi bureau chief for the Wall Street Journal noted that Boo appears not to give the nun a chance to respond to this accusation as the journalistic ideals of fairness and balance usually require. Did Boo portray Sister Paulette fairly? What about other authority figures, such as the Mumbai police?

8. Boo says that the word “corruption” has only negative connotations in Western nations. But in India, graft and fraud are among the few “genuine opportunities” open to slum dwellers who hope to rise above poverty. Is Boo endorsing this reality? If not, what position does she seem to take on the rampant corruption she describes?

9. At the end of Behind the Beautiful Forevers, Abdul’s legal case remains unresolved. Did Boo give the book a satisfying ending despite the uncertainty about his face? Why?

10. Boo is clearly trying at times to merge her voice and point of view with that of her sources. For example, at times she uses the word “bitty” for small, and she speaks of a eunuch whose “legs became slithery things” when he danced, language you would be more likely to hear from children or teenagers than from a staff writer for The New Yorker. In other places, she is clearly writing in her own adult voice. How well did her approach work?

Extras:
1. If you have seen the movie Slumdog Millionaire, what image of Indian slums did you get from the film? Did this book change it? Does Behind the Beautiful Forevers complement or clash with Slumdog Millionaire?

2. You may have seen other movies about modern India, such as The Best Exotic Marigold Hotel. If so, what did you learn from Behind the Beautiful Forevers that you didn’t learn from those films?

3. Behind the Beautiful Forevers shows poverty in a different light than do many international relief organizations. These groups often suggest that small donations, such as “pennies a day,” can change a child’s life. Did this book change your view of such promises? Would you be more or less likely to contribute to a charity that helped Mumbai slum children after reading this book?

Vital statistics:
Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity. By Katherine Boo. Random House, 256 pp., $27. Published: February 2012.

A review of Behind the Beautiful Forevers appeared on One-Minute Book Reviews on [Date TK] in the post that directly preceded this review.

Publishers’ reading group guides are marketing tools designed to sell books. They typically encourage cheerleading instead of a lively discussion of the merits or demerits of an author’s work. Totally Unauthorized Reading Group Guides are an alternative to publishers’ guides and are intended to give books a fuller context and to promote a more stimulating conversation about them.

One-Minute Book Reviews does not accept free books from editors, publishers or authors, and all reviews and guides offer an independent evaluation of books. Totally Unauthorized Reading Group Guides appear frequently but not on a regular schedule. To avoid missing them, please bookmark this site or subscribe to the RSS feed.

Janice Harayda is a novelist and award-winning critic who has been the book columnist for Glamour, book editor of the Plain Dealer and a vice-president of the National Book Critics Circle. You can also follow her on Twitter, where she writes about books and often comments on book clubs, by clicking on the “Follow” button in the sidebar on this page.

© 2011 Janice Harayda. All rights reserved.
www.janiceharayda.com

October 21, 2012

Anna Quindlen’s Novel ‘Every Last One’ – We Need to Talk About Kiernan

Filed under: Fiction,Novels — 1minutebookreviewswordpresscom @ 6:25 pm
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Spoiler warning: This review includes plot details. Stop here if you don’t want to know them.

Every Last One: A Novel. By Anna Quindlen. Random House, 299 pp., $26.

By Janice Harayda

An obtuse Vermont mother fails to see that her daughter’s creepy prom date is a potential sociopath who will slaughter several members of her family in this small-town soap opera by a Pulitzer Prize winner.

Mary Beth Latham dithers when her husband urges her talk to the troubled Kiernan, who is stalking 17-year-old Ruby. “He’s such a nice kid,” she says. “He’s been like a part of our family.” Mary Beth has no apparent religion to comfort her after Kiernan goes on his murderous rampage, but she survives the help from a generous inheritance from her slain husband and a referral to a grief counselor, although recent studies have shown that such therapy can make things worse.

Kiernan has a different fate, but his motives make no more sense. The novel implies that his savagery resulted, in part, from his parents’ hostile divorce. Let the record show that the parents of Barack Obama divorced when he was two, and that one of the Columbine shooters, Dylan Klebold, came from an intact family. And if the children of Every Last One tend to have more enlightened views than their parents, the adult female characters often sound like throwbacks to the 1950s. This is a novel in which the heroine observes, with no apparent irony: “We don’t have a life. We had children instead.”

Best line: No. 1: “She makes our youth seem like something Glen might have seen on the History Channel.” P. 26

Worst line: “My robe lies at the foot of the bed, printed cotton in the summer, tufted chenille for the cold.” Chenille is tufted. The sentence is also confusing: It says one robe lies on the bed but describes two.

Published: 2010 (Random House hardcover edition), 2011 (Random House trade paperback).

About the author: Anna Quindlen won the 1992 Pulitzer Prize for commentary.

You can follow Jan on Twitter by clicking on the “Follow” button in the sidebar on this page.

© 2012 Janice Harayda. All rights reserved.
www.janiceharayda.com

October 1, 2012

‘Midnight in Peking’ — The Corpse Wore Diamonds

Filed under: History,Nonfiction,True Crime — 1minutebookreviewswordpresscom @ 1:51 am
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A Shanghai-based author revisits the notorious 1937 murder of a British consul’s daughter

Midnight in Peking How the Murder of Young Englishwoman Haunted the Last Days of Old China. By Paul French. Viking, 259 pp., $26.

By Janice Harayda

Midnight in Peking tells such good story that you wish could believe all of it. The book seems at first to be a straightforward history of a sadistic crime: On a frigid January day in 1937, someone murdered a 19-year-old Englishwoman and left her mutilated body, clad in a tartan skirt and platinum-and-diamond watch, at the foot of a Peking watchtower. A ghastly detail stood out: The body had no heart, which had disappeared along with several of its other internal organs.

A British-Chinese police team learned quickly that the victim was Pamela Werner, the daughter of a retired consul, who lived with her widowed father in the Legation Quarter, a gated enclave favored by Westerners in Peking. Shadier neighborhoods nearby teemed with brothels, dive bars and opium dens. And potential suspects abounded, including Pamela’s father, Edward Werner, who inherited the $20,000 bequest that his daughter had received after her mother died of murky causes. But the official investigation of the young woman’s murder repeatedly stalled in the face of bureaucratic incompetence, corruption or indifference, and it faded away, unsolved, after Peking fell to the invading Japanese later in 1937.

In Midnight in Peking, the Shanghai-based author Paul French offers a swift and plausible account of what happened to the former boarding-school student who had called Peking “the safest city in the world.” The problem is that French describes his story as a “reconstruction” without explaining what that means. Did he invent, embellish or rearrange details? French says he drew in part on the “copious notes” that Pamela’s father sent to the British Foreign Office after doing his own investigation. Edward Werner’s payments to his sources may have compromised some of that information. And Werner’s files don’t appear to explain other aspects of the book. How did French learn the thoughts of long-dead people such as Richard Dennis, the chief British detective on the case? Is Midnight in Peking nonfiction or “faction,” the word some critics apply to Midnight in the Garden of Good and Evil, which contains quotes that its author has admitted he made up? In the absence of answers, this book provides vibrant glimpses of what its author calls “a city on the edge” but leaves you wondering if deserves its categorization as “history” on the copyright page.

Best line: “Meanwhile, somewhere out there were Pamela’s internal organs.”

Worst line: “Dennis sat back. He reminded himself …” The book gives no source for these lines and for a number of others like them. An end note in the “Sources” section doesn’t answer the questions its page raises.

Published: April 2012 (first American edition).

Read an excerpt or learn more about Midnight in Peking.

You can follow Jan (@janiceharayda) on Twitter by clicking on the “Follow” button in the right sidebar. She is an award-winning journalist who has been the book editor of the Plain Dealer and the book columnist for Glamour.

© 2102 Janice Harayda. All rights reserved.
www.janiceharayda.com

September 2, 2012

‘Against Wind and Tide’ – The Double Life of Anne Morrow Lindbergh

Filed under: Biography,Memoirs,Nonfiction — 1minutebookreviewswordpresscom @ 10:25 pm
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Charles Lindbergh comes down off the pedestal he occupied in his wife’s earlier books

Against Wind and Tide: Letters and Journals, 1947–1986. By Anne Morrow Lindbergh. Edited and with an introduction by Reeve Lindbergh. Pantheon, 358 pp., $27.95.

By Janice Harayda

Seven years ago a German division of Random House dimmed the halo of an American hero when it published The Double Life of Charles A. Lindbergh. Author Rudolf Schroeck reported that the aviator had fathered seven children by three European women while married to Anne Morrow Lindbergh, the daughter of a former U.S. ambassador to Mexico. Genetic testing confirmed some of his claims, and Reeve Lindbergh, the youngest child of Charles and Anne, later wrote of meeting her half-siblings in her memoir Forward From Here.

Anne Morrow Lindbergh also led double life, bisected by emotion rather than biology, in which a public serenity often hid a deep private anxiety. Nothing shows the gap between her inner and outer lives better than the sixth and final volume of her letters and journals, which contains material Lindbergh wrote between the ages of 41 and 79. She says in a diary entry made in 1955, nearly a quarter-century after the kidnapping and death of her infant son:

“I have become a kind of symbol – a Mother figure to the American public – because I married their Hero – is it? – or because I lost a child?”

Lindbergh added that she felt “gummed into a frame – Whistler’s Mother, complete with rocking chair and folded hands.” The near-perfection that Americans projected onto her belied a pain caused in part by her husband’s selfishness and long, frequent, and unexplained absences in the last decades of their life together.

In Against Wind and Tide Charles Lindbergh comes down off the pedestal he occupied in his wife’s earlier letters and diaries. He refuses to return from a trip when she has difficult knee surgery. He at first balks at attending his older daughter’s wedding because, his wife writes to the hurt bride-to-be, “your father never goes to ceremonies of any kind” (which can hardly have comforted her after he attended a White House dinner the previous year). And he leaves his wife alone for days in a primitive and isolated house they had built on Maui, an A-frame dwelling shared with rats. “They seem to eat everything – soap, curtains, plastic covers to the cookie jars, shoes, etc. – everything but poison,” she writes. “At night I am scared and read late and take a pill – but in the daytime I don’t mind much.” At least once Charles Lindbergh’s behavior prompted his wife to consider leaving her marriage.

Did Lindbergh know that her husband had affairs during his absences? If Reeve Lindbergh has the answer, she doesn’t say so in her introduction to Against Wind and Tide. Nor does she directly confirm that, as A. Scott Berg reported in Lindbergh, her mother had an extramarital affair with her doctor, Dana Atchley, to whom she wrote many letters included in Against Wind and Tide. With Clinton-esque sophistry, Reeve Lindbergh says that while she believes her mother had “love affairs,” they may have been “affairs more of words than caresses.”

That coyness doesn’t diminish the appeal of Against Wind and Tide. Lindbergh’s letters and diaries form a portrait of wise and loving woman’s lifelong efforts to reconcile her loyalty to her family with her need for independence and rewarding work, a theme she also developed in Gift From the Sea. Lindbergh had an exceptional gift for observing and reflecting on her experiences, whether she was attending a state dinner or walking “in the mild damp golden afternoon” near her home in Darien, Conn. She makes you see a famous image of Jacqueline Kennedy afresh when she writes of White House dinner: “Mrs. Kennedy swept in like a queen, looking extremely beautiful in a long pink stiff gown, hair high and stiff – rather Japanese – with a diamond star” set into it.  And her hard-won perspectives on widowhood and growing old offer an implicit and refreshing challenge to pop-psychological banalities about what Americans euphemistically call “aging.” Lindbergh writes that spending part of the year in a different climate in later life, as many retirement experts recommend, “makes the other months seem rather more unbearable than they were before.” Clinging to an old neighborhood may not help, either: “One really needs a very different rhythm at our age, and it is difficult to reestablish it in the old place.”

Lindbergh died in 2001 at the age of 94 and, besides the posthumously published Against Wind and Tide, wrote 13 books while married to a man who might ask her to fly  on a moment’s notice to the Philippines to meet Ferdinand and Imelda Marcos. And many of the most perceptive comments in the new volume deal with her struggle to maintain a literary career in such unpredictable circumstances. She writes to a friend whose work on a book appears to have stalled: “Remember that big creative act of taking hold of your life freshly and adventurously, as you have just done, takes up much of the creative energy you have. It cannot help but use it up.” No small part of the appeal of this book is that for all her sorrows, Lindbergh kept trying to confront life “freshly and adventurously.”

Best line: No. 1: “I cannot see what I have gone through until I write it down. I am blind without a pencil.” No. 2: “I am convinced that you must write as if no one were ever going to see it. Write it all, as personally and specifically as you can, as deeply and honestly as you can. … In fact, I think it is the only true way to reach the universal, through the knot-hole of the personal. So do, do go ahead and write it as it boils up: the hot lava from the unconscious. Don’t stop to observe, criticize, or be ‘ironic.’ Just write it, like a letter, without rereading. Later, one can decide what to do.”

Worst line: From Reeve Lindbergh’s introduction: “I was certainly amazed to learn, a few years after my mother’s death, that my father had several relationships with other women during his travels in the 1950s and 1960s, and that there were children from these relationships. However, it did not surprise me at all to learn from these children, when I met them, that the paternal pattern was the same for them …” “There were children”? How many? Lindbergh may have dealt with this in her Forward From Here, but she’s leaving readers of Against Wind and Tide in the dark.

Published: April 2012

Read Reeve Lindbergh’s introduction to Against Wind and Tide.

Furthermore: The Associated Press ran a story on The Double Life of Charles A. Lindbergh in 2005. The New York Times ran a long obituary for Anne Morrow Lindbergh that includes excerpts from her Gift From the Sea and North to the Orient.

You can follow Jan on Twitter by clicking on the “Follow” button in the right sidebar.

© 2012 Janice Harayda
www.janiceharayda.com

August 19, 2012

‘Moo’ – An Obese Touch-and-Feel Book About Barnyard Animals

Filed under: Children's Books — 1minutebookreviewswordpresscom @ 2:01 am
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Lifting the flaps will easier for children than lifting the book

Moo. By Matthew Van Fleet. Photography by Brian Stanton. Paula Wiseman/Simon & Schuster Books for Young Readers, 18 pp., $16.99.Ages 2–4.

By Janice Harayda

There are books that children can’t put down. Then there are books, like Moo, that some can’t pick up.

This obese book weighs nearly two pounds, about 10 percent of the average weight of the group most likely to respond to it, 2-year-olds. Would you want to lift 10 percent of your weight every time you felt inclined to pick up a book? If you aren’t sure, consider: The average American adult weighs 191 pounds if male and 164 pounds if female, according to government research. So you’d be lifting — and hauling around — a 16- or 19-pound tome.

Yes, 2-year-olds could turn the pages of this book if you laid it on a table, and no doubt many would enjoy it. Moo is a touch-and-feel, lift-the-flap book that uses bold color photographs and a scant rhyming text to describe the sounds and behavior of seven baby and barnyard animals – cows, pigs, sheep, goats, ducks, chickens and horses. But the book lacks a signal charm of its ancestor Pat the Bunny, dimensions that allowed it to fit into small hands. Why read a new behemoth before a well-proportioned classic?

Best line/picture: “Now the day is done and with a / Moo cow, moo / Goodbye from all the animals … / cock-a-doodle doo!”

Worst line/picture: “Mommy hen, / Fuzzy chicks,  / Roosters strut and stretch. / Cluck chicken, / Eat chicken – peck, peck, peck!” Stretch does not rhyme with peck.

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© 2102 Janice Harayda. All rights reserved.
www.janiceharayda.com

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