One-Minute Book Reviews

October 13, 2009

Tori Spelling’s Hollywood Memoir, ‘Mommywood’ – ‘Dean and I Have Sex Three to Four Times a Week!’

Guests brought gay-themed gifts to a baby shower for her son, Liam

Mommywood. By Tori Spelling with Hilary Liftin. Simon Spotlight, 243 pp., $25.

By Janice Harayda

Tori Spelling once wore a Marie Antoinette Halloween costume custom-made by Nolan Miller, the designer for Dynasty and other televisions show produced by her father, Aaron Spelling. In a sense, the media have never allowed her to take it off.

Spelling has been guillotined by tabloids and others for a tumbrel of offenses — her nose job, her feud with her mother, her breast-augmentation surgery, her acting on Beverly Hills, 90210, her appearances with her husband on the reality show Tori & Dean: Home Sweet Hollywood. “I’m cocktail party joke material,” she says in Mommywood, the follow-up to her bestselling memoir, sTORI telling.

Spelling’s new book describes her efforts to give her two young children what she calls a more “normal” childhood than she had. An example of normal in Hollywood occurred when she became pregnant with her son, Liam, and her gay friends worried that her firstborn would be “too straight to hang out” with them.

“In hopes of being an early influence, lots of my friend gave me gay-themed gifts at my baby shower,” Spelling writes. “A pink onesie saying ‘My boyfriend’s out of town for the weekend.’ A rock T-shirt saying ‘Queen’ (as in the band).”

Another example of “normal”: Spelling worked her pregnancy into her reality show and took her son on an international media tour when he was two months old. Some of the stories that resulted are perversely entertaining. But Mommywood as a whole is a self-indulgent font of evidence of Spelling’s insecurities and questionable judgment. And that especially applies to its criticisms of her mother, Candy Spelling, who has given different versions of some of the events in this book to the media. If you want your children to grow up unwarped by Hollywood, will it help to write a book keeps taking swipes at their grandmother?

Best line: “I grew up in a house with a driveway that was so long I can’t remember ever walking to the bottom of it.”

Worst line: No. 1: “Now I have two children of my own and I want them to have a normal childhood.” This comes from someone who took her son on a media tour when he was two months old. No. 2: “Dean and I were sitting around a table with some producers from our show. We were talking about sex after babies, and one of the other married men at the table said, ‘What sex life after kids?’ Dean and I have sex three to four times a week!” No. 3: Spelling writes of the day her son had an accident at a pool: “Either you know this already or it’s too much information, but swim diapers aren’t rigged quite the same way as normal diapers are. Swim diapers have a tough job. They have to keep in whatever comes out. Without them, babies would put the ‘poo’ in ‘pool.’ So they don’t have convenient Velcro openings. You can’t just untape, wipe, and be done with it. Instead they’re like little pants. The load is kind of trapped in there. Good news for the other swimmers, but once I had Liam in my arms, I had no idea how to get that swim diaper off while adequately containing its contents. That is to say, I feared the poop. …
“I laid Liam down on his towel. I pulled off the swim diaper. Again, either you know this already or it’s too much information, but when poo is exposed to that environment (pool water, a sopping swim diaper, a hyper child – the trifecta), it loses its structural integrity. There was no … cohesion. Just crumbles of poo everywhere. A horror show.
“I went in for the kill, but a few swipes later I was out of wipes and still facing an insurmountable mess. I swear, there was actually more there than when I started.”

Published: February 2009

© 2009 Janice Harayda. All rights reserved.
www.twitter.com/janiceharayda

May 20, 2009

Ambition 10, Fame 3 — Nancy Balbirer’s ‘Take Your Shirt Off and Cry,’ a Memoir of Near-Misses as an Actor in Hollywood and New York

Did she miss out on fame because Hollywood is ruthless or because she consulted wackos like the psychic who spoke in the voice of an ovary?

Take Your Shirt Off and Cry: A Memoir of Near-Fame Experiences. By Nancy Balbirer. Bloombsbury USA, 256 pp., $16, paperback.

By Janice Harayda

Nancy Balbirer updates the saying that acting is a hard way to earn an easy living in this uneven memoir of two decades of near-misses in show business. Balbirer tells lively stories about how she landed modest roles on Seinfeld and MTV while paying her rent through jobs like cocktail-waitressing and blow-drying friends’ hair for $20, all the while yearning for stardom that came neither in New York nor Hollywood.

But it’s unclear how much of her book you can believe, and not just because an author’s note warns – here we go again – that some facts have been changed “for literary reasons.” Balbirer takes her title and theme from a warning she says she got during a private conversation with the playwright David Mamet, one of her acting teachers at the Tisch School of the Arts. As she tells it, Mamet said that as a woman in show business, she’d be asked to do two things in every role she played:

“Take your shirt off and cry. Still, there’s no reason that you can’t do those things and do them with dignity and the scene properly analyzed.”

Did Mamet really say those lines as written? Good writers tend to keep related words together unless they have reason to split them up, and you wonder if Mamet said, “Take your shirt off” instead of the more graceful “Take off your shirt.” And his “still” seems stilted for a conversation between two people walking toward a Seventh Avenue subway stop.

In the years that followed her talk with Mamet, Balbirer took her shirt off – literally and figuratively — more than once. Yet her willingness to expose herself may have had more to do with a lack of self-awareness than with the raw exploitation envisioned by Mamet. On the evidence of Take Your Shirt Off and Cry, Balbirer has that paradoxical combination so often found in actors: enough intelligence to welcome complex Shakespearean and other roles but too little of it to stay away from con artists, whether they take form of tarot card readers or manipulative lovers. She’s hardly alone among would-be stars in having found an eviction notice taped to her door before she earned redemption (which came, in her case, from writing and starring in the solo show I Slept With Jack Kerouac). But you wonder if she might have avoided some disasters if she’d given less money to people like “a psychic in Tennessee” who spoke to her in the voice of one of her ovaries.

“Wacky, yes, and even wackier that my ‘ovary’ had a thick Southern accent,” she admits, “and still … I believed.”

Best line: Two of the “the enormous angry placards” Balbirer saw in the waiting areas of casting offices: “ACTORS MAY NOT EAT IN THIS AREA!!!” and “ACTORS: CLEAN UP YOUR GARBAGE!!” See also the quote posted earlier on May 20.

Worst line: No. 1: Some parts of Take Your Shirt Off and Cry are so neat, they leave you wondering if they include made-up scenes, dialogue, or characters. Balbirer doesn’t clarify the issue in a vague author’s note that says that she has “in some instances, compressed or expanded time, or otherwise altered events for literary reasons, while remaining faithful to the essential truth of the stories.” No. 2: Balbirer likes cute words (such as “humonguous,” “bazillion” and “suckiest”) that at times work against the serious points she is trying to make.

Published: April 2009

About the author: Balbirer co-owns the Manhattan restaurant Pasita.

One-Book Reviews is for people who like to read but dislike hype and review inflation.

© 2009 Janice Harayda. All rights reserved.
www.twitter.com/janiceharayda

You Think the Perks in Your Job Are Bad? When Actors Got Free Cigarettes – Quote of the Day From Nancy Balbirer’s ‘Take Your Shirt Off and Cry’

Filed under: News,Quotes of the Day,Uncategorized — 1minutebookreviewswordpresscom @ 1:30 pm
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You think the lukewarm coffee at your office is bad? Consider a perk that Nancy Balbirer received as a young actor, as described in her new Take Your Shirt Off and Cry: A Memoir of Near-Fame Experiences (Bloomsbury, 256 pp., $16, paperback), a review of which will appear soon:

“Shortly after I turned twenty-eight, I was cast in an off-Broadway production of the Molière play The Ridiculous Précieuses, at the Kauffman Theatre. The production was bankrolled by our leading lady, who happened to be an heiress of one of our country’s great, philanthropic robber baron families. She had Philip Morris as a backer, so in addition to our Equity minimum salaries, the cast were offered as many packs of cigarettes as we could smoke a day. Undeterred by the homicidal innuendo, we all graciously accepted the producers’ largesse.”

February 21, 2009

You Be the Delete Key Awards Judge — First-Ever One-Minute Book Reviews Visitors Poll — What Is the Worst Line in Denis Leary’s ‘Why We Suck’?

Filed under: Delete Key Awards — 1minutebookreviewswordpresscom @ 9:06 pm
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Update at Sunday 9:15 p.m. Eastern Time: Right now it’s a dead heat between two of the quotes below. Although other posts will follow, the poll will remain open until 5 p.m. Wednesday. The results will appear Thursday, Feb. 26, when the 2009 Delete Key Awards shortlist is announced. Thanks for visiting One-Minute Book Reviews. Jan

On Thursday I’ll post the shortlist for the Third Annual Delete Key Awards for the year’s worst writing in books, and this year I wanted to let you choose one of the finalists. This sounded easy, because WordPress has added a polling tool called PollDaddy. And the obvious choice was to let you pick a line from Why We Suck, a collection of rants by Rescue Me star Denis Leary, because that one abounded with candidates for deletion.

But trying to get PollDaddy working was more stressful than the time I was trapped on a Manhattan subway while the police searched for a gunman on the tracks, because in that case the cops found the guy pretty quickly and the train started moving again. My attempt to get the poll working went on for days and involved a) visits to the WordPress Support Pages; b) e-mail to support@wordpress.com; and b) using the PollDaddy page on WordPress TV.

When I finally got the poll going, I saw that PollDaddy doesn’t provide enough space for the full fourth quote below which you can read here. Given all this, I’m not sure when I’ll do another survey, so if you want to tamper with the Delete Key Awards jury, this is your chance. Results of the poll will appear Thursday.

(c) 2009 Janice Harayda. All rights reserved.

www.twitter.com/janiceharayda

October 1, 2008

A Few Comments on Arthur Miller’s ‘All My Sons’ on Broadway and in Print

It’s remarkable how a well-staged Broadway production can transcend the defects of a play. Last weekend I saw All My Sons in previews at the Schoenfeld Theatre, and the time flew by.

You hardly noticed how prosaic Arthur Miller’s writing can be because the production had so much going for it, including brisk direction by Simon McBurney and a glossy cast: John Lithgow, Dianne Wiest, Patrick Wilson, and Katie Holmes.

After I got home, it seemed to me that All My Sons stands up to rereading both better and worse than some of the other plays that appeared in decade after World War II. It holds up better partly because Miller is dealing here with issues that have fresh relevance in the age of Haliburton and Enron: the evils of war profiteering and the moral duty of individuals to resist the soulless influence of American business. It holds up worse because Miller can use language as blunt instrument instead of a precision tool (as in Linda Loman’s famous defense of her husband, Willy: “ … attention must be paid”). That liability is perhaps more noticeable today than it was before videos and DVDs expanded the availability of more elegantly written plays from Hamlet to A Streetcar Named Desire.

I wondered if others shared my view, so I picked up Arthur Miller (Chelsea House, 148 pp., $35), part of the “Bloom’s BioCritiques” series edited and introduced by the distinguished critic Harold Bloom. (The volume on Miller in the “Bloom’s Modern Critical Interpretations” series is instead shown above.) Bloom says:

“Miller is by no means a bad writer, but he is scarcely an eloquent master of the language.”

Exactly. The appeal Miller’s plays — which remains high — comes from virtues other than unparalleled phrase-turning, including their craftsmanship, moral courage and passionate exploration of the intersection of social and psychological forces in American lives.

A few comments on the Sept. 26 preview: Kate Holmes (Ann Deever) is easy on the eyes and, given that producers must be strafing her with scripts for romantic comedies, has made a statement about how she wants to be perceived by taking on this role. John Lithgow (Joe Keller) gives an energetic performance in a tough role that requires him to undergo a transformation that, as Miller wrote it, isn’t fully believable. Patrick Wilson (Chris Keller) grows into his part. None of those actors can touch Dianne Wiest (Kate Keller), whose portrayal of a mother unable to accept the death of her son in World War II must be one of the best recent portrayals of mental illness in any medium.

All My Sons officially opens Oct. 16 on Broadway. You can read about that production and buy tickets at www.allmysonsonbroadway.com. You’ll find more on Arthur Miller (1915-2005) at en.wikipedia.org/wiki/Arthur_Miller.

One-Minute Book Reviews does not accept books from editors, publishers, authors or agents. It also does not accept free tickets to plays mentioned on the site.

© 2008 Janice Harayda. All rights reserved.
www.janiceharayda.com

September 28, 2008

Another Thing Paul Newman (1925 — 2008) Doesn’t Want on His Tombstone

Filed under: Quotes of the Day — 1minutebookreviewswordpresscom @ 5:20 pm
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This is the second of two posts on this site about Paul Newman’s comments on how he wants to be remembered.

“I envy Laurence Olivier, because he seems to have endless resources in him to develop and be a different character each time,” Paul Newman said early in his career as an actor. “I feel I perhaps don’t have the imagination to change.”

Lionel Godfrey, who quotes that unsourced comment in Paul Newman: Superstar: A Critical Biography (St. Martin’s, 1979) goes on to say of Newman and Olivier:

“Since one is par excellence a screen-actor and the other’s sphere, despite great film-performances, has always been pre-eminently the stage, it is difficult to compare the two stars. But in the 12 years or so since he modestly made that statement, Paul has more than proved his own versatility and the creative resources he can bring to new, unusual roles. He has often told interviewers, ‘I don’t want to die and have written on my tombstone: ‘He was a helluva actor until one day his eyes turned brown.’”

© 2008 Janice Harayda. All rights reserved.
www.janiceharayda.com

Paul Newman (1925 — 2008 ) on What He DOESN’T Want on His Gravestone (Quote of the Day via Eric Lax’s ‘Newman’)

Filed under: News,Quotes of the Day — 1minutebookreviewswordpresscom @ 12:53 pm
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Paul Newman risked losing fans and roles by campaigning in 1968 for the Democratic candidate for president, Sen. Eugene McCarthy, who opposed the Vietnam War. Eric Lax explains why in his Newman: Paul Newman: Biography (Turner, 1996):

“Newman was one of the earliest backers of McCarthy, and his support came at a time when most people considered those who opposed the war to be cowards or even traitors. Newman’s appearance always brought out the news media. He presented himself to audiences not as a celebrity but as a parent, concerned about the future and believing that McCarthy offered the most hope.

“‘I am indifferent to your political persuasion,’ he would begin. ‘I am not a public speaker. I am not a politician. I’m not here because I’m an actor. I’m here because I’ve got six kids. I don’t want it written on my gravestone, ‘He was not part of his times.’ The times are too critical to be dissenting in your own bathroom.’”

The quote first appeared in the New York Times on April 22, 1968.

© 2008 Janice Harayda. All rights reserved.
www.janiceharayda.com

July 24, 2008

Tom Farley, Jr., on His Brother Chris Farley – Quote of the Day

Filed under: Quotes of the Day — 1minutebookreviewswordpresscom @ 7:18 pm
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Tom Farley, Jr., remembers his younger brother Chris Farley, who appeared on Saturday Night Live and in movies such as Beverly Hills Ninja, in his new The Chris Farley Show: A Biography in Three Acts (Viking, $26.95) www.thechrisfarleyshow.com, written with Tanner Colby. Tom writes of Chris, who died at the age of 33 from overdose of crack and heroin in 1997:

“Soon after Chris died, I told my wife that my greatest fear was being sixty years old and trying hard to remember this kid who was my brother.”

© 2008 Janice Harayda. All rights reserved.

February 8, 2008

Did Laura Amy Schlitz Deserve the 2008 Newbery Medal? Quote of the Day (Meghan Cox Gurdon)

Many people were suprised when Laura Amy Schlitz’s Good Masters! Sweet Ladies!: Voices From a Medieval Village won the most recent John Newbery Medal, an award that usually goes to a novel, for a collection of monologues and dialogues. Did the book deserve the honor? Meghan Cox Gurdon, the children’s book critic for the Wall Street Journal, called the collection “remarkable and poignant” and added:

“As with any prestigious award, the Newbery also brings new readers to the author’s other works, which in this case is a particularly welcome effect. Ms. Schlitz has a rich and humane style of writing, with stories that manage to be both sparkling and substantial. Better still, her storytelling is a return to the moral traditions of the greatest and most enduring tales, yet with not the slightest taste of cod liver oil nor any of the tiresome left-leaning didacticism that has characterized so much writing for children since the late 1960s.”

Meghan Cox Gurdon in “A Late-Blooming Talent in Full Flower” in the Wall Street Journal, Jan. 19-20, 2008.

(c) 2008 Janice Harayda. All rights reserved.

www.janiceharayda.com

January 26, 2008

A Totally Unauthorized Reading Group Guide to the 2008 Newbery Medal Winner, Laura Amy Schlitz’s ‘Good Masters! Sweet Ladies!’

10 Discussion Questions for Young Readers
Good Masters! Sweet Ladies!: Voices From a Medieval Village
By Laura Amy Schlitz
Illustrated by Robert Byrd
Source: One-Minute Book Reviews
http://www.oneminutebookreviews.wordpress.com

Laura Amy Schlitz calls Good Masters! Sweet Ladies! “a book of miniature plays – 19 monologues (or plays for one actor) and two dialogues (for two actors).” Strictly speaking, she’s right. The speakers in Good Masters! Sweet Ladies! are young people between 10 and 15 years old who live on or near an English manor in the 13th century, the time of the religious wars known as the Crusades. They include girls like Nelly, who helps to support her family by catching eels, and boys like Hugo, who has to track down a wild boar as his punishment for playing hooky. But some characters know one another, so their stories overlap and at times read more like a collection of linked short stories than a series of plays. This unusual format may have helped the book win the 2008 Newbery Medal, given by the American Library Association to “the most distinguished contribution to American literature for children.”

Questions for Young Readers

1. The speakers in Good Masters! Sweet Ladies! live in medieval times, also known as the Middle Ages. Many people first learn about that era from fairy tales about princesses and others who live in castles. What ideas did you have about the medieval life before you read this book? How did your ideas change after you had read it?

2. Most books of fiction have a main or most important character. Does this book have one? Why or why not? How did the presence or absence of a main character affect your enjoyment of the book?

3. Why do you think Laura Amy Schlitz began the book with the tale of “Hugo, the Lord’s Nephew”? What aspects of this story would grab your attention right away?

4. Schlitz made up all the stories in this book. If you didn’t know that, would you have thought that some of the tales were true? What makes them seem believable?

5. “Camelot, it’s not.” These were the first words of a review of Good Masters! Sweet Ladies! that appeared in a New York newspaper. What did the writer mean? [“You Are There,” by John Schwartz, The New York Times Book Review, Dec. 16, 2007.]

6. Some of the characters in the book speak in prose (such as “Nelly, the Sniggler,” “Pask, the Runaway” and “Will, the Plow Boy”). Others speak in poetry (such as “Lowdy, the Varlet’s Child,” “Thomas, the Doctor’s Son” and “Otho, the Miller’s Son”). Why do you think they do this? Might the book have become monotonous or less interesting if everybody spoke the same way?

7. What does Otho mean by: “There’s no way to retrace our steps, / the mill wheel’s turning — ”? How does this line relate to his life? How does the line relate to the theme of the book as a whole? [Page 29]

8. Pictures can have different purposes in a book. For example, they can show you exactly what you see on page (acting as a mirror), or they can or focus on and enlarge a detail (acting as a magnifying glass). What purposes do Robert Byrd’s pictures serve in Good Masters! Sweet Ladies!? Why might the sun and moon have human faces on pages x-1 and elsewhere?

9. Before you read Good Masters! Sweet Ladies!, did you ever think that you might have liked to live in medieval times? How did the book affect your view?

10. The characters who speak in poetry in this book use different verse forms. Thomas speaks in iambic pentameter when he says: “A healthy man is careless with a bill — / You have to make them pay when they are ill.” (The two lines form a heroic couplet, a specific type of iambic pentameter.) [Page 18] Lowdy speaks in a different verse, dactylic, when she say: “Fleas in the pottage bowl, / Fleas the bread.” [Page 60] If you’ve studied verse forms, how many can you find in the book?

Extra Credit
Schlitz writes about the “Children’s Crusade”: “In 1212, a French shepherd boy had a vision that the Holy Land could be recovered by innocent children. Thirty to forty thousand children from France and Germany set off to Palestine, believing that God would favor their cause because of their faith, love, and poverty. They believed that when they reached the Mediterranean, it would part, like the Red Sea. They were mistaken. Most of them starved, froze to death, or were sold into slavery.” [Page 37] Some scholars aren’t sure that this “crusade” occurred in the form Schlitz describes. You may want do some research on the “Children’s Crusade” and decide what you think might have happened.

Vital Statistics
Good Masters! Sweet Ladies! Voices From a Medieval Village. By Laura Amy Schlitz. Illustrated by Robert Byrd. Candlewick, 85 pp., $15.95. Ages 10 and up.

Published: August 2007 www.candlewick.com

Furthermore: The American Library Association has posted information about 2008 Newbery at www.ala.org/ala/alsc/awardsscholarships/literaryawds/newberymedal/newberymedal.htm .
Schlitz is a librarian at the Park School in Baltimore. She also wrote the text for the 2007 picture book The Bearskinner (Candlewick, $16.99) www.candlewick.com, illustrated by Max Grafe, and an excellent neo-Gothic novel for ages 10 and up, A Drowned Maiden’s Hair www.oneminutebookreviews.wordpress.com/2007/03/10/.
Robert Byrd’s site is www.robertbyrdart.com.

This reading group was not authorized or approved by the author, publisher or agent for the book. It is copyrighted by Janice Harayda, and its sale or reproduction in any form is illegal except by public libraries that many reproduce it for use in their in-house reading groups. Other groups that wish to use this guide should link to this site or use “Contact” page on One-Minute Book Reviews to learn how to request permission to reproduce the guide.

If you are a librarian and found this guide helpful, please consider adding One-Minute Book Reviews www.oneminutebookreviews.wordpress.com to your library blog or ready-reference links, so patrons can find other guides and reviews. One-Minute Book Reviews accepts no advertising and appears on Open Directory lists. It is the sixth-ranked book-review site in the world on the Google Directory of “Top Arts/ Literature” blogs: www.google.com/Top/Arts/Literature/Reviews_and_Criticism/.

Janice Harayda www.janiceharayda.com is an award-winning journalist who has been the book columnist for Glamour, the book editor of the Plain Dealer in Cleveland, and the vice-president for awards of the National Book Critics Circle www.bookcritics.org.

© 2008 Janice Harayda. All rights reserved.
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