One-Minute Book Reviews

November 26, 2010

A Totally Unauthorized Reading Group Guide to Lionel Shriver’s Novel ‘So Much for That,’ a 2010 National Book Award Finalist

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10 Discussion Questions for Book Clubs and Others
So Much for That
By Lionel Shriver
Source: One-Minute Book Reviews
http://www.oneminutebookreviews.wordpress.com

This guide was not authorized or approved by the author, publisher or agent for the book. It is copyrighted by Janice Harayda and is only for your personal use. Its sale or reproduction is illegal except by public libraries, which may make copies to use in their in-house reading programs. Other reading groups should link to the guide or check the “Contact” page on One-Minute Book Reviews to learn how to request permission to reproduce it.

Shepherd Knacker hardly resembles a modern-day Robinson Crusoe. He’s a 48-year-old married father of two who lives in Westchester County, New York, and suffers the daily humiliations inflicted by the new head of the home-repair company he once owned. But for years Shep has been saving money for what he calls an “Afterlife” of subsistence living on an island off the coast of Africa. Just when he has enough cash, his wife develops a rare asbestos-related cancer, peritoneal mesothelioma. Suddenly Shep can’t leave the country or his company because Glynis needs his health insurance. How will the withering physical, emotional and financial cost of his wife’s treatments affect his marriage? Can his dream survive it? And if so, will it be worth it? Lionel Shriver, an American who lives in London, explores these questions and other in So Much for That, a novel shortlisted for the 2010 National Book Award for fiction.

Discussion Questions:

1. Many Americans dream of escaping to the tropics but see the idea as unrealistic. Did Shriver convince you that Shep’s fantasies were plausible for him? How?

2. Glynis tells Shep, when he says he wants to leave the country, “You don’t know what you want out of, much less what you want in on.” Shep says he does know: “I want to buy myself.” [Page 18] Who was right? What did Shep mean when he said that he wanted to “buy” himself?

3. More than half of the chapters in So Much for That begin with a statement of the value of a bank account or investment portfolio. What purpose does this literary device serve? Does Shep strike you as mercenary? If he isn’t greedy, why might Shriver have included financial the statements?

4. In addition to its main plot about Shep’s Afterlife, this novel has three medical subplots: about Glynis’s cancer, Jackson’s botched penis-enlargement surgery, and the degenerative disease familial dysautonomia, which afflicts the daughter of Jackson and his wife, Carol. Did the novel need all three subplots? If not, which could have been cut? What would the novel have lost or gained by eliminating it?

5. The story Shriver tells has parallels with the life of Christ. For example, Jesus is known as the Good Shepherd, and he was a carpenter whom Christians believe will lead them to eternal life. So Much for That is about a good Shepherd who does carpentry and hopes to lead his family to an Afterlife with him. You can read these parallels as a commentary on an America in which people have faith not in Jesus but in a broken health-care system. How would you interpret the similarities? A fuller discussion of the religious parallels appears in a review posted on One-Minute Book Reviews on Nov. 26, 2010.

6. So Much for That deals with timely issues. “But good fiction ultimately has to justify itself in the years beyond its pub date, and such PR lines will become increasingly irrelevant,” Mark Athitakis writes in his American Fiction Notes blog. Will this novel appeal to Americans in 10 or 20 years? Why or why not?

7. Late in the novel Carol asks Shep, “Do you by any chance have a really, really big dick?” [Page 433] Shep reflects that he would “understand the context” of her remark the next day. What was the context? Did Carol ask that question because she hoped to sleep with him or for another reason?

8. Leah Hager Cohen wrote in a review in the New York Times Book Review that So Much for That has merits but lacks “a fullness of wisdom about its characters’ potential for growth.” What did she mean? Do you agree?

9. Glynis rails against the saccharine, kid-glove treatment she gets from people after she gets mesothelioma: “I feel as if I’m trapped in a Top Forty by the Carpenters.” [Page 310] Barbara Ehrenreich raised similar objections to the good cheer expected of cancer patients in her bestselling Bright-sided: How the Relentless Promotion of Positive Thinking Has Undermined America (Metropolitan, 2009). Did either book affect your views of how Americans treat cancer patients? If you’ve read both, which made its case better?

10. On the basis of this novel, you might expect Shriver to favor almost any kind of health care reform. But in an interview she faulted President Obama’s health care plan as well-intentioned but unlikely to help. Does her view surprise you now that you’ve read So Much for That?

Vital statistics:

So Much for That. By Lionel Shriver. HarperCollins, 436 pp., $25.99. Published: March 2010

A review of So Much for That appeared on One-Minute Book Reviews on November, 26, 2010, in the post directly after this one.

Janice Harayda is a novelist and award-winning critic who has been the book columnist for Glamour, book editor of the Plain Dealer and a vice-president of the National Book Critics Circle

Totally Unauthorized Reading Group Guides are a free alternative to publishers’ guides, which are not unbiased analyses but marketing tools designed to sell books. One-Minute Book Reviews does not accept free books from editors, publishers or authors, and all reviews and guides offer an independent evaluation of books. Totally Unauthorized Reading Group Guides appear frequently but not on a regular schedule. To avoid missing them, please follow Jan on her Twitter feed at www.twitter.com/janiceharayda, where she lists new guides and reviews.

© 2010 Janice Harayda. All rights reserved.
www.janiceharayda.com

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