Scott Turow recently jilted Farrar, Straus & Giroux, his longtime publisher, for Grand Central Publishing, for the sequel to Presumed Innocent due out in 2010. Turow is one of many authors who have cut editorial ties in a grim economy, and some people say writers are becoming “less loyal” to their publishers. Is that a bad thing? Is loyalty a virtue?
Diana Athill, the English writer and former editor for the firm of André Deutsch, says in her elegant new memoir, Somewhere Towards the End:
“Loyalty is not a favorite virtue of mine, perhaps because André Deutsch used so often to abuse the word, angrily accusing any writer who wanted to leave our list of ‘disloyalty.’ There is, of course, no reason why a writer should be loyal to a firm which has supposed that it will be able to make money by publishing his work. Gratitude and affection can certainly develop when a firm makes a good job of it, but no bond of loyalty is established. In cases where such a bond exists – loyalty to family, for example, or to a political party – it can be foolishness if betrayed by its objects. If your brother turns out to be a murderer or your party changes its policies, standing by him or it through thick or thin seems to me mindless. Loyalty unearned is simply the husk of a notion developed to benefit the bosses in a feudal system.”