Graphic novels — which have been called “comic books on steroids” — aren’t always novels but include many kinds of book-length stories, memoirs among them. As a group, they’ve come into their own recently enough it’s too soon to call any of them classics. But four books are candidates for that status, a panel sponsored by the New York chapter of the Women’s National Book Association suggested:
Fun Home: A Family Tragicomic (Mariner, 232 pp., $13.95, paperback), by Alison Bechdel. The creator of “Dykes to Watch Out for” comic strip writes about growing up in the 1960s and 1970s in rural Pennsylvania, where she realized that she was a lesbian and her troubled father was www.houghtonmifflinbooks.com/catalog/titledetail.cfm?titleNumber=689441.
La Perdida (Pantheon, 288 pp., $14.95, paperback), by Jessica Abel. A young American moves to Mexico City hoping to learn about her estranged father’s country in a book in which much of the dialogue is written in Spanish and translated or explained in a glossary www.jessicaabel.com/laperdida/?s=intro.
Maus (Pantheon, 106, $14.95, paperback), by Art Spiegelman. No graphic novel has earned more praise than this Pulitzer winner. Nazis are cats and Jews are mice in Spiegelman’s meditation on the experiences that shaped his father, a Jewish Holocaust survivor lambiek.net/artists/s/spiegelman.htm.
Persepolis: The Story of a Childhood (Pantheon, 160 pp., $10.95, paperback), by Marjane Satrapi. Satrapi uses small black-and-while panels similar to those of Persian miniatures to describe the often frightening experience of growing up in Iran just after the overthrow of the Shah www.randomhouse.com/pantheon/graphicnovels/satrapi2.html.
© 2008 Janice Harayda. All rights reserved.