Comments on: J. K. Rowling Will Lose, and Here’s Why

By: knightofswords

knightofswords — Thu, 17 Apr 2008 16:29:46 +0000

GWTW is a good example. The two “sequels” we authorised by the copyright holder, while “The Blue Bicycle” was not and soon disappeared. Most observers think the estate authorised sequels they could somewhat control to upstage the ultimate sequels they could not control when the copyright ultimately expired. This, as the judge said, could go either way, and–not having seen the manuscript–one can only speculate about (1) how much (if any) represents directly lifted statements out of Rowling’s books, and (2) how much represents fan fiction elements.

Looks like we’ll have a couple of weeks to wait for the judge to decide.

By: 1minutebookreviewswordpresscom

1minutebookreviewswordpresscom — Thu, 17 Apr 2008 14:25:57 +0000

You think that could hurt her? I can see how it might in, for example, fiction packaged to look just like a Harry Potter novel, but not if the comments appeared in a book of nonfiction.

The parallel that comes to mind is Margaret Mitchell’s heirs were able to keep people from writing sequels to “Gone With the Wind” (novels that speculated about what happened to Rhett and Scarlett). But critics, journalists and others could (and did) speculate about their fate in nonfiction.

By: knightofswords

knightofswords — Thu, 17 Apr 2008 13:36:43 +0000

By speculation, I mean what amounts to fan fiction, in this case, creating events for the characters that are not part of the canon and that represent the use of another author’s schema for financial gain or fame.

Malcolm

By: ggelliott

ggelliott — Thu, 17 Apr 2008 13:32:09 +0000

“…speculation is original material and not plagiarized.”

I would say this pretty much sums it up.

By: 1minutebookreviewswordpresscom

1minutebookreviewswordpresscom — Thu, 17 Apr 2008 13:03:53 +0000

Malcolm: Not sure I follow what you mean when you say that it matters whether the book contains speculation about the lives of the characters.

What’s wrong with speculation? If the book includes it, that would seem to work against Rowling — not for — because speculation is original material and not plagiarized.

DJM: JKR’s praise for the Web site (and her award to it) is baffling, isn’t it? She can’t say that the site doesn’t make money but the book would, because yesterday’s New York Times said that the HP Lexicon has been making a small amount (about $1,000 a year since its inception).
Jan

By: djm97

djm97 — Thu, 17 Apr 2008 11:42:31 +0000

Personally, I would like to see HP Lexicon in book form. I’m a big HP fan, and it would be nice to have an offline refence guide for the series. HP Lexicon is among the best.

What I don’t understand is how JKR can praise and promote HP Lexicon in its digital form, but at the same time condemn the same information in a print form. (HP Lexicon is one of the featured fan sites at JKR’s official website, http://origin.jkrowling.com)

From a legal perspective, how much difference is there between digital content and printed content of the same material?

By: knightofswords

knightofswords — Thu, 17 Apr 2008 02:30:47 +0000

The publisher of a legitimate study guide would, of course, obtain permission for the copyright holder for use of the material, often including that covered by fair use.

By: knightofswords

knightofswords — Thu, 17 Apr 2008 02:19:28 +0000

In the end, it may boil down to the accuracy of Warner Bros statement that 97% of the proposed book is plagarized. Is this purported concordance merely a list of statements out of Jo’s books? And whether it is or not, does it contain speculations about the life and times of her characters before and after the time period of her books?

The primary event (other than the release of additional movies) the fans are waiting for is additional information about the characters and, should Steve Vander Ark provide this, he will have usurped and upstaged Rowling’s rights to the characters just as surely as “Rhett Butler’s People” would have infringed upon the GWTW copyright had their not been prior authorization.

Malcolm

By: 1minutebookreviewswordpresscom

1minutebookreviewswordpresscom — Thu, 17 Apr 2008 01:13:24 +0000

Exactly. There have been so many of those readers’ companions and concordances, you wonder what will happen if Rowling wins: Will the the companions no longer be allowed? Will the ones on the market have to be pulled?

By: ggelliott

ggelliott — Wed, 16 Apr 2008 23:43:52 +0000

I was surprised when I first learned of this lawsuit’s existence, and felt that it would never go anywhere. Aren’t there many “books about other books” on the shelves of every library and bookstore in the U.S., and undoubtedly most other countries, as well?

Once a book it out there, it seems that the concept of free speech would dictate that others may write ABOUT it, just not plagarize or profit from duplicating it. Correct?

Examples:

“Lembas for the Soul: How The Lord of the Rings Enriches Everyday Life” by Catherine Kohman

“The Lord of the Rings: A Reader’s Companion” by Wayne G. Hammond and Christina Scull

By: 1minutebookreviewswordpresscom

1minutebookreviewswordpresscom — Wed, 16 Apr 2008 22:28:24 +0000

You’re right that book reviews are different in the sense that critics don’t profit from someone else’s intellectual property.

But a closer parallel might be the Cliffs Notes or Sparks Notes that students use. If Rowling won, it could stifle all kinds of things like that, which are now permitted under U.S. copyright law. And that could create a real mess (and, as you say, have huge effect on brand extensions). So the results — one way or the other — are going to be interesting …

By: The Social Librarian

The Social Librarian — Wed, 16 Apr 2008 18:37:56 +0000

Thanks for posting Tim Wu’s comments. It’s made me think about this case differently…Although, surely journalists discussing J.K Rowling’s work within their book review columns is completely different from another author and publisher profiting from her intellectual property?

It’s a bit of a test case really, isn’t it? The outcome of which will have an interesting impact on the brand extension market within the entertainment and publishing industry!