One-Minute Book Reviews

June 30, 2007

Win a Copy of Holly Peterson’s ‘The Manny’

Filed under: Contests — 1minutebookreviewswordpresscom @ 3:53 pm
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What! You STILL want to read Holly Peterson’s The Manny after all I wrote this week about its cringe-inducing sex scenes? Okay, you can win my copy of this new novel about a Park Avenue wife who hires a male nanny to care for her 9-year-old son.

Here’s how to win:

1) Link from your blog to this post or any other on One-Minute Book Reviews (or add One-Minute Book Reviews to your blogroll).

2) Send an e-mail message that includes the link to the address on the “Contact” page on this site. Include your mailing address.

3) If you’re the first person to send a link I can verify and you live in the U.S., I’ll send you the book. (I’ll pay the postage.) This is the copy of The Manny that I used to write the review and reading group guide to the novel that appeared on this site on on June 26 www.oneminutebookreviews.wordpress.com/2007/06/26/. I don’t mark up books (I make notes in a notebook), so the novel in good condition except for a smudge on the cover (underneath the dust jacket, so I didn’t see it until I got it home from the store). You can read the first pages of the novel by going to www.randomhouse.com and clicking on the links for the novel and then on “Read an excerpt.”

4) You must be age 18 or over to enter. And you may NOT link from a porn site or have won another contest on One-Minute Book Reviews within the past 30 days. I decide what’s “porn.”

Because links can be slow in showing up on Word Press and Technorati, you must send an e-mail message to the address on the contact page to win. I’ll judge the winner by the times on the e-mails.

This is the fourth in a series of book giveways that I’ll be having on Fridays or Saturdays on this site this summer. Contests are announced between 5 p.m. on Friday and 5 p.m. on Saturday Eastern time. There may not be a giveaway every week, and not all giveaways may require a link. Some may involve explaining why you want the book.

(c) 2007 Janice Harayda. All rights reserved.

Fun for Toddlers and Preschoolers Who Like to Make Animal Sounds: Lisa Brown’s ‘How to Be’

Filed under: Children's Books — 1minutebookreviewswordpresscom @ 12:57 am
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A witty picture book shows children how to imitate a bear, monkey, turtle, snake, spider, and dog

How to Be. By Lisa Brown. HarperCollins, 32 pp., $16.89. Ages 2–4.

By Janice Harayda

Is there a toddler or preschooler who doesn’t love to make animal sounds? San Francisco artist Lisa Brown urges 2-to-4-year-olds to take their copycat instincts a step further in this witty picture book about a brother and sister who imitate the behavior of six animals — a bear, monkey, turtle, snake, spider, and dog.

Each spread gives simple directions for acting like one of those creatures, illustrated by amusing line drawings that show how the siblings interpret the instructions. And I defy you to keep a straight face when you see how the two respond to last command on the “How to Be a Dog” pages: “Lick someone.” Oh, are parents and grandparents going to have fun watching children follow the instructions in this book! You might have almost as much fun as they’re going to have licking your elbow.

Best line/picture: Apart from the picture of the brother trying to lick his sister? A command on the “How to Be a Monkey” pages: “Eat with your toes.”

Worst line/picture: None unless you’re so heartless that you believe that children should never – not even once – be allowed to eat with their toes.

Recommendation? A good gift for 2- and 3-year olds. It might especially appeal to children who like the imitative aspects of We’re Going on a Bear Hunt. And it has an intergenerational appeal, because it will allow children to show off for their grandparents their impressive ability to slither on their bellies like a snake.

Furthermore: The bold line drawings and minimalist color palette give this book an unusually fresh look. How to Be would fit in well at Museum of Modern Art gift shop. Yet it’s not one of those pretentious books that please adults more than children. Both groups are likely to enjoy it.

Published: May 2006

Links: You can see a spread from this book by going to the HarperCollins children’s site www.harpercollinschildrens.com, searching for How to Be, and clicking on “Look Inside.” Amazon.com hasn’t enabled the “Search Inside the Book” tool (which lets you look inside other books) for this one.

A new review of a book for children or teenagers appears every Saturday on One-Minute Book Reviews. You can read earlier reviews by clicking on “Children’s Books” in the “Categories” column at right.

© 2007 Janice Harayda. All rights reserved.

June 29, 2007

What’s Unique About One-Minute Book Reviews?

Filed under: Books, Reading, Uncategorized — 1minutebookreviewswordpresscom @ 4:42 pm
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One-Minute Book Reviews recently passed its six-month anniversary, and I celebrated by redoing its FAQ page. Here’s the revised version. If you enjoy the reviews and readers’ guides on this site, I’d be grateful if you’d forward this post to others who might enjoy them.  Thanks for visiting One-Minute Book Reviews.

Jan Harayda, the One-Minute Reviewer

What is One-Minute Book Reviews?
One-Minute Book Reviews is an independent blog devoted to short reviews of new, evergreen, and forthcoming books. The reviews are written by the editor-in-chief of the site, Janice Harayda, who has been the book columnist for Glamour, book editor and critic for The (Cleveland) Plain Dealer, and vice-president of the National Book Critics Circle www.bookcritics.org. The site is the home of the Delete Key Awards for the year’s worst writing in books, published annually on March 15 http://oneminutebookreviews.wordpress.com/2007/03/15, and the Totally Unauthorized Reading Group Guides. You can find all the guides by clicking on “Totally Unauthorized Reading Group Guides” in the “Categories” column at right.

Why have a blog just for short book reviews?

The number of Web sites and blogs about publishing news, trends, and gossip recently has surged. There are far fewer independent sites or blogs just for reviews. And publishers pay for the reviews on some sites, so they’re hardly objective. I wanted to help to close the gap with sophisticated and witty reviews, including artful takedowns of overrated books and appreciations of underrated books, that aren’t influenced by all the hype.

Can you really read any review on this site in a minute?
You can read my one-sentence summaries of each book in less than a minute — maybe two or three seconds. You can find the summaries by clicking on the “Books in a Sentence” category. I also try to keep the regular reviews short enough so that you can read them in a minute or so. But I include extra text for people who have more time. At the bottom of each review, you’ll find my choices for the best and worst lines in the book. You can skip these and the other extra material.

What kinds of books do you review?
All kinds. That includes new and older fiction, nonfiction, poetry, and books typically bypassed by the review sections of newspapers, such as self-help manuals. Nothing is off limits.

How often do you post reviews?
As often as possible. On days when I don’t post a review, I often post a quote on a literary topic. Reviews of books for children and teenagers appear on Saturdays.

Why do you post readers’ guides, too?
Publishers haven’t created guides for many books that groups might love. For example, they often don’t publish guides for new hardcover nonfiction or for classic works of fiction. The guides they do post are part of a marketing plan intended to sell books. They may appear to be objective, but they are far from it. Publishers’ guides do not quote unfavorable reviews, encourage you to compare a book to others suggest that you are reading anything other than a flawless work. On that level, they don’t promote the lively debate about the merits of books that most book clubs enjoy.

How can publicists and others submit books to you for review?
They can’t. I don’t accept books or promotional materials from editors, publishers, literary agents or book publicists.

Why don’t you accept free books from publishers?
I agree with that pillar of newsroom ethics that says that journalists shouldn’t just avoid conflicts of interest — they should avoid the appearance of conflicts of interest. If I accepted free books from publishers, how would you know that the reviews on these pages hadn’t been influenced by the freebies?

If you don’t accept books from publishers, where do you get them?
Sometimes from the library. Those of us who live in New Jersey get a fantastic benefit for our tax dollars. You can walk into almost any public library, fill out a card asking the staff to buy a book, and get your wish as long as you want a title that would enhance the collection or appeal to others. If I can’t get a book from the library, I may try to borrow it from a friend or buy it online or elsewhere at half price.

How can people bring books to your attention if they can’t send them directly?
They can’t. Getting reviewed on One-Minute Book Reviews is a little like winning a MacArthur Foundation grant. You can’t apply. You just have to get lucky.

You can find out more about the blog by reading the “About One-Minute Book Reviews” page on the site.

The reviews on One-Minute Book Reviews may not be reproduced in any form without written permission from the author except for brief quotations that do not violate fair-use provisions of copyright laws. Publishers who quote from reviews in ads or elsewhere should credit: Janice Harayda, One-Minute Book Reviews. For permission to reprint longer passages or full reviews, send an e-mail message to the address on the “Contact” page on this site or write to: Janice Harayda, 41 Watchung Plaza, #99, Montclair, NJ 07042, and enclose a self-addressed stamped envelope. If you send e-mail, please mention your request in the subject heading so you don’t get mistaken for a spammer.

If you would like Janice Harayda to speak your book group, please visit http://www.janiceharayda.com and click on the page labeled “For Book Groups.”

Home page photo credit: (c) Michael Stahl

(c)2007 Janice Harayda. All rights reserved.

June 28, 2007

Why Do People Like Novels Better Than Short Stories? Quote of the Day #31

Filed under: Quotes of the Day — 1minutebookreviewswordpresscom @ 1:04 am
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You might think that the short story would be making a spectacular comeback about now. Pop-cultural analysts keep telling us – rightly or wrongly – that attention spans are getting shorter. And digital technologies like e-mail and text messaging have accustomed us to briefer forms of self-expression.

Yet short stories seem to have slumped in popularity since the deaths of masters like John Cheever and Raymond Carver in the 1980s, and fewer traditional magazines than ever are publishing them. People may talk about how little time they have for reading. But at the bookstore or library, they’ll pick up a novel instead of a collection of stories. Why? Here’s one of the simplest explanations I’ve read for why people prefer longer books:

“The natural inclination to put off the endings of good things makes them suspicious of a form that insists on wrapping things up rather quickly.”

Marisa Silver in “It’s All Relative,” a review of Helen Simpson’s In the Driver’s Seat: Stories, in the Los Angeles Times, May 20, 2007, a collection reviewed on this site on June 21, 2007 http://oneminutebookreviews.wordpress.com/2007/06/21/.

Comment by Janice Harayda:
Critics and scholars have offered many other explanations for why novels outsell short stories. If you prefer longer books, why do you like them?

© 2007 Janice Harayda. All rights reserved.
www.janiceharayda.com

June 27, 2007

Were Holly Peterson’s Cringe-Inducing Sex Scenes Too Much for Newsweek and ABC?

Filed under: Novels — 1minutebookreviewswordpresscom @ 1:49 pm
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Where to find the sex scenes in The Manny that Newsweek and ABC won’t show you in their excerpts … the page numbers for the good parts

Why didn’t Newsweek and ABC include any of Holly Peterson’s cringe-inducing sex scenes in The Manny in their online excerpts from the novel? Were their Web editors squeamish about running phrases like “Now she was on her knees” and “like a fire hose”? Were the editors trying to avoid embarrassing the author, a Newsweek contributing editor and former ABC News producer? Or did the publisher of the novel decide not to offer them the passages and hold out for, say, Sixty Minutes?

As noted in yesterday’s review of The Manny, Peterson’s sex scenes are irreproducible on a site with links from public libraries. But that doesn’t have to stop you from checking them out at a bookstore.

Here are the places in Peterson’s new novel about a male nanny where you can find the scenes that Newsweek and ABC don’t show you in their excerpts:

If you believe novelists should remember America’s firefighters even when writing about adulterous sex in a linen closet …
See page 167, the part that begins with “Now she was on her knees …” and ends with “like a fire hose in her expensive mouth.”

If you prefer sex scenes that remind you of the Discovery Channel …
See page 288, especially the line: “He was munching furiously on his prey, like an African lion with a freshly caught zebra.” Guess what part of the body the “prey” is.

If you get undressed in weird ways, too ..
See page 333, including this scene that takes place in bed: “Then he rested his head on his elbow and started unbuttoning my shirt … He pulled my arms in the air and peeled off my shirt.” Wait a minute, you’re probably thinking. If the shirt had buttons, why did he pull her arms in the air? Isn’t that how you would take off a T-shirt? If the guy was dying for sex, wouldn’t he just slip the shirt off her shoulders? Was it maybe a polo or other shirt with only a few buttons? If so, why didn’t Peterson say so instead of always leaving you scratching you head about what’s going on in these sex scenes? Sorry, but if you have to ask, you clearly don’t run with the Park Avenue elite who are the focus of The Manny. I don’t get it, either, but this seems to be another of those Fitzgeraldian examples of how the rich are different. As the woman in the scene says later, “It was never like this with anyone.” Definitely not.

A review of The Manny and a Totally Unauthorized Reading Group Guide to the novel were posted on One-Minute Book Reviews on June 26, 2007 http://oneminutebookreviews.wordpress.com/2007/06/26/. I can’t link directly to the Newsweek and ABC excerpts, but you can find the same excerpt at www.randomhouse.com. Click on the links for The Manny on the Random House home page, then click on “Read an excerpt.” Holly Peterson has a page on My Space (www.myspace.com/hollypetersonthemanny) that you can find by going to www.myspace.com and searching for “hollypetersonthemanny.”

Janice Harayda is an award-winning critic who has been the book columnist for Glamour, the book editor of the Plain Dealer and a vice-president of the National Book Critics Circle. She administers the Delete Key Awards for the year’s worst writing in books, handed out annually on March 15 http://oneminutebookreviews.wordpress.com/2007/03/15 . The top three awards in this year’s Delete Key competition went Claire Messud’s The Emperor’s ChildrenFor One More Day (first runner-up), Mitch Albom’s For One More Day (second runner-up) and Danielle Steel’s Toxic Bachelors (grand prize winner). Submit your nominations for a special beach books edition of the Delete Key Awards, to be announced later this summer, by leaving a comment on One-Minute Book Reviews.

© 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

June 26, 2007

Review of Holly Peterson’s ‘The Manny’: The Worst Sex Scenes Ever Published in a Novel Excerpted by Newsweek?

A rich Manhattanite hires a male nanny for her 9-year-old son and gets more than she bargained for

The Manny. By Holly Peterson. Dial Press, 353 pp., $25

By Janice Harayda

The emaciated carcasses of Park Avenue socialites have been pretty well picked over by novelists. First Tom Wolfe satirized the women whom he called “lemon tarts” and “social X-rays” in The Bonfire of the Vanities. Then came a second generation of writers who cannibalized rich Manhattanites’ lives for parts he spared. Candace Bushell took their sex lives in Four Blondes and other books, Nancy Lieberman their obsession with private schools in Admissions and – most memorably – Emma McLaughlin and Nicola Kraus their ruthlessness to their nannies in The Nanny Diaries.

To all of this Holly Peterson brings one new idea, at least for anybody who hasn’t followed Britney Spears’s fumbled attempts at child care: A status symbol for some mothers is a male nanny who takes boys to batting cages and basketball courts when their fathers can’t get away from their high-flying jobs in law or finance. A while back, Peterson wrote a lively story about this for the New York Times that explained why she had hired men to care for her 3-year-old son. (It seems Jack wanted to sell his baby sister at the supermarket. ”Just leave her on the shelf next to the Teddy Grahams, Mom,” he proposed.) She now returns to male nannies in a glorified romance novel that’s better beach reading than Danielle Steel but not nearly as good as The Nanny Diaries.

Jamie Whitfield, a 36-year-old television producer, hires a younger man to care for her 9-year-old son because her callow husband earns $1.5 million a year but doesn’t seem to care that Dylan is suffering from “loss of self-esteem more than likely due to an absent dad. ” Jamie has middle-class, Midwestern roots – she married “up” – and professes disdain for the “showy and vulgar” New Yorkers she meets at a museum benefit.

But she acts at times like as much of a snob as her friends. She scorns the clothes of a researcher for her TV show: “She was wearing one of her awful Ann Taylor suits from the last century – a cherry-red one.” (She tells the woman, cruelly, “You look like an Avis car rental agent again.”) One problem with the jab is that in some Heartland cities – whose values Jamie is supposed to stand for – Ann Taylor stores are the most stylish in town. (I was thrilled when Ann Taylor moved into the Galleria in Cleveland, where I worked after writing for Glamour – not because I didn’t know you could find more fashionable clothes at Bendel’s and Bergdorf’s but because it offered an alternative to the Limited.) If Peterson wanted to pile more scorn on the suit, she could have done it more credibly with a reference to the lapels or fabric – it’s the gratuitous brand name that’s the tip-off to Jamie’s snobbery.

The Nanny Diaries succeeded, in part, because McLaughlin and Kraus had worked for more than 30 families as nannies and their details consistently came across as fresh and authentic. Peterson achieves this only erratically. Just as important, McLaughlin and Kraus had control of their tone from the start and never let you forget whom you were supposed to identify with – the exploited young nanny. Peterson’s tone is so uneven that she never establishes full sympathy for her heroine. The Manny says several times that Jamie’s son has low “self-esteem.” And because that phrase has been so overused that many journalists and others now avoid it, you might think the references are satirical. But they seem painfully earnest. The novel has the further burden of a pace that’s slow for at least the first 150 pages, after which the plot elements begin to mesh and push the story along more briskly. Even then, there isn’t much suspense about the question at the heart of the book: Will Jamie leave her indifferent husband for the manny who has charmed her young son?

Peterson seems to be trying to have it both ways – to suggest that Jamie has joined the uptown elite while remaining superior to it. The Manny reminds us that, in novels as in life, this is an act that only the most skilled can pull off.

Best line: Jamie talks about a show with network lawyer Geraldine Katz. “Geraldine once asked me how I could prove Michael Jackson really was the King of Pop.”

Worst line: Any of Peterson’s attempts to write a plausible sex scene. These are irreproducible on a site with many links from public libraries. But next time you’re in a bookstore, check out the scene on page 167 that begins with “Now she was on her knees …” and ends with “like a fire hose in her expensive mouth.” This is possibly the worst sex scene ever to appear in a novel excerpted by Newsweek, which has posted a portion of the book in its Web edition for June 17. The magazine does not include this scene in its excerpt in but uses a tamer passage for obvious reasons, including that excerpting this one could alienate a large portion of its subscription base.

The worst line not involving sex occurs when Jamie screams at her husband, “We’re in the modern era, baby, you spoiled, Jurassic, archaic, Waspy piece of petrified wood!” Yes, this is a character we’re supposed to like.

Reading group guide: A Totally Unauthorized Reading Group Guide to The Manny was posted on this site on June 26, 2007, in the post just before this review.

Editor: Susan Kamil

Published: June 2007

Furthermore: Peterson is a contributing editor of Newsweek.

Links: Peterson has a page on My Space (www.myspace.com/hollypetersonthemanny), but I’m having trouble getting the direct link to work from this site. You can find the page by going to www.myspace.com and searching “hollypetersonthemanny” (one word).

I can’t seem to link to the excerpt in the online edition of Newsweek, either, but you can find it by Googling “The Manny + excerpt + Newsweek.” You can find the same excerpt that appears in Newsweek on the publisher’s site www.randomhouse.com/.

(c) 2007 Janice Harayda. All rights reserved.

 

www.janiceharayda.com

 

 

A Totally Unauthorized Reading Group Guide to Holly Peterson’s ‘The Manny’

10 Discussion Questions for Book Clubs and Others
The Manny
By Holly Peterson

This readers’ guide was not authorized or approved by the author, publisher or agent for the book. It is copyrighted by Janice Harayda and is only for your personal use. Its sale or reproduction is illegal except by public libraries, which may reproduce it for use in their in-house reading programs. Other reading groups that wish to use this guide should link to it or check the “Contact” page on One-Minute Book Reviews to learn how to request permission to reproduce the guide.

Five years ago Holly Peterson wrote a story about male nannies for the New York Times in which she explained why she had hired men to care for her 3-year-old son. It seems that Jack wanted to sell his baby sister at the supermarket. ”Just leave her on the shelf next to the Teddy Grahams, Mom,” he suggested. Peterson now returns to male nannies in her first novel, The Manny. Jamie Whitfield, a 36-year-old New York television producer, hires a younger man to care for her son because her rich, caddish husband doesn’t seem to care that Dylan suffers from a “loss of self-esteem more than likely due to an absent dad.” Jamie comes from a middle-class Midwestern background and loathes many of her “showy and vulgar” Upper East Side neighbors, whose sexual adventures can be as explicit as their preferences for brands like Bulgari and Chanel. And they aren’t her only problem. The Manny also involves infidelity, a political scandal and an FBI investigation. As the action moves from Manhattan to Aspen, Jamie faces a final question: Should she stay with her indifferent husband or cast her lot with a seemingly penniless male nanny who has charmed her young son?

Questions for Readers

1. Many well-known novelists have written about the world of the Park Avenue elite, including Tom Wolfe in The Bonfire of the Vanities. What, if anything, did you learn from The Manny that you didn’t get from other sources?

2. Nannies or other underlings have taken center stage in such recent bestsellers as The Nanny Diaries and The Devil Wears Prada. Some people would say that it’s easier for a novelist to evoke sympathy for such obviously exploited characters than for their bosses. Jamie Whitfield is the boss in The Manny. Does Holly Peterson create sympathy for Jamie? What did you find appealing or not appealing about her?

3. Peterson says that Jamie comes from “middle-class, Middle American roots” and “married into” her elite realm on the Upper East Side of Manhattan. [Page 7] Did Jamie strike you as a credible daughter of the Heartland? Why or why not?

4. Jamie dislikes many of the people in her social orbit, whom she sees as pretentious snobs. She says that guests at a museum benefit are “showy and vulgar” and “unintellectual and boring.” [Page 312] Does Jamie ever come across as a snob? Where? Do you think that Peterson intended this or that it’s a flaw in the novel?

5. New York magazine had this novel reviewed by real-life manny, Jake Shapiro, who questioned its title: “A more apt title would be The Mommy – the book focuses pretty tightly on Jamie and her desires for happier kids, an exciting career, and a better marriage. Peter, the manny, is a stock character, a callow guy in his twenties on the rebound from a busted romance.” [“A Man Among Nannies,” by Jake Shapiro, New York, June 25, 2007 www.nymag.com/arts/books/features/33518/.] Do agree that Peter is a “stock character”? Why or why not? What could Peterson have done to make him less of a stock character and give him more depth?

6. One critic of The Nanny Diaries wrote that while the nanny and others in the novel were unique and believable characters, the boy the nanny cared for wasn’t – he came across as a generic child. How well did Peterson portray Dylan in The Manny? Was he unique and believable or a generic boy?

7. Critics use the term roman-à-clef (novel-with-a-key) to describe books that invite you to guess which people or incidents inspired their characters. Does that characterization fit all or parts of The Manny? Why?

8. The Manny has its roots in an article Peterson wrote for the New York Times. A British reviewer wrote that the novel feels “more like a collection of newspaper pieces than a coherent narrative.” [The Telegraph, March 18, 2007] Do you agree or disagree? What makes the book seem like a novel or collection of articles to you?

9. The Manny has multiple story lines that involve the manny, a political scandal Jamie is covering at her network, and an FBI investigation of the law firm where her husband, Phillip, practices. One challenge of keeping several story lines going is that you have to tie them together at the end. How well did Peterson do this?

10. Another challenge of working with multiple story lines that you have to give background for each up front, which can make a novel slow in getting off the ground. How would you describe the pace of The Manny? Did it ever seem to drag? Where? Why did the novel move faster in some places than others?

If you dare:
11. The Manny has some fairly explicit – some might say trashy – sex scenes, such as the one on page 167. Did these strike you as realistic? Or is Peterson one of those authors who should be barred by the New York City Council from ever trying to write a credible scene that includes the line, “Now she was on her knees …”

Vital statistics
The Manny. By Holly Peterson. Dial Press, 353 pp., $25. Published June 2007.

A review of The Manny appeared on One-Minute Book Reviews on June 26, 2007 http://oneminutebookreviews.wordpress.com/2007/06/26. It saved both with the June posts and in the “Novels” category on the site.

Links: The excerpt from The Manny appears on the online edition of Newsweek dated June 17, 2007. I can’t link directly to it, but you can find the excerpt by Googling “The Manny + excerpt + Newsweek.” You can also find an excerpt and more on the Random House site www.randomhouse.com.

Peterson’s article “It’s So Nice to Have a Manny Around the House” ran in the New York Times, Nov 3, 2002, pg. 9.2. You have to register for the Times’s site to access the article but may be able to find it elsewhere on the Web.

Your book group may also want to read:
The Nanny Diaries. By Emma McLaughlin and Nicola Kraus. St. Martin’s, 320 pp., $13.95 paperback (tie-in edition for the movie due out in September 2007). This novel does not have a diary format but uses first-person narration to depict the life of a nanny for ruthless parents who inhabit a world similar to that of The Manny.

Janice Harayda www.janiceharayda.com is an award-winning critic who has been the book columnist for Glamour, book editor of the Plain Dealer and a vice-president of the National Book Critics Circle. One-Minute Book Reviews does not accept free books from editors, publishers or authors, and all reviews and guides offer an independent evaluation of books that is not influenced by marketing concerns. If this guide helped you, please bookmark this site or subscribe to the RSS feed. Totally Unauthorized Reading Group Guides appear frequently but no on a regular schedule.

© 2007 Janice Harayda. All rights reserved.

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June 25, 2007

Rudolf Nureyev (and Others) Slept Here: Derry Moore’s ‘Rooms’

The 12th Earl of Drogheda visits the homes of aristocrats and others in Paris, London, Madrid, Vienna and elsewhere

Rooms. Photographs by Derry Moore. Text by Carl Skoggard. Editor: Joseph Holtzman. Rizzoli/Nest Books, 263 pp., $60.

By Janice Harayda

Books about interior design typically show rooms with character. Derry Moore’s Rooms shows rooms with characters.

Rudolf Nurevey, Lady Diana Cooper, the Rev. Peter Gomes, the Duchesses of Devonshire and de Mouchy — all are among the aristocrats of birth or achievement whom the 12th Earl of Drogheda has photographed over three decades. Moore aims to capture, not romanticize, his subjects. So he looks beyond Nureyev’s deep cooper bathtub and the Sargent portrait of the granddaughters of an earlier Duchess of Devonshire that hangs in the Blue Drawing Room at Chatsworth. He offers glimpses of faded paint, threadbare silk, buckled wallpaper, tilted lampshades and a roll of toilet paper.

In that sense his book has something of the twilight-of-the-gods air of Andrew Bush’s great Bonnettstown. Rooms also has a bracing and opinionated text by Carl Skoggard, who situates good design – as Jane Austen did – in the context of morality. “Here, you will find no effort to intimidate by means of a display of grandeur (or false grandeur),” Skoggard writes of the château Le Fresne, near Tours. “Nothing overawes through its size.” You could say that “Le Fresne and its unforced elegance express the unfeigned goodness of dispositions naturally moral.” This may be a reach. But Skoggard’s writing has much more life than the sycophantic prose of most design magazines. Like Moore’s haunting photographs, his text usually is, as the introduction notes, “impractical in the best sense of that much maligned word.”

Best line: Prince Tassilo von Fürstenberg’s former hunting bristles with so much taxidermy that Skoggard wonders if an Austro-Hungarian decorator tricked it up “with suitable remains”: “Recall Vladimir Putin’s astonishment when he suggested to his friend George Bush that the two of them saddle up for a ride around the ranch, only to be told that his host could not ride a horse at all.” This is one example of Skoggard’s refreshing willingness to confront a truth rarely acknowledged in books about interior design: Décor is always, in part, a commentary on politics.

Worst line (tie); The chapter on the gardens of Powis Castle in Wales is written, preciously, from the point of view of its yew trees. And Skoggard’s usual good taste fails him in his justification of opulence of Indian rajas and maharajas: “Where poverty is widely shared and there is no shame in being poor, ostentation on part of the well-off few becomes public entertainment, a benefaction shared by all, legitimation of things as they happen to be.” Exactly how did the poor “share” in the opulence when, as the Wall Street Journal said in its June 23–24 edition, the “untouchables” (now known Dalits) “were barred from temples used by upper-caste Hindus and from upper-caste homes”? Did they “share” it the way the homeless in Manhattan share Donald Trump’s wealth by gazing at Trump Tower?

Recommendation? This book could be a great gift for an architect, interior designer or traveler who loves visiting stately homes like Chatsworth.

Consider reading also: Andrew Bush’s Bonnettstown: A House in Ireland (Abrams, 1989), a remarkable portrait of three elderly aristocrats during their final days in their decaying 18th century Georgian manor house in Ireland.

Published: November 2006 www.derrymoore.com.

Furthermore: The New York Times ran a good article on Moore, “Insider’s View of Society’s Vanishing Rooms,” on Nov. 23, 2006. [I can't get a direct link to work, but you can find it easily by Googling "new york times" and "derry moore."]

 

 

© 2007 Janice Harayda. All rights reserved.

June 24, 2007

How Hollywood Found Daniel Radcliffe for the Role of Harry Potter

Filed under: Uncategorized — 1minutebookreviewswordpresscom @ 1:47 pm

No, you can’t have Harry Potter and the Deathly Hallows before July 21. But if you need a Potter fix before then, you could read A Star is Found: Our Adventures in Casting Some of Hollywood’s Biggest Movies (Harcourt, $25), by Janet Hirshenson and Jane Jenkins www.janeandjanet.com. In this memoir, two of Hollywood’s best-known casting directors tell how Daniel Radcliffe got his biggest role. They also tell how they matched many other stars, including Julia Roberts and Tom Cruise, with parts. Although written for adults, this book would also appeal to many teenagers who love movies.

(c) 2007 Janice Harayda. All rights reserved.

www.janiceharayda.com

June 23, 2007

Beach Books for Ages 7 and Up

Reconsidering three popular series — The Baby-sitters Club/Little Sister, The Adventures of Mary-Kate & Ashley and The Time Warp Trio

By Janice Harayda

After finishing all those worthy titles on school reading lists, many children need their own equivalent of beach books, or light summer fare that reminds them that reading is fun. That’s especially true of 7-to-9-year-olds, who may still require a lot of help finding books they can read and enjoy on their own. Here are a few alternatives to the popular series about Junie B. Jones, a heroine some people might define as a bully — loud, rude, full of herself and, in at least one book, physically violent.

The Baby-sitters Club/Little Sister series is a spin-off of Ann M. Martin’s juggernaut, “The Baby-sitters Club,” which dominated the preteen market for much of the 1990s. In its day “The Baby-sitters Club” was, as John Lennon might have said, “bigger than Jesus” among girls roughly ages 9–11. The “Little Sister” novels are aimed at a younger group and involve Karen Brewer, a 7-year-old second grader and the sibling of club founder Kristy. Karen is the anti-Junie. As sweet as a box of S’mores, she loves her teacher, her stepfather, her pen pal and, apparently, just about everybody else. Nobody pretends that these or other Baby-sitters books are art. But they have the virtue – getting rarer every day in children’s books – of grabbing girls’ attention while dealing with characters who are actually nice to each other. Some children might even learn a few things the one I read, Baby-Sitters Little Sister #89, Karen’s Unicorn (Scholastic, 1997), illustrated by Susan Tang. In this book Karen develops a fascination with unicorns that allows Martin to introduce a bit of lore about the mythical creatures. Did you know that if you want to drink from a stream in the books “and a unicorn comes along and puts its horn into the stream, then the water will be safe to drink”? I didn’t. www.scholastic.com/annmartin/bsc/

The New Adventures of Mary-Kate & Ashley is an easy detective series in which the famous sisters solve cases, styling themselves as the “Trenchcoat Twins.” I watched only a few episodes of the Olsens’ old sitcom, Two of Kind. But on the shows I saw, Mary-Kate and Ashley were often as rude or mean as Junie. So I wouldn’t have picked up this series if a children’s librarian hadn’t suggested it as an alternative to the “Little Sister” books. I read The New Adventures of Mary-Kate & Ashley: The Case of the Sundae Surprise (Harper Entertainment, 2003), by Melinda Metz, and found that here the girls mostly avoided the bickering they did on their TV show. Mary-Kate and Ashley work cheerfully together to find the thief who stole their secret recipe for Creamy Orange Choco Chunk ice cream, which they had planned to enter in an invent-a-new-flavor contest. And the thief turns out to be harmless, so the twins never face real danger. The book has ten pages of ads at the back for Mary-Kate and Ashley products, including dolls and videogames. www.mary-kateandashley.com

The Time Warp Trio involves three time-traveling preteen boys who quickly became so popular after their introduction in the 1990s that they earned their own show on the Discovery Channel. I’ve read only the earliest pre-TV novels, which have a witty text by Jon Scieszka and whimsical black-and-white illustrations and Lane Smith. These books included The Not-So-Jolly Roger (Viking, 1991), in which the boys join the ship of the pirate Blackbeard, and Your Mother Was a Neanderthal (Viking, 1993) in which they travel to the Stone Age. And they were terrific and far above the Baby-sitters and Mary-Kate and Ashley books. (The newer, post-TV books have a different design and may involve other changes.) These novels also appeal to many children beyond the second or third grade. www.timewarptrio.com

Some of these series may be hard to find in stores, but libraries and online sources usually have at least a few titles in each. And because they’re available in inexpensive paperback editions, there’s no need to worry about sunscreen streaks on the pages.

© 2007 Janice Harayda. All rights reserved.

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